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HIGH ART HIPOCRISY: Intersections of Cartoons and Fine Art Main MenuIntroductionThe Birth of the NewspaperComics: Taking Over the Sunday SupplementComics in the Early 1900sThe 1913 Armory ShowShowtime! New York City, Chicago, and BostonThe Critiques and The ComicsThe Pop Art Movement, Roy Lichtenstein, and Comic BooksDeconstructing Perspectives of Lichtenstein’s Work: Pro-Appropriation or Pro-Cartoonist?The Rise of 1940s Comic Books in the Late 20th CenturyComics in MuseumsThe MoMA “High and Low” ShowArt Spiegelman’s Response to MoMA High and LowComics in Museums TodayAbstract ComicsCora's Curation of Abstract ComicsConclusionReferencesCora Hernandezca60d402b432a51ad192c7a6d79f42e30854c48e
The Billy Ireland Cartoon Library and Museum on The Ohio State University campus in Columbus, OH
1media/billy ireland _thumb.jpg2024-08-14T07:40:35-07:00Cora Hernandezca60d402b432a51ad192c7a6d79f42e30854c48e456711The Billy Ireland Cartoon Library and Museum on The Ohio State University campus in Columbus, OHplain2024-08-14T07:40:36-07:00Cora Hernandezca60d402b432a51ad192c7a6d79f42e30854c48e
Today, there are approximately 37 museums around the world that showcase cartoon art with regularity. Academic research within the field of cartooning is also common at the collegiate level. Cartoon learning and research centers such as the Billy Ireland Cartoon Library and Museum at The Ohio State University and the Charles M. Schulz Museum and Research Center in Santa Rosa, California. Institutions such as these allow for the preservation and protection of historical and influential cartoon works, which is important for certain topics within art history and beyond. Other museums such as the Museum of Comic Art (MoCA) in the Netherlands, Cartoon Art Museum in California, and The Cartoon Museum in London, England, all serve the purpose of keeping the legacy of comics alive, and providing a space where comics can be appreciated.
