Ghost Metropolis: Los Angeles and Its Places in Global History, From the Pleistocene to the Present
The title of this tale, Ghost Metropolis, indicates that the past is ever present, all around us, shaping us. The actions of the past continuously branch out in the present of any age. While mostly invisible, the past is a real landscape of shapes and actions enabling our present. The ghostly past blends with the visible landscape that we now enact, inscribed by all the generations before us. Because every generation of a region learns to act within the social shapes of its inscribed pasts; each is the genuine descendant of previous generations, no matter how unrelated by blood.
As with all ancient regions, Los Angeles has accumulated its characteristics over the course of millennia, like a coral reef. The skeleton of its past supports its weight and supplies its shapes, while the living outer layer of the present extends those shapes into the future. Both material and metaphoric shapes accumulate: those we can see and touch, and those we can only see in the chronoscope of an historical account.
How did the metropolis called Los Angeles, and its region, come into being and acquire its characteristics? How did it come to export cultural and political power throughout North America and to the rest of the globe? Created by millions of global migrants, Los Angeles has become a major force worldwide, owing to its denizen's deeds and the way that they have competed for and exploited its valuable resources.
This historian-geographer attempts, in telling these stories, to make the landscapes of the deep and wide Los Angeles past visible. Ghost Metropolis seeks to map the diverse peoples of the region, and their inscription over thousands of years, the footprints of its key institutions: horticultural, agricultural, industrial, residential, mass media and visual arts, oil extraction, military-industrial, and political. Some stories are mainly "about" those institutions, as they make places and connections to other institutions and to other places on the globe. Other stories are mainly "about" the places, as they come into being, produced by institutions that intersect and flow through the region's specific locations.
Regions thrive on many time scales: from the very long durations of the climate, ecology, and civilizations, to the medium-scale durations of global trade, regimes, cycles of accumulation and human generations; to the shortest durations of events and the daily actions of individuals. While the largest scale is also the deepest historically, the "events" do not merely bob on the surface of deeper "forces." Those enacting events drive the entire regional complex by shaping the accumulated resources into every new future.
The ways that Los Angeles extended its power throughout the world reflects its upbringing over the centuries, across many places near and far. Mapping that upbringing involves tracing the course of human events across several spatial scales: from the global to the continental to the regional, local, neighborhood, and the site, and back again, from the site to the neighborhood, to the district, the city, the region, the continent, and the globe. The direction of action for Los Angeles is normally from the site outward to larger regions, because a global metropolis becomes so precisely bi shaping the world, rather than being shaped by it. Its denizens are net exporters of causation.
A region's pasts never stood still and will never come to rest. The persons who made Los Angeles in each generation were always in motion, migrating, circulating, living their private and public lives. All the while, they are also inscribing their deeds into the landscape. Mapping that moving past enables an understanding and explanation of the role of a metropolis on the world stage.
Every tale about any great metropolis must be selective, including some stories and excluding others. Ghost Metropolis attempts a very broad inclusion of thousands of people, places, and pasts. But it is neither comprehensive nor encyclopedic. It seeks to map the most distinctive features of the Los Angeles metropolis in the context of the world history that it came to shape.
Ghost Metropolis can be read as a single tale or as multiple, parallel narratives by theme, grouped as follows:
The Past as Landscape of Places
All happenings of the past took place, and made places. The oldest places of Los Angeles are the sites of its indigenous villages, which were the nodes of its ancient roads. The most recent places have been inscribed into many older ones. Over many centuries a myriad of places have blanketed the surface of the Los Angeles Basin.
How can so many pasts in so many places be told? Most shall never be told, because there are too many. Ghost Metropolis maps and narratives more than a thousand places, but those are only a small fraction of the places that comprise the region. The places chosen to include are those that are particularly representative of a metropolis's most vital characteristics. The stories in this section are about places of different scales and types, from historical ecology, to the pathways between and through its valleys, its rivers, and human settlements, which are very ancient and also very recent.
All places are the product of labor and landscape. “Los Angeles” is very large place made from many smaller places, each intricately interconnected with the others along network linkages that make the ensemble of the region. To tell stories of people’s deeds in the past is the same as telling the stories of the places those actions created. Stories in this section map the past in landmarks, neighborhoods, roads, highways, icons, intersections, boundaries, borderlands and routes.
Regimes of Power
Successive generations of rulers established the regimes that determined power and privilege in Los Angeles. Each regime left for the future the institutions they inscribed during its rule. Ten such regimes ruled the Los Angeles region: nine of them human., beginning with the Clovis hunters 13,000 years ago.
Each successive regime owed a great debt to its predecessors, who fixed, centuries earlier, the region's most fundamental relations: how land and wealth are distributed; how labor is controlled and rewarded; how groups are identified by race, religion, or gender, how they are endowed with or denied rights.
When human beings first set foot on the future site of Los Angeles, they found a region ruled already by truly ferocious giants. The top predator was the Short-Faced Bear (Arctodus simus), the largest carnivorous land mammal ever to live. To wrest control of the region, Clovis people wielded stone spearpoints on long lances to match the fangs and claws of Arctodus, plus those of the saber-toothed cat and the gigantic American Lion.
Humans fought these carnivorous giants for the prey they all prized: the giant mammoths and mastondonts, sloths, and glyptodonts. Such predator duels would have consecrated the City of Angels with the blood of humans and beasts together mingled.
The legendary battle of Clovis and Arctodus is no less fitting for Los Angeles than than is Rome's legend of the wolf-raised brothers Romulus and Remus, and the spilling of their fraternal blood on the central site of the Eternal City. Los Angeles is no less ancient. Its Lapis Negra is the bedrock of the Los Angeles River at Yaangna, El Pueblo de Nuestra Senora Reina de Los Angeles, Downtown Los Angeles.
Ruling the Los Angeles region has unfortunately entailed a great deal of violence. The elemental confrontation of 13,000 years ago, between Clovis and Arctodus dramatically marked the first transition from non-human to human rule.
With the next eight human-to-human rulership transitions, the new rulers sought control of Southern California's resources and the right to make the rules. The Clovis people were followed by the Hokan-Chumashan people, who established the region's geographic settlement patterns during their 9,000 years of rule. They were followed by the Tongva of the Uto-Aztecan invasion, who ruled the LA Basin for the next 2,500 years, ending in the 1780s, when the Spanish conquered with crosses and lances. Spanish rule was followed by Mexican rule from 1822-1848; followed by four distinct four successive regimes of the United States period.
Los Angeles reached the apogee of its world power during the Angeleno presidencies of Richard Nixon and Ronald Reagan in from the 1960s to the 1980s. More than 13,000 years after the probable but legendary Battle of Clovis and Arctodus, Los Angeles scientists and industries built the Saturn-V rocket engines, the most powerful machines in all of human history, which put human beings on the Moon for the first time. The same LA missile industry built the Intercontinental Ballistic Missiles (ICBMs) which carry the U.S. arsenal of world-destroying nuclear weapons. The vast global metropolis of Los Angeles is now home to about 16 million persons from every language group on Earth.
The last, Tenth Regime period was inaugurated by the LA Uprising of 1992.
Over the course of these ten regimes, Los Angeles developed a set of traits that resulted in a militant, warlike, and internally authoritarian metropolis, maintaining and reproducing a racial apartheid. It created an anthropic ecology, dependent upon massive human inputs of imported fresh water, invasive species, air pollution, waste management, and species regulation.
When Los Angeles suddenly grew to massive productivity, population and power in the 20th century, it projected its regional institutions outward onto the nation and onto the globe. Its distinct assets in petroleum, motion pictures, aircraft and aerospace, combined with its autocratic rule, racist ideologies, mass media, apartheid social geography--opposed and rebelled against by movements for freedom and equality, came together in its Ninth Regime era: 1940-1992, when Presidents Nixon and Reagan led a grass-roots, mass-mediated populist movement nationwide. They brought LA's political culture to dominate the United States and exported it worldwide, escalating the Cold War in a carnography of power that exploded in the LA Uprising of 1992.
Media and Visual Cultures
The social, cultural, and political history of Los Angeles shaped the messages in the movies, radio, and television made there, and the mass media made in Los Angeles shaped the entire world.
Cultural production has been intrinsic to Los Angeles:in its internal formation and in its rise to global influence. Los Angeles arts and mass culture were forged in the furnace of a growing, multi-ethnic, migrant-stocked metropolis in the US-Mexican Borderlands and the Pacific Rim routes to Asia and South America. It was forged in--and contributed to--U.S. imperialism and revolutionary movements, and came to deadly world power in the propaganda of the 1930s and World War II. Combining its dual roles as capital of US mass media production and the capital of US aerospace production, Los Angeles became a pivot of global history in the Cold War, producing two world-historic presidents: the first capturing Washington with Angeleno militaristic and racial ideology; the second capturing the American mind with Angeleno media artifice.
These visual essays tell these stories and many more: of the role LA played in the recasting of the relations of men and women; its role in remaking the way human beings see, hear, think and feel; its role as a birthplace of "fascism" worldwide; its role in emancipating the human spirit and also in subverting the Enlightenment's deepest values of equality, democracy, and truth. Angelenos invented Hollywood's visual culture in the first half of the 20th century, a period of racial apartheid, political upheaval, and autocratic police departments. Tooled-up for propaganda, Hollywood projected its cultural power on the world in the years after World War II and minted the political culture of the post-Enlightenment world: a carnography of power.
Manna From Hell
For Clovis and all later Angelenos, the black pools of oil-tar at La Brea were the Mirror of Narcissus: a dark window into the city's ancient underworld. Vanity and hedonistic pleasure, utopian dreams, material abundance, all these entice the global migrant to Los Angeles. The reflection in the pools of La Brea is also a window onto the underworld of humanity. Oil's vast riches also bring out the will to power and flames of war. Oil is Manna from Hell: a rich and foul excrescence from the God Pluto. International struggle for oil dominated the 20th century, killing tens of millions in World Wars, Cold Wars and Terror Wars.
Oil production was the first globalizing industry of Los Angeles. While Chumash and Tongva had exploited petroleum tar for water craft construction and for fire, it was not until the 1890s that Angelenos began pumping it from the ground to fuel Second Industrial Revolution. Oil output from the region boomed again in the 1920s, anchoring a major part of global oil trade in Los Angels, especially with the career of Angeleno J. Paul Getty.
The 1880s-1930s was a tumultuous period of revolutionary upheaval, world war, and rapid industrial development which increasingly depended on oil. Struggles for that resource partially explain the coming of the Pacific War and fundamentally shaped the Second World War, just as Los Angels became central to world aircraft and warplane production. The vast reserves of oil beneath Los Angeles made its local industries possible.
The Los Angeles regional political culture took shape as the struggles of the period took place. Both the Mexican dictatorship of Porfirio Diaz (1874-1910) and the Mexican Revolution (1910-1929) came to and came from Los Angeles. The impact of Mexican politics on Los Angeles intensified after 1910, lasting until a wave of repression took hold in the mid-1920s. These were crucial years for the development of the Los Angeles regional political culture that eventually produced Nixon, Reagan, and the New Right in the 1950s-1980s. [WRAP THIS UP WITH THE MEDIA-INDUSTRIAL POST-ENLIGHTENMENT OF THE CARNOGRAPHY OF POWER. A FEW MORE SENTENCES TO MATCH THE LENGTH OF THE TOC.]
This page has paths:
Contents of this path:
- Regime I: Megafauna Regis, 2.5 Million BP to 13,000 BP
- The Deep Geography of Violent Abundance: The Transverse Ranges and Southern California
- ʔitiasup: The Unstable Landforms and Ecology of Southern California
- Amplified Abundance: Mammalforming the Ecology
- Of Oaks, Floods, Fires, Famine, Feasts and Giants
- Pluto's Basement: Accumulation in Hades Since the Miocene, circa 20 million Years Ago
- Regime II -- Clovis Conquest: First Peoples and Mass Extinction, From 13,000 to 10,000 Years Ago
- Regime III -- Maritime-Terrestrial Arcadia: The Chumash Era, 8,500 to 2,500 Years Ago
- Peculiar Conquest: The Arrival of the Uto-Aztecans, Circa 3,500-2,000 Years Ago
- Linguistic Separations and Geo-Ethnic Formation at the Thousand-Year Scale
- Subdividing Southern California: Ancient Villages , Village-States, and Networked Localism
- Regime IV -- Acorn Aristocracies: Chumash and Tongva Ruling Castes from 500 BCE to 1800 of the Common Era
- Place, Trade, Alliance and Warfare Among Chumash and Tongva, 1450-1800
- Yaangna, Ancient Center of the Los Angeles Basin
- Very Ancient Roads: The Indigenous-Spanish Centering of the Los Angeles Basin
- Regime V: Franciscan Theocracy of Hybrid Spanish-Indio California, 1769-1822
- Downtown LA: Inscribing Diversity in the Spanish Core, 1781-1906
- Water and Power: The LA River Monopoly of the City of Los Angeles From Pueblo to City
- Regime VI -- Latifundia Mexicanas, 1822 to 1848
- Eastside Story: African-American Central Ave From Biddy Mason to Watts, 1781-1959
- Regime VII -- La Conviviencia Inestable, 1848 to 1881.
- Railway Nodes: Transcontinental Railway Stations, 1870s-1939
- Regime VIII -- U.S. Industrial Empire on the Porfirian Borderland, 1881-1940
- Annexation and the Regional Centrality of Los Angeles City, 1880s-1953
- Los Angeles City-Centrality: The Hierarchical Municipalization of LA County, 1880s-1920s
- Los Angeles: Capital City of the US-Mexico Borderlands, 1880-1920s
- Art and Industrial Oligarchy, 1880-1915
- The Muybridge Moment: Pre-Cinematic Visual Arts to 1895
- Cinema Proper: From the Kinetograph to the Cinématographe, 1891-1895
- From Vienna to Chicago to Los Angeles: The Formation of Southern California Modernism, 1890s-1920s
- Manna From Hell: Petroleum and the Inscription of Angeleno World Power, 1890s-1930s
- Edward L. Doheny: Borderland Oil Baron, 1890s-1920s
- From David Belasco's Broadway to DeMille at the Lasky Barn, 1893-1915
- The Rise and Fall of Regional Mass Transit: Pacific Electric "Red Cars": 1901-1961
- Movies Migrate to Los Angeles: The Warners and the Mayers, 1904-1917
- Taking Root: Mapping Motion Picture Production in the 1910s
- The Diverse Origins of Motion Picture Production: Sex, Race, Ideology, and purpose, 1890s-1920s
- The Mexican Revolution and Battles for Free Speech on the Streets of Los Angeles, 1907-1914
- J. Paul Getty: From USC to Oxford to Sutton Place.
- Oil of the People, by the People, and for the People: Petropolitical Schemes
- Progressives, Socialists, Synchromists in Revolutionary Los Angeles
- "When I Get Big": Richard Nixon, Nascent Coeur de Leon, 1913-1924
- Inscribing Aeronautic Production, 1912-1930
- The Chihuahua Connection: Doheny, Fall, and the Counterrevolution, 1910-1929
- Industrial-Residential Groundwork: Inscribing the Boom of the 1920s
- Hell's Angel: Howard Hughes, 1920s-1930s
- Los Ángeles contra La Raza Cósmica: U.S.-Mexico Petropolitics and the Counterrevolution of the 1920s
- The Hollywood "Sign," 1923-1980s
- The Rise of Ronald Reagan, Actor, 1920s-1940s
- The Nixon Market Milieu: circa 1930
- The Fall of the Doheny Oil Dynasty, 1921-1931
- Taking Place: Mexico and the Counterrevolution in Los Angeles in the 1920s
- Radio Broadcasting and the Rise of Networked Urbanism, 1920s-1930s
- The Bohemian Left in the 1920s
- Tarzana of the Apes: American Pulp Fascism from Chicago to the San Fernando Valley, 1912-1920s
- American Pulp Fascism: Tarzan, Birth of a Nation, and the Ku Klux Klan, 1912-1930s
- White Shadows in the South Seas, 1928
- Migrating to the Screen: Racialization of Bodies in Visual Space
- New York City's Media Power: Financial and Creative Control of Hollywood in the Classic Era, 1920s-1930s
- Los Angeles and Long Beach Harbor Map Series, 1924-2001
- Labor of Stars: Artists, Artisans, and the Contested Visual Workplace of the 1920s-1930s
- Populism and Fascism in 1930s Hollywood
- Fascist and American Air War Doctrine, 1920-1930s
- Ralph's Groceries: Residential and Retail Expansion in the 1930s
- Enter Julius Shulman and John Entenza: Arts & Architecture in the 1930s-1940s
- Hollywood’s White Hunters: Colonizing Africa and American Mass Media, 1929-1939
- The Air War Crisis of 1936-1939
- Regime IX -- U.S. Media-Industrial-Military: 1940-1992
- Concentration Camps and Lynch Mobs on the Home Front: "Total War" in Los Angeles, 1939-1945
- The Furies: Los Angeles, Air Power, and the Allied Victory in World War II, 1940-1945
- Aerial Attacks, Blackouts and Hollywood Deceptions, 1941-45
- The Doolittle Raid of 18 April 1942
- Made With Hate: Mobilization, Round-ups and Lynch Mobs in Los Angeles, 1941-1945
- Joshi Teishin-tai and Rosie the Riveter: Civilians at Risk in the the War Plants of the U.S., Japan, and Germany, 1942-1945
- Aerial Bombing with B-17s in Europe, 1942-1944
- Thirty Seconds Over Tokyo, 1943-44
- Excursus: Dalton Trumbo's Screenplay for Thirty Seconds Over Tokyo (1944)
- The Rise of Ronald Reagan, the Politician, 1940s-1980s
- "We Kill'em with Fil'm": Target Tokyo, Narrated by Ronald Reagan (OWI-USAAF First Motion Picture Unit, 1945)
- War Birds Coming Home To Roost: The Repressed Image of Los Angeles as Aerial Target
- Hollywood's Contribution to the Area-Bombing Cover-up, 1942-1945
- "Central Directives": U.S. Office of War Information (OWI) Disinformation Campaign about Area Bombing, 1944-1945
- Arteries of Privilege and Inequality: Pico-Whittier, Lakewood-Rosemead, Sunset, and Sepulveda
- Crossroads of the LA Metropolis: The Four-Level Interchange and Bunker Hill, 1930s-1960s
- Victor Gruen and the Shopping "Centers" of Automobility, 1940s-1950s
- Suburbia, Automobility, and Metropolitan Space, 1930s-1950s: FOOTNOTES
- Broadcast Television Before Cable: New York and Los Angeles, 1948-1970s
- Blinding Race: Television in the Civil Rights Era, 1948-1965
- From Paris to New York City to San Francisco and Los Angeles: Duchamp's Beatnik Successors: 1912-1966
- The Art of Rebellion in Cold War Los Angeles, 1950-1992
- Undefended Cities
- Segregated Diversity: Los Angeles County, 1940-2000
- END NOTES TO THE ORIGINAL HELL'S ANGELS SECTION:
- Wartime State-Capitalist and Postwar Anti-Communist Home-Building: Fritz Burns, 1940s-1960s
- Arteries of Privilege and Inequality: Pico-Whittier, Lakewood-Rosemead, Sunset, and Sepulveda
- The Racial Shaping of Cold War Suburban Space, 1950s
- Space Station Los Angeles: Aerospace Capital of the Cold War, 1945-1992
- Ramo-Wooldridge, Systems Engineering, and the Information Age
- Vengeance Weapon: How Nazi SS Major Wernher von Braun Became a U.S. Space Exploration Hero
- Western Development Division, 409 E. Manchester Blvd in Inglewood, 1950s
- The Whiteness of Landed Wealth, 1940-1990
- Encirclement: Los Angeles City and Suburbanization, 1950s-1960s
- Vice President Nixon At Home and Abroad, 1953-59
- Beat Dada: Ed Kienholz (1927-1994)
- Galleries of La Cienaga, 1958-1969
- Case Study #22: 1960
- Excursus: Shakespearean Nixon and Cervantean Reagan
- The Winter of Nixon's Discontent: The Stolen Presidential Election of 1960
- Nixon's Caribbean Crossroads, November 1962
- Revolt of the Generals?: Seven Days in May and Dr. Strangelove, 1963-4
- Emancipation, Extremism, and Nixon at the Hinge of Fate, 1963
- California's Reversal of Civil Rights: The Referendum Repeal of the Rumford Fair Housing Law in 1964
- Springtime for Nixon and Reagan, 1964
- Reaganism: The Triumph of Los Angeles-Branded New Right Repression, 1964-1989
- The Speech: Reagan's "Time For Choosing," 1964
- Nixon Wins Control of the Republican Party, 1965
- Decolonizing American Television: 1965-1990s
- Nixon, Reagan, Extremism, and the Watts Rebellion, 1965
- Burning Decks, Sinking Ships, and Heavy Bombers: Race and Reaction, 1966-67
- Corporate Origins and Destination of the New Hollywood, 1966-1980s
- New Art Spaces after Watts and the Blowouts: Samella Lewis and ASCO, 1965-1978
- Photography's Ironic Arrival as Fine Art: Ed Ruscha and Robert Heinecken, 1961-1970
- The Art of Feminism and Women of the LA Avant Garde, circa 1975
- Sex, Violence, and Sexual Violence in the New Hollywood, 1967-1991
- Orson Welles, Peter Bogdanovich, and the Artistic Apotheosis of the New Hollywood, 1971-1980
- The LA and New York Cinematic Rebellions, 1970s-1990s
- Conceptualism and the the CalArts Mafia, 1971-1980
- The Contradictory Mayoralty of Tom Bradley in the Age of Reagan, 1973-1993
- Scarface, Wall Street, and Cinema in Reagan's 1980s
- Reaganism and Rebellion: The American Uprising of 1988-1992
- The Gates Era Police State: The LAPD's Military Occupation of Los Angeles in the 1980s-90s
- Los Angeles and the Postmodern Turn, 1980s-1990s
- Rap and Rebellion: Manifestos for the Uprising, 1982-1992
- The Los Angeles Uprising of 1992
- Regime X -- Reform-Neoliberal, 1992 to the Present