Thinking Historically
At a glance, this painting looks very simple in composition and color. However, like in medieval paintings, the color, composition, and content are crucial as symbols to convey a deeper meaning of the biblical scene. Rossetti’s "The Annunciation" is no different and heavily relies on these characteristics, creating a simple yet profound work that speaks to its highly religious origins. Let us examine this piece and its place within the history of the Pre-Raphaelites.
Big Ideas & Questions
How was this painting received in public? Why do you think this painting was received the way it was in the National Exhibition? Support your reasons with evidence.
What impact did this particular work have on Rossetti’s career?
What role does color play in this painting? What symbols are present that speak to its religious origins?
Compare and contrast Rossetti’s The Annunciation with that of artists Botticelli and Fra Angelico. What do you observe about the artistic choices? What surprised you?
Choose 5 works that represent the span of Rossetti’s career. What changes do you see in his work (content, composition, color) over time? How does his historical and social context relate to his artistic development?
As mentioned previously, Rossetti was known for using the women in his life as his models. His sister Christina Rossetti was the model for the Virgin Mary in "The Annunciation". However, she was also an accomplished poet in her own right and was influenced greatly by her own religious convictions. A fellow appreciator of nature like her brother, Christina was likewise inspired by the same poets that the Pre-Raphaelite Brotherhood read and painted. In light of her role as a model for Rossetti and as an accomplished author, let us think about the influence of women in the making of Pre-Raphaelite art.
This page has paths:
- The Pre-Raphaelite Brotherhood: Founding Members Isabella Anderson