References
Associated Press. (2013). The Burning Monk: a defining moment photographed by AP's Malcolm Browne. Retrieved from https://www.ap.org/explore/the-burning-monk/ [Accessed 24 Nov 2017].
Berger, John. (1972). Ways of Seeing. London, British Broadcasting Corporation; Harmondsworth, Penguin.
Chouliaraki, Lilie. (2008). The mediation of suffering and the vision of a cosmopolitan public. Television & new media, 9(5), pp. 371-391.
Couldry, Nick. and Hepp, Andreas. (2013). Conceptualizing mediatization: contexts, traditions, arguments. Communication theory, 23(3), pp. 191-202.
Faden, Eric. (2007). A manifesto for critical media. Mediascape. Retrieved from http://www.tft.ucla.edu/mediascape/Spring08_ManifestoForCriticalMedia.html [Accessed 24 Nov 2017].
Galloway, Alexander R. (2013). The interface effect. Hoboken: Wiley.
Hewko, Bryn. and Taylor, Aaron. (2016). Thinking through acting: performative indices and philosophical assertions. [in] Transition. Retrieved from mediacommons.futureofthebook.org/intransition/2016/11/22/thinking-through-acting-performative-indices-and-philosophical-assertions [Accessed 24 Nov 2017].
Horwatt, Eli. (2010). A taxonomy of digital video remixing: contemporary found footage practice on the internet. Scope, 17. Retrieved from https://socialmediaecologies.wikispaces.com/file/view/Video%2Bremix%2BEli%2BHorwatt.pdf [Accessed 24 Nov 2017].
Jas A. (2007, May 18). A Fair(y) Use Tale. YouTube. Retrieved from https://www.youtube.com/watch?v=CJn_jC4FNDo [Accessed 24 Nov 2017].
Kreisinger, Elisa. (2009, October 14). Sex and the Remix (Queering Sex and the City) Season 1. YouTube. Retrieved from https://www.youtube.com/watch?time_continue=89&v=Wn_WHLTK3qI [Accessed 24 Nov 2017].
Kuhn, Virginia. (2010). The YouTube gaze: permission to create?. Enculturation, 7. Retrieved from enculturation.net/the-youtube-gaze [Accessed 24 Nov 2017].
Kuhn, Virginia. (2012). The rhetoric of remix. Transformative works and cultures, 9. Retrieved from http://journal.transformativeworks.org/index.php/twc/article/view/358/279%22%20%5Ct%20%22_blank [Accessed 24 Nov 2017].
Makholm, Kristin. (1997). Strange beauty: Hannah Höch and the photomontage. MoMA, 24, pp. 19-23.
McGann, Jerome. (1995). The rationale of HyperText. Retrieved from www2.iath.virginia.edu/public/jjm2f/rationale.html [Accessed 24 Nov 2017].
Mulvey, Laura. (2011). Passing time: reflections on the old and the new. In: Myer, Clive. ed. Critical cinema: beyond the theory of practice. New York: Columbia University Press, p. 71-82.
Orgad, Shani. (2012). Media representation and the global imagination. Cambridge; Malden: Polity.
Payton, Philana. (2016). Remix: a litany for survival. The cine-files, 11. Retrieved from http://www.thecine-files.com/remix-issue11/ [Accessed 24 Nov 2017].
Schmidt, Samantha. (2017). He posed as a heroic war photographer — and the news industry believed him. The Washington Post. Retrieved from https://www.washingtonpost.com/news/morning-mix/wp/2017/09/07/he-claimed-to-be-a-heroic-war-photographer-but-his-photos-and-identity-were-stolen/?utm_term=.8ff0949b735a [Accessed 24 Nov 2017].
Scolari, Carlos A. (2015). From (new)media to (hyper)mediations. Recovering Jesús Martín-Barbero's mediation theory in the age of digital communication and cultural convergence. Information, communication & society, 18(9), pp. 1092-1107.
Sennett, Richard. (2008). The craftsman. New Haven: Yale University Press.
Silverstone, Roger. (2002). Complicity and collusion in the mediation of everyday life, New literary history, 33, pp. 745-764.
Sontag, Susan (2003). Regarding the pain of others. New York: Farrar, Straus and Giroux.
The Lilith Gallery Network. (n.d.). Barbara Kruger. Retrieved from http://www.arthistoryarchive.com/arthistory/feminist/Barbara-Kruger.html [Accessed 24 Nov 2017].
Tw19751. (2012a, October 8). John Berger / Ways of Seeing, Episode 1 (1972). YouTube. Retrieved from https://www.youtube.com/watch?v=0pDE4VX_9Kk [Accessed 24 Nov 2017].
Tw19751. (2012b, October 8). John Berger / Ways of Seeing, Episode 2 (1972). YouTube. Retrieved from https://www.youtube.com/watch?v=m1GI8mNU5Sg [Accessed 24 Nov 2017].
Wachob, Jason., 2010. Artist Shepard Fairey Releases Dalai Lama Limited Edition Prints. Retrieved from
https://www.mindbodygreen.com/0-495/Artist-Shepard-Fairey-Releases-Dalai-Lama-Limited-Edition-Prints.html [Accessed 24 Nov 2017].
Berger, John. (1972). Ways of Seeing. London, British Broadcasting Corporation; Harmondsworth, Penguin.
Chouliaraki, Lilie. (2008). The mediation of suffering and the vision of a cosmopolitan public. Television & new media, 9(5), pp. 371-391.
Couldry, Nick. and Hepp, Andreas. (2013). Conceptualizing mediatization: contexts, traditions, arguments. Communication theory, 23(3), pp. 191-202.
Faden, Eric. (2007). A manifesto for critical media. Mediascape. Retrieved from http://www.tft.ucla.edu/mediascape/Spring08_ManifestoForCriticalMedia.html [Accessed 24 Nov 2017].
Galloway, Alexander R. (2013). The interface effect. Hoboken: Wiley.
Hewko, Bryn. and Taylor, Aaron. (2016). Thinking through acting: performative indices and philosophical assertions. [in] Transition. Retrieved from mediacommons.futureofthebook.org/intransition/2016/11/22/thinking-through-acting-performative-indices-and-philosophical-assertions [Accessed 24 Nov 2017].
Horwatt, Eli. (2010). A taxonomy of digital video remixing: contemporary found footage practice on the internet. Scope, 17. Retrieved from https://socialmediaecologies.wikispaces.com/file/view/Video%2Bremix%2BEli%2BHorwatt.pdf [Accessed 24 Nov 2017].
Jas A. (2007, May 18). A Fair(y) Use Tale. YouTube. Retrieved from https://www.youtube.com/watch?v=CJn_jC4FNDo [Accessed 24 Nov 2017].
Kreisinger, Elisa. (2009, October 14). Sex and the Remix (Queering Sex and the City) Season 1. YouTube. Retrieved from https://www.youtube.com/watch?time_continue=89&v=Wn_WHLTK3qI [Accessed 24 Nov 2017].
Kuhn, Virginia. (2010). The YouTube gaze: permission to create?. Enculturation, 7. Retrieved from enculturation.net/the-youtube-gaze [Accessed 24 Nov 2017].
Kuhn, Virginia. (2012). The rhetoric of remix. Transformative works and cultures, 9. Retrieved from http://journal.transformativeworks.org/index.php/twc/article/view/358/279%22%20%5Ct%20%22_blank [Accessed 24 Nov 2017].
Makholm, Kristin. (1997). Strange beauty: Hannah Höch and the photomontage. MoMA, 24, pp. 19-23.
McGann, Jerome. (1995). The rationale of HyperText. Retrieved from www2.iath.virginia.edu/public/jjm2f/rationale.html [Accessed 24 Nov 2017].
Mulvey, Laura. (2011). Passing time: reflections on the old and the new. In: Myer, Clive. ed. Critical cinema: beyond the theory of practice. New York: Columbia University Press, p. 71-82.
Orgad, Shani. (2012). Media representation and the global imagination. Cambridge; Malden: Polity.
Payton, Philana. (2016). Remix: a litany for survival. The cine-files, 11. Retrieved from http://www.thecine-files.com/remix-issue11/ [Accessed 24 Nov 2017].
Schmidt, Samantha. (2017). He posed as a heroic war photographer — and the news industry believed him. The Washington Post. Retrieved from https://www.washingtonpost.com/news/morning-mix/wp/2017/09/07/he-claimed-to-be-a-heroic-war-photographer-but-his-photos-and-identity-were-stolen/?utm_term=.8ff0949b735a [Accessed 24 Nov 2017].
Scolari, Carlos A. (2015). From (new)media to (hyper)mediations. Recovering Jesús Martín-Barbero's mediation theory in the age of digital communication and cultural convergence. Information, communication & society, 18(9), pp. 1092-1107.
Sennett, Richard. (2008). The craftsman. New Haven: Yale University Press.
Silverstone, Roger. (2002). Complicity and collusion in the mediation of everyday life, New literary history, 33, pp. 745-764.
Sontag, Susan (2003). Regarding the pain of others. New York: Farrar, Straus and Giroux.
The Lilith Gallery Network. (n.d.). Barbara Kruger. Retrieved from http://www.arthistoryarchive.com/arthistory/feminist/Barbara-Kruger.html [Accessed 24 Nov 2017].
Tw19751. (2012a, October 8). John Berger / Ways of Seeing, Episode 1 (1972). YouTube. Retrieved from https://www.youtube.com/watch?v=0pDE4VX_9Kk [Accessed 24 Nov 2017].
Tw19751. (2012b, October 8). John Berger / Ways of Seeing, Episode 2 (1972). YouTube. Retrieved from https://www.youtube.com/watch?v=m1GI8mNU5Sg [Accessed 24 Nov 2017].
Wachob, Jason., 2010. Artist Shepard Fairey Releases Dalai Lama Limited Edition Prints. Retrieved from
https://www.mindbodygreen.com/0-495/Artist-Shepard-Fairey-Releases-Dalai-Lama-Limited-Edition-Prints.html [Accessed 24 Nov 2017].
Pages
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The juxtaposition of images
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Not mechanical
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Props
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Inter titles
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Works Cited/Credit
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Volume for Contrast
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Overlapped sound track?
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Long take of Mainstreet, USA
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The making of “Mr. Lincoln”
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Battle Hymn of the Republic
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The making of “Mr. Lincoln”
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Overlapped sound track?
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Long take of Mainstreet, USA
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What is craftsmanship?
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“Mr. Lincoln’s” speech
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"Non-place"?
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Slower, slower and slower
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Rhythm of skill development
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Score/Voice Overlap
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Contemplative ASMR
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Audio to Text
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Nintendo
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Addiction and Crafted Images
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Background
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Both can be linked to the naked vs. nude argument in previous chapters
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Conclusion
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Contrasting background (e.g. Revolution Girl)
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Democratising potentials of digital remixes
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Example of commenting on image (Peer-review of Liz's image project: It’s a small world after all.)
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Example of commenting on remix (Peer-review of Melinda's remix: Simulabraham)
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Examples of how images and their meanings can be transformed
Image project -
Examples of scholarly multimedia: mediating the passing time
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General Feedback
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(Hyper)mediations and the rationale of hypertext
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Ideological constructions in mediations
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IML501 Remix project
Digital Craftsmanship: Video games -
landing
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Digital Craftsmanship: video games
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It's the Kruger's font (Futura Bold) but not the “classic” red border and white texts. A really good choice here that matches the the feeling of silence in the space.
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Mantra Wheel pattern of Tibetan Buddhism (as Mandala)
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Melinda, I really enjoyed watching your remix!
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Nice usage of the different font size to emphasise the message.
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Overview
An overview of my IML 501's works and all the inspiring discussions in class -
Pattern(s) that "stamped" on the clothing (e.g. Trayvon Martin). I chose a photograph of a burning Tibetan exile in 2011 (original photo: Manish Swarup/AP), who was protesting the oppression of Chinese government and urging the 14th Dalai Lama to come bac
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References
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Example of Remix
Digital Craftsmanship: Video Games -
Rhetorical modes of mediations
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Rough cut out of the figure (e.g. Hope)
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Simulabraham
Great Moments with Mr. Lincoln Video Remix -
Sources
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Sun rays for his holiness and power
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The "classic" style of colour use (red borders and white texts)
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The Interface Effect
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The juxtaposition of images, which links the oil-paintings to contemporary society (similar action)
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The Pain of Others and Strange Beauty
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The question mark that shows my frustration and anger that after the self-immolation, the government still did not take it seriously and the First Lady of South Vietnam even regarded this as "monk barbecue show".
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The underlying ideologies and apparatuses of mediation: the call for multi-media scholarly literature
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Transforming meanings through mediations
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Ways of Seeing - affordance of books and videos
Media
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A Fair(y) Use Tale
Faden's work that introduces and embodies the idea of fair use -
'Auld Lang Syne' by Robert Burns
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Auld Lang Syne (The Popular Rendition Verses and chorus, traditional, ca. 16th Century)
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Digital Craftsmanship: Video games
IML 501 Remix project -
Eduardo Martins, the fake Brazilian photographer
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John Berger / Ways of Seeing , Episode 2 (1972)
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Mad Art : A Visual Celebration of the Art of Mad Magazine
Richard A. Williams, 2002 -
A Fair(y) Use Tale (mp4)
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Child of light
Screenshot of Child of light -
It's a small world after all (by Elizabeth Warner)
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Love and Peace
cover -
Now you hear me?
Design like Barbara Kruger -
Passing time
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Poem by Robert Burns holograph fragment of 'Auld Lang Syne'
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Remix cover
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Screenshot - Ways of Seeing episode 1
One of the many examples that illustrate images are to be seen in different contexts nowadays. -
Sex and the Remix
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The 14th Dalai Lama
Design Like Shepard Fairey -
The Craftsman (book)
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Title - craftsmanship
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Ways of Seeing (book)
Chapter 7: Publicity (p. 136-137) -
Pencil Vs Camera - 15 (Ben Heine)
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Pencil Vs Camera - 2 (AOC) (Ben Heine)
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Pencil Vs Camera - 73 (Ben Heine)
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Remix: A Litany for Survival
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Richard Sennett: Craftsmanship
SUN, 9.10.2016, 4.00 PM MAK LECTURE HALL The American Richard Sennett, one of the most outstanding sociologists and cultural philosophers of the ... -
Simulabraham: `Great Moments with Mr. Lincoln Video Remix
WORKS CITED Audio Disney, Allen, Frees, Sherman, Butler, Disney, Walt, Allen, Rex, Frees, Paul, Sherman, Richard M., Butler, Daws, and Disney Studio ... -
The Falling Soldier
Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936, by Robert Capa -
Thinking Through Acting: Performative Indices and Philosophical Assertions
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Triple Self-Portrait
Norman Rockwell, 1959 Oil on canvas, 44 ½” x 34 1/3”.