SENSORY STUDIES, ISSUES IN MEDIA
Goodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, MA: The MIT Press, 2012.
Higgins, Dick. “Intermedia.” Leonardo 34, no. 1 (2001): 49–54.
Howes, David. “The Secret of Aesthetics Lies in the Conjugation of the Senses: The Museum as a Sensory Gymnasium.” In The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space, 285–300. Edited by Nina Levent and Alvaro Pascual-Leone. Lanham, MD: Rowman and Littlefield, 2014. E-book.
Ihde, Don. Listening and Voice: A Phenomenology of Sound. Athens: Ohio University Press, 1974.
Jones, Caroline. "The Mediated Sensorium." In Sensorium: Embodied Experience, Technology, and Contemporary Art, 5–49. Edited by Caroline Jones and Bill Arning. Cambridge, MA: MIT Press, 2006.
Krauss, Rosalind. “Sculpture in the Expanded Field.” October 8 (Spring 1979): 30–44.
LaBelle, Brandon. Background Noise: Perspectives on Sound Art. New York: Continuum International, 2006.
McCartney, Andra. “Soundscape Works, Listening, and the Touch of Sound.” In Aural Cultures, 179–185. Edited by Jim Drobnick. Toronto: YYZ Books, 2004.
Migone, Christof. “Volume (Of Confinement and Infinity) A History of Unsound Art.” In Le son dans l'art contemporain canadien/Sound in Contemporary Canadian Art, 80–91. Edited by Nicole Gingras. Montreal: Éditions Artextes, 2003.
Promey, Sally M. “Religion, Sensation, and Materiality: An Introduction.” In Sensational Religion: Sensory Cultures in Material Practice, 1–21. New Haven, CT: Yale University Press, 2014.
Sterne, Jonathan. “Sonic Imaginations.” In The Sound Studies Reader, 1–17. New York: Routledge, 2012.
Stiles, Kristine. “Performance Art.” Oxford Bibliographies Online: Art History. Accessed April 15, 2015. www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0047.xml?rskey=ncdzYF&result=23.