Critical Theory in a Digital Age, CCU, ENGL 483 2017Main MenuTheory, English 483, CCU, 2017Alisha Petrizzo, Reproducing a ClassicTaking a look at how film can enhance or distort the authenticity of its original literature formatJocie Scherkenbach, Real Identity in a Virtual World: How Social Media Affects IdentityUsing the idea of cyborgs, as defined by Donna Haraway's "Cyborg Manifesto" the comparison is made between these cyborgs and social media users and how the public and private space converge and diverge within these spaces in order to form new and differing identities than the real-world identity.Kaitlin Schell, Electracy in #BlackLivesMatter and #MeTooMainstream hashtags that represent a movement in the physical world are explored in terms of Gregory Ulmer's theory of electracy and connotations.Kayla Jessop, The Uncanny Valley: Observations on Cyborgs within the Film IndustryA scholarly observation on how film industries use Freud's idea of the uncanny and the uncanny valley within cyborgs and computer generated animation.Bilingualism Through An Electronic Hypertext and The Baroque Simulacrum it Creates By: Lindsey MorganBy: Lindsey MorganMarcus Kinley, The Uncanny in Flatliners (1990)Tiffany Hancock, The Panopticon of CommoditiesYaicha Ocampo - Marx's Favorite LatteThe relationship between the simulacrum and the fetish commodityLeila Hassak-Digital Labor Through The Dystopian Film Hunger GamesElizabeth Tabor, From 'Token Girl' To 'Leading Lady'How The Rise In Female Fans Affects Modern Popular CultureKyle Malanowski, The Uncanny WithinVictor Cocco , The Wonderfully Mysterious World of the UncannyIntroductionAriel Ellerson : The Public Sphere's Effect on Social Media and ChurchTiffany Whisenant, Cyborg ProsthesisLooking at how technology is used to augment ourselves and how technology becomes extensions of our body and soul.Jen Boyle54753b17178fb39025a916cc07e3cb6dd7dbaa99
12017-12-03T18:31:16-08:00Fetisization of Being Watched9image_header2017-12-14T18:41:31-08:00 Advancing further into a post-Foucault era, the idea of the panopticon can be argued to have become an actual commodity of society today. An example of this is reality television. The participants of reality television are encouraged to be themselves and are rewarded for displaying themselves and participating in activities. “It is gratifying to be watched; close surveillance is destigmatized,” (Giordano). This twists the idea of surveillance into a form of self-expression and it rewards individuality and promotes engaging content. Their behaviors and actions are on display for all audience members to watch. Another example of this could be YouTube, specifically vloggers, who video events that take part of their everyday lives. This industry commodifies individualization in the global market and people are marketing themselves and differentiates because they are participating in this surveillance willingly. This alters the idea of privacy, as the anxiety that is caused by being watched dissolves as surveillance becomes a commodity to be sold. The panopticon has evolved greatly from its original physical conception and expanded to social relationships. As Marx explains there is an inseparable aspect between commodities and fetishisms. The seer-seen relationship that is so apparent in the original panoptic idea has been decentralized to the point of commodification. The Panopticon was not commodified during Bentham or Foucault's time period so it was not sold on the market. "This inescapability of observtation has only been enhanced by the application of the term panoptic to virtually any mode of surveillance today, thus forcing us into an iron cage of panopticism, of perceptual observation and surveillance we may not be able to escape," (Giordano).