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Marquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesMain MenuIntroductionMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesIntroduction, StartMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesHistories ConcealedHistories Concealed landing pageProjecting 1943Sense of PachucaBroadway as BackgroundSplash page for Broadway as Background / Background as BroadwayPhoto Essay: Marquee StoriesIntro to photo essay: Marquee StoriesPrototypesExploring project prototypesPortfolioEjected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media SpacesVeronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
Roxie Theatre
12015-05-30T22:58:48-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc34291plain2015-05-30T22:58:48-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc518 S. Broadway (34.047383, -118.250873)
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12015-05-30T09:58:36-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcA Night Downtown in The Exiles9In this scene from The Exiles, divisions between feminine and masculine spaces are clearly demarcated. While Yvonne is dropped off at the Roxie on South Broadway, to watch a movie and window shop, her husband and his male friends venture to Ritz Cafe, a bar on Main Street.plain2015-06-04T01:16:44-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T09:58:36-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcNight windowshopping on Broadway, The Exiles3Continuing with the divisions between public space, while Homer picks a fight, Yvonne emerges from the Roxie movie theater and window shops at night.plain2015-05-30T23:02:51-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc