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Panel 1: Personal Narrative and the World / Feeding the Self
1media/peter-feghali-XURJBJi_wDE-unsplash.jpg2020-10-22T15:37:06-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e3780623image_header2020-11-25T13:21:40-08:00Frank Polc2016117f0f71ea8daf3deb27f0bceff1dc14e69The personal narratives of this panel consider the material and immaterial nourishment that we need to live. Their accounts take us across time as well as across the world—from Peru to upstate New York to postwar Vietnam and Penang, Malaysia. Through memories and first-hand experience, they show us how we can build resilience, identity, and sustainability through a life lived in balance—with others as much as with our environment and home. --S. T.
Being to explore my interest in the most ironic of times.plain2020-11-30T12:20:54-08:0037.09024, -95.712891Likhita Sureshfa36a2f3506609c5e2c064df653783c84fd35c54
Prior to attending USC, I took a gap year to pursue my interest in regenerative agriculture and environmental design. After working in various alternative agricultural operations I gained insight into the challenges and goals of instituting a regenerative framework for human land-based relationships. On one farm, I learned about Permaculture as one alternative for holistic and sustainable land management. On another farm, I was often challenged or looked down upon for my beliefs. In this scholarly personal narrative, I present why I still believe that Permaculture must be the future of agriculture.plain2020-11-30T12:21:27-08:0040.8447819, -73.8648268Likhita Sureshfa36a2f3506609c5e2c064df653783c84fd35c54
12020-11-15T09:15:38-08:00Likhita Sureshfa36a2f3506609c5e2c064df653783c84fd35c54Penang: The Pearl of the Orient6By Yee Young Cher (YY)
My work is a creative piece based on DJ Waldie's Holy Land. In my GESM 120 class LA stories with Christopher Edward Freeman, I aim to emulate Waldie' style of using stories, statistics, and photos to bring the reader closer into the world of LA and its history, and here I am doing the same but for my hometown of Penang, Malaysia. I included personal stories, Malay words, more serious topics, and a general mix of what constitutes my hometown. It is essentially a small but meaningful sample of my life in Penang, made for presentation to someone who is unfamiliar with Penang or Malaysia as a whole.plain2020-11-30T12:22:18-08:005.41413069999999, 100.3287506Likhita Sureshfa36a2f3506609c5e2c064df653783c84fd35c54
A letter from my forty-year-old self from the year 2042 addressed to my eighteen-year-old self in the year 2020 right now. In it, future me offers solicitude and support to get through this current pandemic (and all-around difficult year) by offering a story with common underlying themes. The story is essentially a true retelling of my parents’ life and a bit of my own -- from their disadvantaged and impoverished upbringing in the slums of postwar Vietnam to me now attending one of the top schools in the United States on a scholarship. Future me wraps up the letter by applying the themes of my parents' story and my own to the broader tale of humanity -- themes like family, community, hope, and persistence. I postulate that the will to persist is not just a feel-good sentiment. It's a responsibility we have to ourselves and each other. And through that responsibility, we unlock the courage to turn hardship into story, just like this letter does.plain2020-11-30T12:23:08-08:0037.3382082, -121.8863286Likhita Sureshfa36a2f3506609c5e2c064df653783c84fd35c54
12020-11-14T17:35:51-08:00Mary Traester3c331c166c8b71380909665f15205b660b1b9c2bWho I Am7By Hulbert Nguyen Dang
A personal narrative of a speaker's experience in the park.plain2020-11-30T12:23:38-08:0033.8120918, -117.9189742Likhita Sureshfa36a2f3506609c5e2c064df653783c84fd35c54