Works Cited:

Allain, Paul and Jen Harvie. The Routledge Companion to Theatre and Performance. Routledge, 2006.

Auslander, Philip. “Digital Liveness: A Historico-Philosophical Perspective.” PAJ: A Journal of Performance and Art, vol. 34, no. 3, 2012, pp. 3–11. JSTOR, www.jstor.org/stable/26206427.

Auslander, Philip. Liveness : Performance in a Mediatized Culture, Taylor & Francis Group, 2002. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/columbia/detail.action?docID=170151.

Doane, Marianne. "Real Time: Instantaneity and the Photographic Imagination." Stillness and Time: Photography and the Moving Image, edited by David Green, Photoworks/Photoforum, 2006.

“Digiplex Destinations Blog: The Met: Live in HD Comes to Your Digiplex Local Theater.” Digiplex Destinations Blog, 12 Aug. 2011, http://digiplexdest.blogspot.com/2011/08/met-live-in-hd-comes-to-your-digiplex.html.

Paterson, Eddie, and Lara Stevens. "From Shakespeare to the Superbowl: Theatre and Global Liveness." Australasian Drama Studies, vol. 62, 2012, pp. 147-162. https://www.academia.edu/11029109/From_Shakespeare_to_the_Super_Bowl_Theatre_and_Global_Liveness

Phelan, Peggy. Unmarked : The Politics of Performance. Routledge, 1993. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=e025xna&AN=98098&site=ehost-live&scope=site.

Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment.Routledge, 2011.

Taylor, Diana. Performance. Duke University Press, 2016. DOI.org (Crossref), doi:10.1215/9780822375128.