Style and "Substance"Main MenuPhilosophy and the ArtsWhat can philosophy do for the arts?Ontological FractalOntological MappingArt CommentaryStudent ObservationsArchaic Eternal ReturnPresocratic ClassicalSocratic Late ClassicalPlatonicNominalist RenaissanceAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaJmedina29ac3fc10003fb639ac412984b59b01a5b826e161Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Published by Aneesah Ettress
Oppositional Vectors
12017-06-14T13:14:53-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea148582plain2017-06-14T13:15:14-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaThe lion and Hercules are at conflict literally, but their representation also creates two oppositional vectors. The form of the vase then forces this conflict of vectors to resolve into a continuous unity, imparting part of the concept of cosmos for the Presocratics.
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12017-02-06T11:17:45-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaHercules and the Nemean Lion7Philadelphia L-64-185, 490 BCE, Attic red figure stamnos, Philadelphia, Pennsylvaniamedia/Hercules and the Nemean Lion.jpegplain2017-07-20T10:37:04-07:00Maria Daniels, University of Pennsylvania Museum490 BCE42.424116, 11.631095red figure, cermaicVulci, ItalyKleophrades PainterAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea
