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The Digital Piranesi

Veduta interna del Pronao del Panteon

Subject Matter: Architecture (Ancient); Interior of Pantheon; Pronao del Panteon; Vedute di Roma; Vedute
Page Design: Image spreads into key, lower section of image; Two pages; Horizontal Orientation
Architectural Features: Temple interior; Columns; Portico; Steps; Stepped; Cornices; Cornice; Windows; Window; Window frames; Railings; Corinthian order; Avanzi; Remains; Remnant; Arch; Arches; True arch; Terracotta; Lintel
Materials: Stucco; Marble; Granite; Stone; Volcanic Tufa?; Pumice; Porphyry;
Perspective/View: One-point perspective; Perspectives, frontal ; Interior
Figures/Agents: Human; Citizens; Citizen; Tourists; Tourist; Beggars; Beggar; Women (female humans); Men (male humans)
Clothing: Dresses (garments); Trousers; Breeches (trousers); Jackets (garments)
Activities: Gesturing/Pointing; Sitting; Standing; Kneeling
Natural Elements: Sky; Clouds
References: Key, internal reference, outside of frame; Key as text outside of margin; Key; Key appears at lower portion outside of frame"

To see this image in Veduta di Roma, vol 17 of Piranesi's Opere, click here.

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Contents of this path:
2. View of the Pantheon
  APPROXIXMATE AGE OF SUBJECT MATTER
  
  Imperial, 2nd century AD
  
  SUBJECT MATTER
  
  Pantheon D’Agrippa; Architecture (Ancient)
  
  PAGE DESIGN
  
  Image spreads into key, lower section of image; Two pages; Horizontal Orientation
  
  ARCHITECTURAL FEATURES
  
  Temple front; Dome; Domed ; Rotunda ; Portico ; Columns [Corinthian] ; Arcoterion; Arcoterium ; Edifice ; Steps ; Stepped ; Cornices ; Cornice ; Windows ; Window ; Corinthian order ; Bell tower ; Remains ; Remnant ; Lintel
  
  PERSPECTIVE / VIEW
  
  One-point perspective; frontal; Exterior
  
  AGENTS / HUMANS
  
  Human; Tourists; Tourist; Beggars; Beggar; Women (female humans); Men (male humans); Animal; Horses; Horse; Stray animals; Dogs; Dog
  
  CLOTHING
  
  Dresses (garments); Trousers; Breeches (trousers); Jackets (garments)
  
  ACTIVITIES
  
  Gesturing/Pointing; Sitting; Horseback riding; Standing; Carriage-riding?
  
  NATURAL ELEMENTS
  
  Sky; Clouds; Vines on building
  
  REFERENCES
  
  Yes
  
  REFERENCES ON SAME PAGE?
  
  Yes
  
  SIGNATURE
  
  Piranesi F presso il medesimo autore nel palazzo del Conte Tomati a Strada Felice, vicino alla Trinita` de' Monti
3. Veduta interna del Pronao del Panteon Subject Matter: Architecture (Ancient); Interior of Pantheon; Pronao del Panteon; Vedute di Roma; Vedute
  Page Design: Image spreads into key, lower section of image; Two pages; Horizontal Orientation
  Architectural Features: Temple interior; Columns; Portico; Steps; Stepped; Cornices; Cornice; Windows; Window; Window frames; Railings; Corinthian order; Avanzi; Remains; Remnant; Arch; Arches; True arch; Terracotta; Lintel
  Materials: Stucco; Marble; Granite; Stone; Volcanic Tufa?; Pumice; Porphyry;
  Perspective/View: One-point perspective; Perspectives, frontal ; Interior
  Figures/Agents: Human; Citizens; Citizen; Tourists; Tourist; Beggars; Beggar; Women (female humans); Men (male humans)
  Clothing: Dresses (garments); Trousers; Breeches (trousers); Jackets (garments)
  Activities: Gesturing/Pointing; Sitting; Standing; Kneeling
  Natural Elements: Sky; Clouds
  References: Key, internal reference, outside of frame; Key as text outside of margin; Key; Key appears at lower portion outside of frame"
6. View of the Temple of Minerva Medica Architecture (Ancient); Exterior of Temple of Minerva Medica; Veduta del Tempio di Minerva Medica; Vedute Vedute di Roma; Temple exterior; Decagonal Columns; Windows; Window; Window frames; Dome; Domed; Remains Remnant Arch Arches True arch Terracotta Carvings Water fountain Fountain; Marble Granite Stone Volcanic Tufa? Pumice Travertine?; Exterior perspect; One-point perspective; Perspectives, frontal; Exterior; Human; Citizens; Citizen; Tourists; Tourist; Beggars; Beggar; Women (female humans); Men (male humans) Animal; Stray animals; Dogs; Dog; Dresses (garments) Trousers Breeches (trousers) Jackets (garments) Hat; Gesturing Pointing Sitting Standing Kneeling Mingling; Water Fountain Vine Tree Shrubs; Text, internal reference, inside of frame; Text inside of margin; Text appears at lower left side of frame
11. View of the Temple of Jupiter Tonans ITALIAN Title: Veduta del Tempio di Giove Tonante Key: Il Tempio di Giove Tonante alle radici del Monte Capitolino fu da Ottaviano Augusto fabbricato per voto, e poscia dopo aver sofferto incendio con altre Fabbriche del vicino Campidoglio fu restituito dall’Imperatore Adriano. Per ciò, che si scopre in questo insigne Avanzo dell’Ambulacro esterno, tanto per la esquisita delicatezza e disposizione degl’intagli, quanto per la sodezza, e maestà della Fabbrica, egli può meritamente annoverarsi tra i più cospicui ornati edificj, che sono stati innalzati in quel secolo felice. 1 Colonne di marmo greco, di gran mole, e di un solo pezzo, in gran parte sepolte nel terreno. 2 Fianco del moderno Campidoglio, piantato sopra l’antico Tabulario, segnato 3. Signature: Presso l’Autore a Strada Felice vicino alla Trinità de monti Signature 2: Piranesi Archit(etto). dis(egnavit). ed inc(idit). ENGLISH Title: View of the Temple of Jupiter Tonans [Jupiter the Thunderer] Key: The Temple of Jupiter Tonans, located at the foot of the Capitoline Hill, was built by Octavian Augustus by vote and was restored by the Emperor Hadrian after having experienced a fire, along with other buildings located nearby in the Capitoline Hill. From what one observes in this renown Ruin of the exterior Ambulacrum, as much for the exquisite delicateness and arrangement of the carvings, as for the weightiness and majesty of the Structure, it can rightly be counted among the most notably ornamented buildings ever erected in that glorious century. 1 Columns of Greek marble, of great dimensions, and [built] of only one piece, in great part buried under the ground. 2 Side of the modern Capitoline Hill, built on top of the ancient Tabularium, labelled 3. Signature: Published by the Author in Strada Felice close to the Trinità de Monti. Signature 2: Designed and engraved by the Architect Piranesi.
43. View of the Tomb of Caius Cestius Architecture (Ancient) Exterior View Vedute Vedute di Roma Ruins Pyramid Gate; Text under the image Two pages Horizontal Orientation; Exterior Pyramid Gate Wall Porta San Paolo Aurelian Walls; Tuff Travertine; Brick-faced concrete; Exterior perspective; Axial perspective? ; Perspective, axial ; Exterior ; Human; Citizens; Citizen ; Tourists; Tourist; Beggars; Beggar ; Men (male humans); Trousers ; Breeches (trousers); Jackets (garments) Hat; Rags; Sitting Leaning; Mingling; Walking; Kneeling; Gesturing/Pointing; Shrubs; Sky; Rock (inorganic material); Trees

This page references:

Volume 17 Page 19