Ghost Metropolis: Los Angeles from Clovis to Nixon

Ghost Metropolis: Los Angeles and Its Places in Global History, From the Pleistocene to the Present

These stories tell a tale about a mighty metropolis that grew over many centuries to shape the course of human history.  Such a tale entails many stories, told on many scales of time and space, about the Southern California land and its ecology; about the societies, cultures, and regimes, from Chumash and Tongva to Spanish, Mexican, and United States, who have inscribed the deeds that made Los Angeles into a powerful 21st-century metropolis of world cultures.  These are stories told with words and images, from many viewpoints, drawn from many genres of knowledge.

The title of this tale, Ghost Metropolis, indicates that the past is ever present, all around us, shaping us. The actions of the past continuously branch out in the present of any age.  While mostly invisible, the past is a real landscape of shapes and actions enabling our present.  The ghostly past blends with the visible landscape that we now enact, inscribed by all the generations before us.  Because every generation of a region learns to act within the social shapes of its inscribed pasts; each is the genuine descendant of previous generations, no matter how unrelated by blood.

As with all ancient regions, Los Angeles has accumulated its characteristics over the course of millennia, like a coral reef.  The skeleton of its past supports its weight and supplies its shapes, while the living outer layer of the present extends those shapes into the future.  Both material and metaphoric shapes accumulate: those we can see and touch, and those we can only see in the chronoscope of an historical account.

How did the metropolis called Los Angeles, and its region, come into being and acquire its characteristics?  How did it come to export cultural and political power throughout North America and to the rest of the globe?  Created by millions of global migrants, Los Angeles has become a major force worldwide, owing to its denizen's deeds and the way that they have competed for and exploited its valuable resources.  

This historian-geographer attempts, in telling these stories, to make the landscapes of the deep and wide Los Angeles past visible. Ghost Metropolis seeks to map the diverse peoples of the region, and their inscription over thousands of years, the footprints of its key institutions: horticultural, agricultural, industrial, residential, mass media and visual arts, oil extraction, military-industrial, and political.   Some stories are mainly "about" those institutions, as they make places and connections to other institutions and to other places on the globe.  Other stories are mainly "about" the places, as they come into being, produced by institutions that intersect and flow through the region's specific locations.

Regions thrive on many time scales: from the very long durations of the climate, ecology, and civilizations, to the medium-scale durations  of global trade, regimes, cycles of accumulation and human generations; to the shortest durations of events and the daily actions of individuals.  While the largest scale is also the deepest historically, the "events" do not merely bob on the surface of deeper "forces."  Those enacting events drive the entire regional complex by shaping the accumulated resources into every new future.

The ways that Los Angeles extended its power throughout the world reflects its upbringing over the centuries, across many places near and far.  Mapping that upbringing involves tracing the course of human events across several spatial scales: from the global to the continental to the regional, local, neighborhood, and the site, and back again, from the site to the neighborhood, to the district, the city, the region, the continent, and the globe.  The direction of action for Los Angeles is normally from the site outward to larger regions, because a global metropolis becomes so precisely bi shaping the world, rather than being shaped by it.  Its denizens are net exporters of causation.

A region's pasts never stood still and will never come to rest.  The persons who made Los Angeles in each generation were always in motion, migrating, circulating, living their private and public lives. All the while, they are also inscribing their deeds into the landscape.  Mapping that moving past enables an understanding and explanation of the role of a metropolis on the world stage.

Every tale about any great metropolis must be selective, including some stories and excluding others.  Ghost Metropolis attempts a very broad inclusion of thousands of people, places, and pasts.  But it is neither comprehensive nor encyclopedic.  It seeks to map the most distinctive features of the Los Angeles metropolis in the context of the world history that it came to shape. 

Ghost Metropolis can be read as a single tale or as multiple, parallel narratives by theme, grouped as follows:

The Past as Landscape of Places

All happenings of the past took place, and made places.  The oldest places of Los Angeles are the sites of its indigenous villages, which were the nodes of its ancient roads. The most recent places have been inscribed into many older ones.  Over many centuries a myriad of places have blanketed the surface of the Los Angeles Basin.  

How can so many pasts in so many places be told?  Most shall never be told, because there are too many.  Ghost Metropolis maps and narratives more than a thousand places, but those are only a small fraction of the places that comprise the region.  The places chosen to include are those that are particularly representative of a metropolis's most vital characteristics.  The stories in this section are about places of different scales and types, from historical ecology, to the pathways between and through its valleys, its rivers, and human settlements, which are very ancient and also very recent.  

All places are the product of labor and landscape.  “Los Angeles” is very large place made from many smaller places, each intricately interconnected with the others along network linkages that make the ensemble of the region.  To tell stories of people’s deeds in the past is the same as telling the stories of the places those actions created.  Stories in this section map the past in landmarks, neighborhoods, roads, highways, icons, intersections, boundaries, borderlands and routes.


Regimes of Power

Successive generations of rulers established the regimes that determined power and privilege in Los Angeles.  Each regime left for the future the institutions they inscribed during its rule.  Ten such regimes ruled the Los Angeles region: nine of them human., beginning with the Clovis hunters 13,000 years ago.

Each successive regime owed a great debt to its predecessors, who fixed, centuries earlier, the region's most fundamental relations: how land and wealth are distributed; how labor is controlled and rewarded; how groups are identified by race, religion, or gender, how they are endowed with or denied rights.  

When human beings first set foot on the future site of Los Angeles, they found a region ruled already by truly ferocious giants. The top predator was the Short-Faced Bear (Arctodus simus), the largest carnivorous land mammal ever to live.  To wrest control of the region, Clovis people wielded stone spearpoints on long lances to match the fangs and claws of Arctodus, plus those of the saber-toothed cat and the gigantic American Lion.

Humans fought these carnivorous giants for the prey they all prized: the giant mammoths and mastondonts, sloths, and glyptodonts.  Such predator duels would have consecrated the City of Angels with the blood of humans and beasts together mingled. 

The legendary battle of Clovis and Arctodus is no less fitting for Los Angeles than than is Rome's legend of the wolf-raised brothers Romulus and Remus, and the spilling of their fraternal blood on the central site of the Eternal City.  Los Angeles is no less ancient.  Its Lapis Negra is the bedrock of the Los Angeles River at Yaangna, El Pueblo de Nuestra Senora Reina de Los Angeles, Downtown Los Angeles.

Ruling the Los Angeles region has unfortunately entailed a great deal of violence.  The elemental confrontation of 13,000 years ago, between Clovis and Arctodus dramatically marked the first transition from non-human to human rule. 

With the next eight human-to-human rulership transitions, the new rulers sought control of Southern California's resources and the right to make the rules.  The Clovis people were followed by the Hokan-Chumashan people, who established the region's geographic settlement patterns during their 9,000 years of rule.  They were followed by the Tongva of the Uto-Aztecan invasion, who ruled the LA Basin for the next 2,500 years, ending in the 1780s, when the Spanish conquered with crosses and lances.  Spanish rule was followed by Mexican rule from 1822-1848; followed by four distinct four successive regimes of the United States period.

Los Angeles reached the apogee of its world power during the Angeleno presidencies of Richard Nixon and Ronald Reagan in from the 1960s to the 1980s. More than 13,000 years after the probable but legendary Battle of Clovis and Arctodus, Los Angeles scientists and industries built the Saturn-V rocket engines, the most powerful machines in all of human history, which put human beings on the Moon for the first time.  The same LA missile industry built the Intercontinental Ballistic Missiles (ICBMs) which carry the U.S. arsenal of world-destroying nuclear weapons.  The vast global metropolis of Los Angeles is now home to about 16 million persons from every language group on Earth.  

The last, Tenth Regime period was inaugurated by the LA Uprising of 1992.

Over the course of these ten regimes, Los Angeles developed a set of traits that resulted in a militant, warlike, and internally authoritarian metropolis, maintaining and reproducing a racial apartheid.  It created an anthropic ecology, dependent upon massive human inputs of imported fresh water, invasive species, air pollution, waste management, and species regulation.

When Los Angeles suddenly grew to massive productivity, population and power in the 20th century, it projected its regional institutions outward onto the nation and onto the globe.  Its distinct assets in petroleum, motion pictures, aircraft and aerospace, combined with its autocratic rule, racist ideologies, mass media, apartheid social geography--opposed and rebelled against by movements for freedom and equality, came together in its Ninth Regime era: 1940-1992, when Presidents Nixon and Reagan led a grass-roots, mass-mediated populist movement nationwide.  They brought LA's political culture to dominate the United States and exported it worldwide, escalating the Cold War in a carnography of power that exploded in the LA Uprising of 1992.

Media and Visual Cultures

The social, cultural, and political history of Los Angeles shaped the messages in the movies, radio, and television made there, and the mass media made in Los Angeles shaped the entire world.

Cultural production has been intrinsic to Los Angeles:in its internal formation and in its rise to global influence.  Los Angeles arts and mass culture were forged in the furnace of a growing, multi-ethnic, migrant-stocked metropolis in the US-Mexican Borderlands and the Pacific Rim routes to Asia and South America.  It was forged in--and contributed to--U.S. imperialism and revolutionary movements, and came to deadly world power in the propaganda of the 1930s and World War II.  Combining its dual roles as capital of US mass media production and the capital of US aerospace production, Los Angeles became a pivot of global history in the Cold War, producing two world-historic presidents: the first capturing Washington with Angeleno militaristic and racial ideology; the second capturing the American mind with Angeleno media artifice.

These visual essays tell these stories and many more: of the role LA played in the recasting of the relations of men and women; its role in remaking the way human beings see, hear, think and feel; its role as a birthplace of "fascism" worldwide; its role in emancipating the human spirit and also in subverting the Enlightenment's deepest values of equality, democracy, and truth.  Angelenos invented Hollywood's visual culture in the first half of the 20th century, a period of racial apartheid, political upheaval, and autocratic police departments.  Tooled-up for propaganda, Hollywood projected its cultural power on the world in the years after World War II and minted the political culture of the post-Enlightenment world: a carnography of power.

Manna From Hell

For Clovis and all  later Angelenos, the black pools of oil-tar at La Brea were the Mirror of Narcissus: a dark window into the city's ancient underworld.  Vanity and hedonistic pleasure, utopian dreams, material abundance, all these entice the global migrant to Los Angeles.  The reflection in the pools of La Brea is also a window onto the underworld of humanity. Oil's vast riches also bring out the will to power and flames of war.  Oil is Manna from Hell: a rich and foul excrescence from the God Pluto.  International struggle for oil dominated the 20th century, killing tens of millions in World Wars, Cold Wars and Terror Wars.

Oil production was the first globalizing industry of Los Angeles. While Chumash and Tongva had exploited petroleum tar for water craft construction and for fire, it was not until the 1890s that Angelenos began pumping it from the ground to fuel Second Industrial Revolution.  Oil output from the region boomed again in the 1920s, anchoring a major part of global oil trade in Los Angels, especially with the career of Angeleno J. Paul Getty.

The 1880s-1930s was a tumultuous period of revolutionary upheaval, world war, and rapid industrial development which increasingly depended on oil.  Struggles for that resource partially explain the coming of the Pacific War and fundamentally shaped the Second World War, just as Los Angels became central to world aircraft and warplane production.  The vast reserves of oil beneath Los Angeles made its local industries possible.

The Los Angeles regional political culture took shape as the struggles of the period took place. Both the Mexican dictatorship of Porfirio Diaz (1874-1910) and the Mexican Revolution (1910-1929) came to and came from Los Angeles.  The impact of Mexican politics on Los Angeles intensified after 1910, lasting until a wave of repression took hold in the mid-1920s.  These were crucial years for the development of the Los Angeles regional political culture that eventually produced Nixon, Reagan, and the New Right in the 1950s-1980s.  [WRAP THIS UP WITH THE MEDIA-INDUSTRIAL POST-ENLIGHTENMENT OF THE CARNOGRAPHY OF POWER. A FEW MORE SENTENCES TO MATCH THE LENGTH OF THE TOC.]

This page has paths:

  1. Ghost Metropolis: Los Angeles from Clovis to the Age of Nixon and Reagan Phil Ethington

Contents of this path:

  1. Voice of the World: Southern California Landforms, Ecology, and the Sources of Abundance
  2. Pluto's Basement: The Growth of Hades Since the Miocene, circa 20 million Years Ago
  3. Regime I: Megafauna Regis, 2.5 Million BP to 13,000 BP
  4. Regime II -- Clovis Conquest: First Peoples and Mass Extinction, From 13,000 to 10,000 Years Ago
  5. Regime III -- Maritime-Terrestrial Arcadia: The Chumash Era, 8,500 to 2,500 Years Ago
  6. Peculiar Conquest: The Arrival of the Uto-Aztecans, Circa 3,500-2,000 Years Ago
  7. Linguistic Separations and Geo-Ethnic Formation at the Thousand-Year Scale
  8. Subdividing Southern California: Ancient Villages , Village-States, and Networked Localism
  9. Regime IV -- Acorn Aristocracies: Chumash and Tongva Ruling Castes from 500 BCE to 1800 of the Common Era
  10. Place, Trade, Alliance and Warfare Among Chumash and Tongva, 1450-1800
  11. Yaangna, Ancient Center of the Los Angeles Basin
  12. Very Ancient Roads: The Indigenous-Spanish Centering of the Los Angeles Basin
  13. Regime V: Franciscan Theocracy of Hybrid Spanish-Indio California, 1769-1822
  14. Regime VI -- Latifundia Mexicanas, 1822 to 1848
  15. Downtown LA: Inscribing Diversity in the Spanish Core, 1781-1906
  16. Water and Power: The LA River Monopoly of the City of Los Angeles From Pueblo to City
  17. Eastside Story: African-American Central Ave From Biddy Mason to Watts, 1781-1959
  18. Regime VII -- La Conviviencia Inestable, 1848 to 1881.
  19. Railway Nodes: Transcontinental Railway Stations, 1870s-1939
  20. Regime VIII -- U.S. Industrial Empire on the Porfirian Borderland, 1881-1940
  21. Annexation and the Regional Centrality of Los Angeles City, 1880s-1953
  22. Los Angeles City-Centrality: The Hierarchical Municipalization of LA County, 1880s-1920s
  23. Los Angeles: Capital City of the US-Mexico Borderlands, 1880-1920s
  24. Art and Industrial Oligarchy, 1880-1915
  25. The Muybridge Moment: Pre-Cinematic Visual Arts to 1895
  26. Cinema Proper: From the Kinetograph to the Cinématographe, 1891-1895
  27. From Vienna to Chicago to Los Angeles: The Formation of Southern California Modernism, 1890s-1920s
  28. Manna From Hell: Petroleum and the Inscription of Angeleno World Power, 1890s-1930s
  29. Edward L. Doheny: Borderland Oil Baron, 1890s-1920s
  30. From David Belasco's Broadway to DeMille at the Lasky Barn, 1893-1915
  31. The Rise and Fall of Regional Mass Transit: Pacific Electric "Red Cars": 1901-1961
  32. Movies Migrate to Los Angeles: The Warners and the Mayers, 1904-1917
  33. Taking Root: Mapping Motion Picture Production in the 1910s
  34. The Diverse Origins of Motion Picture Production: Sex, Race, Ideology, and purpose, 1890s-1920s
  35. The Mexican Revolution and Battles for Free Speech on the Streets of Los Angeles, 1907-1914
  36. J. Paul Getty: From USC to Oxford to Sutton Place.
  37. Oil of the People, by the People, and for the People: Petropolitical Schemes
  38. Progressives, Socialists, Synchromists in Revolutionary Los Angeles
  39. "When I Get Big": Richard Nixon, Nascent Coeur de Leon, 1913-1924
  40. Inscribing Aeronautic Production, 1912-1930
  41. The Chihuahua Connection: Doheny, Fall, and the Counterrevolution, 1910-1929
  42. Industrial-Residential Groundwork: Inscribing the Boom of the 1920s
  43. Hell's Angel: Howard Hughes, 1920s-1930s
  44. Los Ángeles contra La Raza Cósmica: U.S.-Mexico Petropolitics and the Counterrevolution of the 1920s
  45. The Hollywood "Sign," 1923-1980s
  46. The Rise of Ronald Reagan, Actor, 1920s-1940s
  47. The Nixon Market Milieu: circa 1930
  48. The Fall of the Doheny Oil Dynasty, 1921-1931
  49. Taking Place: Mexico and the Counterrevolution in Los Angeles in the 1920s
  50. Radio Broadcasting and the Rise of Networked Urbanism, 1920s-1930s
  51. The Bohemian Left in the 1920s
  52. Tarzana of the Apes: American Pulp Fascism from Chicago to the San Fernando Valley, 1912-1920s
  53. American Pulp Fascism: Tarzan, Birth of a Nation, and the Ku Klux Klan, 1912-1930s
  54. White Shadows in the South Seas, 1928
  55. Migrating to the Screen: Racialization of Bodies in Visual Space
  56. New York City's Media Power: Financial and Creative Control of Hollywood in the Classic Era, 1920s-1930s
  57. Los Angeles and Long Beach Harbor Map Series, 1924-2001
  58. Labor of Stars: Artists, Artisans, and the Contested Visual Workplace of the 1920s-1930s
  59. Populism and Fascism in 1930s Hollywood
  60. Fascist and American Air War Doctrine, 1920-1930s
  61. Ralph's Groceries: Residential and Retail Expansion in the 1930s
  62. Enter Julius Shulman and John Entenza: Arts & Architecture in the 1930s-1940s
  63. Hollywood’s White Hunters: Colonizing Africa and American Mass Media, 1929-1939
  64. The Air War Crisis of 1936-1939
  65. Regime IX -- U.S. Media-Industrial-Military: 1940-1992
  66. Concentration Camps and Lynch Mobs on the Home Front: "Total War" in Los Angeles, 1939-1945
  67. The Furies: Los Angeles, Air Power, and the Allied Victory in World War II, 1940-1945
  68. Aerial Attacks, Blackouts and Hollywood Deceptions, 1941-45
  69. The Doolittle Raid of 18 April 1942
  70. Made With Hate: Mobilization, Round-ups and Lynch Mobs in Los Angeles, 1941-1945
  71. Joshi Teishin-tai and Rosie the Riveter: Civilians at Risk in the the War Plants of the U.S., Japan, and Germany, 1942-1945
  72. Aerial Bombing with B-17s in Europe, 1942-1944
  73. "New Fire Bombs Created to Burn Jap Villages": U.S. Planning to Burn Civilians Alive with Napalm, 1942-1944
  74. The American turn to Terrorism: Curtis LeMay, Carl Spaatz,Jimmy Doolittle, and the RAF Terror Campaign
  75. Thirty Seconds Over Tokyo, 1943-44
  76. Excursus: Dalton Trumbo's Screenplay for Thirty Seconds Over Tokyo (1944)
  77. The Rise of Ronald Reagan, the Politician, 1940s-1980s
  78. "We Kill'em with Fil'm": Target Tokyo, Narrated by Ronald Reagan (OWI-USAAF First Motion Picture Unit, 1945)
  79. Urban Ovens: Burning Japanese Civilians on an Industrial Scale, 1944-5
  80. The War Crime, 1944-45
  81. EXCURSUS: ROBERT S. MCNAMARA'S FLAWED WAR CRIMES CONFESSION
  82. War Birds Coming Home To Roost: The Repressed Image of Los Angeles as Aerial Target
  83. Hollywood's Contribution to the Area-Bombing Cover-up, 1942-1945
  84. "Central Directives": U.S. Office of War Information (OWI) Disinformation Campaign about Area Bombing, 1944-1945
  85. Historical Indictment
  86. Arteries of Privilege and Inequality: Pico-Whittier, Lakewood-Rosemead, Sunset, and Sepulveda
  87. Crossroads of the LA Metropolis: The Four-Level Interchange and Bunker Hill, 1930s-1960s
  88. Victor Gruen and the Shopping "Centers" of Automobility, 1940s-1950s
  89. Suburbia, Automobility, and Metropolitan Space, 1930s-1950s: FOOTNOTES
  90. Broadcast Television Before Cable: New York and Los Angeles, 1948-1970s
  91. Blinding Race: Television in the Civil Rights Era, 1948-1965
  92. From Paris to New York City to San Francisco and Los Angeles: Duchamp's Beatnik Successors: 1912-1966
  93. The Art of Rebellion in Cold War Los Angeles, 1950-1992
  94. Undefended Cities
  95. Segregated Diversity: Los Angeles County, 1940-2000
  96. END NOTES TO THE ORIGINAL HELL'S ANGELS SECTION:
  97. Wartime State-Capitalist and Postwar Anti-Communist Home-Building: Fritz Burns, 1940s-1960s
  98. Arteries of Privilege and Inequality: Pico-Whittier, Lakewood-Rosemead, Sunset, and Sepulveda
  99. The Racial Shaping of Cold War Suburban Space, 1950s
  100. Space Station Los Angeles: Aerospace Capital of the Cold War, 1945-1992
  101. Ramo-Wooldridge, Systems Engineering, and the Information Age
  102. Vengeance Weapon: How Nazi SS Major Wernher von Braun Became a U.S. Space Exploration Hero
  103. Western Development Division, 409 E. Manchester Blvd in Inglewood, 1950s
  104. The Whiteness of Landed Wealth, 1940-1990
  105. Encirclement: Los Angeles City and Suburbanization, 1950s-1960s
  106. Vice President Nixon At Home and Abroad, 1953-59
  107. Beat Dada: Ed Kienholz, 1952-1962
  108. Galleries of La Cienaga, 1958-1969
  109. Case Study #22: 1960
  110. Excursus: Shakespearean Nixon and Cervantean Reagan
  111. The Winter of Nixon's Discontent: The Stolen Presidential Election of 1960
  112. Nixon's Caribbean Crossroads, November 1962
  113. Revolt of the Generals?: Seven Days in May and Dr. Strangelove, 1963-4
  114. Emancipation, Extremism, and Nixon at the Hinge of Fate, 1963
  115. California's Reversal of Civil Rights: The Referendum Repeal of the Rumford Fair Housing Law in 1964
  116. Springtime for Nixon and Reagan, 1964
  117. Reaganism: The Triumph of Los Angeles-Branded New Right Repression, 1964-1989
  118. The Speech: Reagan's "Time For Choosing," 1964
  119. Nixon Wins Control of the Republican Party, 1965
  120. Decolonizing American Television: 1965-1990s
  121. Nixon, Reagan, Extremism, and the Watts Rebellion, 1965
  122. Burning Decks, Sinking Ships, and Heavy Bombers: Race and Reaction, 1966-67
  123. Corporate Origins and Destination of the New Hollywood, 1966-1980s
  124. New Art Spaces after Watts and the Blowouts: Samella Lewis and ASCO, 1965-1978
  125. Photography's Ironic Arrival as Fine Art: Ed Ruscha and Robert Heinecken, 1961-1970
  126. The Art of Feminism and Women of the LA Avant Garde, circa 1975
  127. Sex, Violence, and Sexual Violence in the New Hollywood, 1967-1991
  128. Orson Welles, Peter Bogdanovich, and the Artistic Apotheosis of the New Hollywood, 1971-1980
  129. The LA and New York Cinematic Rebellions, 1970s-1990s
  130. Conceptualism and the the CalArts Mafia, 1971-1980
  131. The Contradictory Mayoralty of Tom Bradley in the Age of Reagan, 1973-1993
  132. Scarface, Wall Street, and Cinema in Reagan's 1980s
  133. Reaganism and Rebellion: The American Uprising of 1988-1992
  134. The Gates Era Police State: The LAPD's Military Occupation of Los Angeles in the 1980s-90s
  135. Los Angeles and the Postmodern Turn, 1980s-1990s
  136. Rap and Rebellion: The Manifesto for the Uprising, 1982-1992
  137. The Los Angeles Uprising of 1992
  138. Regime X -- Reform-Neoliberal, 1992 to the Present