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Marquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesMain MenuIntroductionMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesIntroduction, StartMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesHistories ConcealedHistories Concealed landing pageProjecting 1943Sense of PachucaBroadway as BackgroundSplash page for Broadway as Background / Background as BroadwayPhoto Essay: Marquee StoriesIntro to photo essay: Marquee StoriesPrototypesExploring project prototypesPortfolioEjected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media SpacesVeronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
A Night Downtown in The Exiles
12015-05-30T09:58:36-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc34299In this scene from The Exiles, divisions between feminine and masculine spaces are clearly demarcated. While Yvonne is dropped off at the Roxie on South Broadway, to watch a movie and window shop, her husband and his male friends venture to Ritz Cafe, a bar on Main Street.plain2015-06-04T01:16:44-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
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12015-05-30T20:07:55-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcA Night DowntownVeronica Paredes3Annotation for a night downtown in The Exiles clipplain2015-05-30T20:25:24-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-06-03T08:23:23-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcVideo Gallery: In the Shadow of CapitalVeronica Paredes9Click on thumbnails to view clips or view through their linked annotationsstructured_gallery2015-06-09T04:47:37-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T09:45:23-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcAlienationVeronica Paredes4Tag for Broadway as Background / Background as Broadwaystructured_gallery2015-06-03T08:23:44-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc