All Stories
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Contents of this path:
- Regime I: Megafauna Regis, 2.5 Million BP to 13,000 BP
- Regime II -- Clovis Conquest: First Peoples and Mass Extinction, From 13,000 to 10,000 Years Ago
- Regime III -- Arcadia: The Hokan-Chumash Era, from 10,200 BP to Year 1 of the Common Era
- Regime IV -- Aztec Aristocracy: 1 Common Era to 1769
- Yaangna, Ancient Center of the Los Angeles Basin
- Very Ancient Roads: The Indigenous-Spanish Centering of the Los Angeles Basin
- Regime V -- Spanish Franciscan Theocracy, 1769 to 1822
- Regime VI -- Latifundia Mexicanas, 1822 to 1848
- Downtown LA: Inscribing Diversity in the Spanish Core, 1781-1906
- Water and Power: The LA River Monopoly of the City of Los Angeles From Pueblo to City
- Eastside Story: African-American Central Ave From Biddy Mason to Watts, 1781-1959
- Regime VII -- La Conviviencia Inestable, 1848 to 1881.
- Railway Nodes: Transcontinental Railway Stations, 1870s-1939
- Regime VIII -- U.S. Industrial Empire on the Porfirian Borderland, 1881-1940
- Annexation and the Regional Centrality of Los Angeles City, 1880s-1953
- Los Angeles City-Centrality: The Hierarchical Municipalization of LA County, 1880s-1920s
- Los Angeles: Capital City of the US-Mexico Borderlands, 1880-1920s
- Art and Industrial Oligarchy, 1880-1915
- The Muybridge Moment: Pre-Cinematic Visual Arts to 1895
- Cinema Proper: From the Kinetograph to the Cinématographe, 1891-1895
- From Vienna to Chicago to Los Angeles: The Formation of Southern California Modernism, 1890s-1920s
- Manna From Hell: Petroleum and the Inscription of Angeleno World Power, 1890s-1930s
- Edward L. Doheny: Borderland Oil Baron, 1890s-1920s
- From David Belasco's Broadway to DeMille at the Lasky Barn, 1893-1915
- The Rise and Fall of Regional Mass Transit: Pacific Electric "Red Cars": 1901-1961
- Movies Migrate to Los Angeles: The Warners and the Mayers, 1904-1917
- Taking Root: Mapping Motion Picture Production in the 1910s
- The Mexican Revolution and Battles for Free Speech on the Streets of Los Angeles, 1907-1914
- J. Paul Getty: From USC to Oxford to Sutton Place.
- Oil of the People, by the People, and for the People: Petropolitical Schemes
- Progressives, Socialists, Synchromists in Revolutionary Los Angeles
- "When I Get Big": Richard the Nascent Coeur de Leon, 1913-1924
- Hell’s Angels: Air Power in a Cinematic Metropolis, 1910s-1940s
- Inscribing Aeronautic Production, 1912-1930
- The Chihuahua Connection: Doheny, Fall, and the Counterrevolution, 1910-1929
- Industrial-Residential Groundwork: Inscribing the Boom of the 1920s
- Hell's Angel: Howard Hughes, 1920s-1930s
- Los Ángeles contra La Raza Cósmica: U.S.-Mexico Petropolitics and the Counterrevolution of the 1920s
- The Hollywood "Sign," 1923-1980s
- The Rise of Ronald Reagan, Actor, 1920s-1940s
- The Nixon Market Milieu: circa 1930
- The Fall of the Doheny Oil Dynasty, 1921-1931
- The Diverse Origins of Motion Picture Production: Sex, Race, Ideology, and purpose, 1890s-1920s
- Taking Place: Mexico and the Counterrevolution in Los Angeles in the 1920s
- Radio Broadcasting and the Rise of Networked Urbanism, 1920s-1930s
- The Bohemian Left in the 1920s
- Tarzana of the Apes: American Pulp Fascism from Chicago to the San Fernando Valley, 1912-1920s
- American Pulp Fascism: Tarzan, Birth of a Nation, and the Ku Klux Klan, 1912-1930s
- White Shadows in the South Seas, 1928
- Migrating to the Screen: Racialization of Bodies in Visual Space
- New York City's Media Power: Financial and Creative Control of Hollywood in the Classic Era, 1920s-1930s
- Los Angeles and Long Beach Harbor Map Series, 1924-2001
- Labor of Stars: Artists, Artisans, and the Contested Visual Workplace of the 1920s-1930s
- Populism and Fascism in 1930s Hollywood
- Fascist and American Air War Doctrine, 1920-1930s
- Ralph's Groceries: Residential and Retail Expansion in the 1930s
- Enter Julius Shulman and John Entenza: Arts & Architecture in the 1930s-1940s
- Hollywood’s White Hunters: Colonizing Africa and American Mass Media, 1929-1939
- The Air War Crisis of 1936-1939
- Concentration Camps and Lynch Mobs on the Home Front: "Total War" in Los Angeles, 1939-1945
- The Furies: Los Angeles, Air Power, and the Allied Victory in World War II, 1940-1945
- Aerial Attacks, Blackouts and Hollywood Deceptions, 1941-45
- The Doolittle Raid of 18 April 1942
- Made With Hate: Mobilization, Round-ups and Lynch Mobs in Los Angeles, 1941-1945
- Joshi Teishin-tai and Rosie the Riveter: Civilians at Risk in the the War Plants of the U.S., Japan, and Germany, 1942-1945
- Aerial Bombing with B-17s in Europe, 1942-1944
- U.S. Planning to Burn Civilians Alive with Napalm (Jellied Gasoline) Incendiary Weapons, 1942-1944
- Americans turn Terrorist: Curtis LeMay, Carl Spaatz, and the RAF Terror Campaign
- Thirty Seconds Over Tokyo, 1943-44
- EXCURSUS: Dalton Trumbo's Screenplay for Thirty Seconds Over Tokyo (1944)
- The Rise of Ronald Reagan, the Politician, 1940s-1980s
- "We Kill'em with Fil'm": Target Tokyo, Narrated by Ronald Reagan (OWI-USAAF First Motion Picture Unit, 1945)
- Urban Ovens: Burning Japanese Civilians on an Industrial Scale, 1944-5
- The War Crime, 1944-45
- EXCURSUS: ROBERT S. MCNAMARA'S FLAWED WAR CRIMES CONFESSION
- War Birds Coming Home To Roost: The Repressed Image of Los Angeles as Aerial Target
- Hollywood's Contribution to the Area-Bombing Cover-up, 1942-1945
- The Hollywood-Office of War Information Cover-Up, 1944-1945
- Historical Indictment
- Broadcast Television Before Cable: New York and Los Angeles, 1948-1970s
- Arteries of Privilege and Inequality: Pico-Whittier, Lakewood-Rosemead, Sunset, and Sepulveda
- Crossroads of the LA Metropolis: The Four-Level Interchange and Bunker Hill, 1930s-1960s
- Victor Gruen and the Shopping "Centers" of Automobility, 1940s-1950s
- Suburbia, Automobility, and Metropolitan Space, 1930s-1950s: FOOTNOTES
- Blinding Race: Television in the Civil Rights Era, 1948-1965
- From Paris to New York City to San Francisco and Los Angeles: Duchamp's Beatnik Successors: 1912-1966
- The Art of Rebellion in Cold War Los Angeles, 1950-1992
- Undefended Cities
- Segregated Diversity: Los Angeles County, 1940-2000
- END NOTES TO THE ORIGINAL HELL'S ANGELS SECTION:
- Wartime State-Capitalist and Postwar Anti-Communist Home-Building: Fritz Burns, 1940s-1960s
- Arteries of Privilege and Inequality: Pico-Whittier, Lakewood-Rosemead, Sunset, and Sepulveda
- The Racial Shaping of Cold War Suburban Space, 1950s
- Space Station Los Angeles: Aerospace Capital of the Cold War, 1945-1992
- Ramo-Wooldridge, Systems Engineering, and the Information Age
- Vengeance Weapon: How Nazi SS Major Wernher von Braun Became a U.S. Space Exploration Hero
- Western Development Division, 409 E. Manchester Blvd in Inglewood, 1950s
- The Whiteness of Landed Wealth, 1940-1990
- Encirclement: Los Angeles City and Suburbanization, 1950s-1960s
- Vice President Nixon At Home and Abroad, 1953-59
- Beat Dada: Ed Kienholz, 1952-1962
- Galleries of La Cienaga, 1958-1969
- Case Study #22: 1960
- Excursus: Shakespearean Nixon and Cervantean Reagan
- The Winter of Nixon's Discontent: The Stolen Presidential Election of 1960
- Nixon's Caribbean Crossroads, November 1962
- Revolt of the Generals?: Seven Days in May and Dr. Strangelove, 1963-4
- Text of Address to Newspaper Editors by Richard M. Nixon: Former Vice President Sizes Up Administration
- Emancipation, Extremism, and Nixon at the Hinge of Fate, 1963
- California's Reversal of Civil Rights: The Referendum Repeal of the Rumford Fair Housing Law in 1964
- Springtime for Nixon and Reagan, 1964
- The Speech: Reagan's "Time For Choosing," 1964
- Reaganism: The Triumph of Los Angeles-Branded New Right Repression, 1964-1989
- Nixon Wins Control of the Republican Party, 1965
- Decolonizing American Television: 1965-1990s
- Nixon, Reagan, White Extremism, and Watts, 1965
- Nixon, Reagan, Extremism, and the Watt Rebellion, 1965
- Burning Decks, Sinking Ships, and Heavy Bombers: Race and Reaction, 1966-67
- Corporate Origins and Destination of the New Hollywood, 1966-1980s
- New Art Spaces after Watts and the Blowouts: Samella Lewis and ASCO, 1965-1978
- Photography's Ironic Arrival as Fine Art: Ed Ruscha and Robert Heinecken, 1961-1970
- The Art of Feminism and Women of the LA Avant Garde, circa 1975
- Sex, Violence, and Sexual Violence in the New Hollywood, 1967-1991
- Orson Welles, Peter Bogdanovich, and the Artistic Apotheosis of the New Hollywood, 1971-1980
- The LA and New York Cinematic Rebellions, 1970s-1990s
- Conceptualism and the the CalArts Mafia, 1971-1980
- The Contradictory Mayoralty of Tom Bradley in the Age of Reagan, 1973-1993
- Scarface, Wall Street, and Cinema in Reagan's 1980s
- The Gates Era Police State: The LAPD's Military Occupation of Los Angeles in the 1980s-90s
- Los Angeles and the Postmodern Turn, 1980s-1990s
- Rap and Rebellion: The Manifesto for the Uprising, 1982-1992
- The Los Angeles Uprising of 1992
- Of Boundaries and Social Culture