Critical Theory in a Digital Age, CCU, ENGL 483 2017Main MenuTheory, English 483, CCU, 2017Alisha Petrizzo, Reproducing a ClassicTaking a look at how film can enhance or distort the authenticity of its original literature formatJocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects IdentityUsing the idea of cyborgs, as defined by Donna Haraway's "Cyborg Manifesto" the comparison is made between these cyborgs and social media users and how the public and private space converge and diverge within these spaces in order to form new and differing identities than the real-world identity.Kaitlin Schell, Electracy in #BlackLivesMatter and #MeTooMainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations.Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film IndustryA scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation.Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey MorganBy: Lindsey MorganMarcus Kinley, The Uncanny in Flatliners (1990)Tiffany Hancock, The Panopticon of CommoditiesYaicha Ocampo - Marx's Favorite LatteThe relationship between the simulacrum and the fetish commodityLeila Hassak-Digital Labor Through The Dystopian Film Hunger GamesElizabeth Tabor, From 'Token Girl' To 'Leading Lady'How The Rise In Female Fans Affects Modern Popular CultureKyle Malanowski, The Uncanny WithinVictor Cocco , The Wonderfully Mysterious World of the UncannyIntroductionAriel Ellerson : The Public Sphere's Effect on Social Media and ChurchTiffany Whisenant, Cyborg ProsthesisLooking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.Jen Boyle54753b17178fb39025a916cc07e3cb6dd7dbaa99
1media/download.jpg2017-12-14T20:24:52-08:00Sigmund Freud: Defining the "Uncanny"12plain2017-12-15T16:42:20-08:00 According to Sigmund Freud, the uncanny "belongs to all that is terrible--to all that arouse dread and creeping horror" (1). People tend to use the word "uncanny" every time they are frightened by something, or every time they see or hear something creepy. Freud argues that dread and terror are things that are associated with the uncanny, but it isn't exactly what the uncanny is. The uncanny isn't strange or unfamiliar, but it is actually something that is known to us, something that we may have experienced before (2). Looking at definitions in other languages that translate with "uncanny", Freud uses the German word, "heimlich" to provide more details to state exactly what the uncanny is. Heimlich means "belonging to the house, not strange, familiar, tame, comfortable, etc" (2).
The uncanny makes people recall events that they do not wish to be familiar. Freud states (as cited by Shelling) "everything is uncanny that ought to have remained hidden and secret, and yet comes to light" (4). The reason why people are so frightened by things they call "uncanny" is because it makes people remember paste events that they try their hardest not to think about. Martin Jay also describes the uncanny as "something which is secretly familiar, which has undergone repression and then returns from it" (3).