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Marquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesMain MenuIntroductionMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesIntroduction, StartMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesHistories ConcealedHistories Concealed landing pageProjecting 1943Sense of PachucaBroadway as BackgroundSplash page for Broadway as Background / Background as BroadwayPhoto Essay: Marquee StoriesIntro to photo essay: Marquee StoriesPrototypesExploring project prototypesPortfolioEjected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media SpacesVeronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
Alienation
12015-05-30T09:45:23-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc34294Tag for Broadway as Background / Background as Broadwaystructured_gallery2015-06-03T08:23:44-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
Contents of this tag:
12015-05-30T09:58:36-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcA Night Downtown in The Exiles9In this scene from The Exiles, divisions between feminine and masculine spaces are clearly demarcated. While Yvonne is dropped off at the Roxie on South Broadway, to watch a movie and window shop, her husband and his male friends venture to Ritz Cafe, a bar on Main Street.plain2015-06-04T01:16:44-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T09:58:36-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcNight windowshopping on Broadway, The Exiles3Continuing with the divisions between public space, while Homer picks a fight, Yvonne emerges from the Roxie movie theater and window shops at night.plain2015-05-30T23:02:51-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T20:07:55-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcA Night Downtown3Annotation for a night downtown in The Exiles clipplain2015-05-30T20:25:24-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T20:27:30-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcGrand Central Market Appears in The Exiles3Annotation for Shopping at Grand Central Market, Exilesplain2015-05-30T20:29:12-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T09:59:44-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcMexico City on Broadway2Narrowly escaping a raid by the Immigration and Naturalization Service (INS) Rosa and Nacha share lunch at a restaurant called " Ricos | Tacos | Mexico." From the Palace marquee and storefront windows we can identify this Downtown Los Angeles location as South Broadway. Surprised by the ethnicity of the population on the street, Rosa comments that the street looks just like a street in Mexico.plain2015-05-30T23:16:25-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T10:01:07-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcPachuco scene in Del otro lado2In this enigmatic scene from Del otro lado del puente, Beto's father (Rudolph Molina) appears as an apparition strolling through an alley in Downtown Los Angeles.plain2015-05-30T23:34:16-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T09:58:07-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcCinema of Walking clip1Thom Andersen's 2003 video essay about the representation of Los Angeles through film.plain2015-05-30T09:58:07-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc