Salsa
It is important to appreciate the social, economic, and political milieu in which Salsa came to be; Salsa rose from the barrio. Its unruly melodies were cultivated by musicians who were never formally trained. Its founders’ roots indicate “the lack of access and resources that Puerto Rican working-class musicians in the United States, for example, faced and surely still face in today’s world. The roughness, lack of sophistication, and unpolished sound of the salsa of Willie Colón, Ray Barretto, Héctor Lavoe and others is measured, then, not as a deficiency – that is against the more bourgeois values and standards of elite music – but as an outcome of the socioeconomic marginalization of that community (Aparicio ix).” This motivated Nuyorican musicians to play music that spoke to their everyday lives. While the Beatles and the Rolling Stones stole America’s heart, those in the Latino barrios found a way to culturally represent themselves in a world where they were not represented at all.
The combination of Cuban, Puerto Rican, rock, and jazz roots formed the Latin sound of the 70s: Salsa. Several artists had various influences on the music (i.e. Ruben Blades' lyrics, Larry Harlow's piano talents, Celia Cruz’s voice), transforming it into one of the greatest cultural and artistic movements of all time. Salsa is the product of a hybridization of multiple influences and cultures, and was brought to prominence due to the perfect blend of each said influence. The diverse culture, population and growing music industry in New York contributed to the perfect breeding ground for such a musical genre to prosper.