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HIGH ART HIPOCRISY: Intersections of Cartoons and Fine Art Main MenuIntroductionThe Birth of the NewspaperComics: Taking Over the Sunday SupplementComics in the Early 1900sThe 1913 Armory ShowShowtime! New York City, Chicago, and BostonThe Critiques and The ComicsThe Pop Art Movement, Roy Lichtenstein, and Comic BooksDeconstructing Perspectives of Lichtenstein’s Work: Pro-Appropriation or Pro-Cartoonist?The Rise of 1940s Comic Books in the Late 20th CenturyComics in MuseumsThe MoMA “High and Low” ShowArt Spiegelman’s Response to MoMA High and LowComics in Museums TodayAbstract ComicsCora's Curation of Abstract ComicsConclusionCora Hernandezca60d402b432a51ad192c7a6d79f42e30854c48e
References
12024-08-13T21:39:42-07:00Cora Hernandezca60d402b432a51ad192c7a6d79f42e30854c48e456716plain2024-08-19T08:24:18-07:00Cora Hernandezca60d402b432a51ad192c7a6d79f42e30854c48eHIGH ART HIPOCRISY
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