Critical Theory in a Digital Age, CCU, ENGL 483 2017Main MenuTheory, English 483, CCU, 2017Alisha Petrizzo, Reproducing a ClassicTaking a look at how film can enhance or distort the authenticity of its original literature formatJocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects IdentityUsing the idea of cyborgs, as defined by Donna Haraway's "Cyborg Manifesto" the comparison is made between these cyborgs and social media users and how the public and private space converge and diverge within these spaces in order to form new and differing identities than the real-world identity.Kaitlin Schell, Electracy in #BlackLivesMatter and #MeTooMainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations.Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film IndustryA scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation.Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey MorganBy: Lindsey MorganMarcus Kinley, The Uncanny in Flatliners (1990)Tiffany Hancock, The Panopticon of CommoditiesYaicha Ocampo - Marx's Favorite LatteThe relationship between the simulacrum and the fetish commodityLeila Hassak-Digital Labor Through The Dystopian Film Hunger GamesElizabeth Tabor, From 'Token Girl' To 'Leading Lady'How The Rise In Female Fans Affects Modern Popular CultureKyle Malanowski, The Uncanny WithinVictor Cocco , The Wonderfully Mysterious World of the UncannyIntroductionAriel Ellerson : The Public Sphere's Effect on Social Media and ChurchTiffany Whisenant, Cyborg ProsthesisLooking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.Jen Boyle54753b17178fb39025a916cc07e3cb6dd7dbaa99
12017-12-14T19:51:51-08:00Conclusion - Can we undo the fetishization of simulacrums?8plain2017-12-15T07:16:32-08:00The “mystical value” of fetishized simulacrums “depend on the social value of specific institutional systems for marking the value of material things” (Pietz).
In order to change a product’s social value, one would have to change the system that assigned the value.
The first step would be to transform the idea or concept that the simulacrum is representing by focusing on the connotations that compile it. The “interplay between the text as a physical artifact, its conceptual content and the interpretive activities of readers and writers” formulate the secondary, cultural meaning (Hayes). The “pieces” in Pieces of Herself express gender stereotypes that women are forced to comply with such as women cooking meals for and cleaning after their family. If the connotation of the pastry can be transformed from its original cultural significance, then one can undo the fetishization of simulacrums – therefore disillusioning consumers to the lack of pumpkin in a pumpkin spice latte. Marxist fetish theory explains this as false consciousness – “based upon an objective illusion (hence alterable only by institutional transformation, not mere subjective ‘consciousness raising’): material objects turned into commodities conceal exploitative social relations, displacing value-consciousness from the true productive movement of social labor to the apparent movement of market prices and forces” (Pietz).
Structuralism encourages the creation of fetishized simulacrums because of how easily the social value of objects can be manipulated. This becomes problematic with the construction of identity because one will never be able to determine what parts of themselves stem from their own ideology and which are based on societal expectations of what they should be. Consumers are like pumpkin spice lattes in that they define the values of a society, but never realize that they actually contain no trace of pumpkin.
My challenge to you: question social values - why products are seen as important or necessary, educate yourself on the structure of your society, disillusion others to simulacrums and expose them as the copies they are. We may be the underdogs, but, if we can together change the social norm, we can end the fetishization of simulacrums.