Critical Theory in a Digital Age, CCU, ENGL 483 2017Main MenuTheory, English 483, CCU, 2017Alisha Petrizzo, Reproducing a ClassicTaking a look at how film can enhance or distort the authenticity of its original literature formatJocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects IdentityUsing the idea of cyborgs, as defined by Donna Haraway's "Cyborg Manifesto" the comparison is made between these cyborgs and social media users and how the public and private space converge and diverge within these spaces in order to form new and differing identities than the real-world identity.Kaitlin Schell, Electracy in #BlackLivesMatter and #MeTooMainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations.Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film IndustryA scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation.Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey MorganBy: Lindsey MorganMarcus Kinley, The Uncanny in Flatliners (1990)Tiffany Hancock, The Panopticon of CommoditiesYaicha Ocampo - Marx's Favorite LatteThe relationship between the simulacrum and the fetish commodityLeila Hassak-Digital Labor Through The Dystopian Film Hunger GamesElizabeth Tabor, From 'Token Girl' To 'Leading Lady'How The Rise In Female Fans Affects Modern Popular CultureKyle Malanowski, The Uncanny WithinVictor Cocco , The Wonderfully Mysterious World of the UncannyIntroductionAriel Ellerson : The Public Sphere's Effect on Social Media and ChurchTiffany Whisenant, Cyborg ProsthesisLooking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.Jen Boyle54753b17178fb39025a916cc07e3cb6dd7dbaa99
12017-12-15T14:34:11-08:00The Ego and the Uncanny Double6plain2017-12-15T15:47:10-08:00According to Sigmund Freud, the uncanny double is any psychical being that resembles humans (9). The double can range from twins, dolls, cyborgs, etc. However, in the case of Flatliners, the uncanny double is being able to exist on earth as well as in the afterlife. During their experiment the medical students take turns being flat-lined so that they can get their own experience with what death is like. During their experiment, the person the is being flat-lined is on the operating table, and their soul is in the realm of the afterlife, so they exist in both dimensions. They also bring the dead back to life once their spirits come back into their bodies. Billy Mahoney, the kid that Nelson bullied to death, comes back to life to avenge his death. He beats up Nelson almost every time Nelson is alone. Nelson tries to explain what happens to him to the other students, but they do not believe him. No one else can see Billy Mahoney, only Nelson can. When Neslon fights with Billy it looks as if he is beating himself up. Billy Mahoney represents the uncanny double because he exists in the afterlife, and in real life. The same thing happens for Rachel when her dad co-exists in both the afterlife and the real world.
Freud mentions (as stated by Otto Rank) that "the 'double' was originally an insurance against destruction to the ego, and 'energetic denial of the power of death'" (9). Nelson is the mastermind behind the experiment, and claims to experiment with death because religion and biology failed in that department. Nelson also wants to be well known as the person who found the key to death, and share what everyone will experience. Nelson also wants to see if he can find the answer to extending human is through death.