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Exploding Tongues: Language, Art, and the Russian Avant-garde Main Menu Back to Futurism: Russian Artist Books Introductory Page by Chris Gilman BookENDS: A Working Theory of Textuality as Cultural Dominant, 1912- An Introduction and Conclusion to a Semester's Investigation into the Book Arts as an Avant-garde Practice Book Case Studies Collaborative Research by Case Studies Big Bang: Timeline of Russian Avant-Garde Book Arts and Their Cultural Impacts A Timeline of Russian Avant-Garde Book Arts and Their Cultural Impacts CoaRse CaLIBration ARTS 227 "Introduction to Letterpress Printing" (Pedersen) and CSLC134/RUSN334 "Exploding Tongues" (Gilman) NthOlogy A limited edition collaborative book arts project by students of ARTS 227 (Pedersen) and CSLC 134/RUSN 334 (Gilman), Spring, '17 MANIFESTERS (AB & Kelly): A portfolio of process and products Appendix: A Path Through Russian Avant-Garde Books ILiADS (Institute for Liberal Arts Digital Scholarship)

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Trans-media Connections in the Russian Avant-garde Christopher Gilman
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The End of the Beginning: Soviet Constructivism and Theory of Non-Art Christopher Gilman
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Photography as Painting: Lessons from the Soviet 1920s Christopher Gilman
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The End of the Beginning: Soviet Constructivism and Theory of Non-Art Lorem ipsum dolor sit amet, euismod nominati no sed. Vel mentitum reformidans cu. Delenit denique mea an, novum conceptam eos no, ex latine docendi verterem mei. Ei aliquip albucius referrentur vel. Mel ei mollis recteque moderatius, aeterno debitis an eam.

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Lorem ipsum dolor sit amet, euismod nominati no sed. Vel mentitum reformidans cu. Delenit denique mea an, novum conceptam eos no, ex latine docendi verterem mei. Ei aliquip albucius referrentur vel. Mel ei mollis recteque moderatius, aeterno debitis an eam.

In alii vitae vel. Usu id congue virtute principes, diam debet sed id. Harum blandit intellegat ex his, qui ex mollis inermis, mel simul soleat utroque ad. Euismod voluptatum pri at, cum quodsi aperiam equidem ut. Ex omittam delicata ullamcorper has, vix perfecto contentiones ne, an mutat detracto pertinacia mea.

Lorem ipsum dolor sit amet, euismod nominati no sed. Vel mentitum reformidans cu. Delenit denique mea an, novum conceptam eos no, ex latine docendi verterem mei. Ei aliquip albucius referrentur vel. Mel ei mollis recteque moderatius, aeterno debitis an eam.

In alii vitae vel. Usu id congue virtute principes, diam debet sed id. Harum blandit intellegat ex his, qui ex mollis inermis, mel simul soleat utroque ad. Euismod voluptatum pri at, cum quodsi aperiam equidem ut. Ex omittam delicata ullamcorper has, vix perfecto contentiones ne, an mutat detracto pertinacia mea.
Photography as Painting: Lessons from the Soviet 1920s
An early modernist, he was associated with several major artistic styles and created works in virtually every artistic medium, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints.

Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's preeminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN, and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra.

Before World War I, he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern European Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922.An earlymodernist, he was associated with several major artistic styles and created works in virtually every artistic medium, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints.

Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's preeminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN, and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra.

Before World War I, he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern European Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922.An earlymodernist, he was associated with several major artistic styles and created works in virtually every artistic medium, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints.

Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's preeminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN, and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra.

Before World War I, he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern European Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922.
Challenging the Canon Lorem ipsum dolor sit amet, euismod nominati no sed. Vel mentitum reformidans cu. Delenit denique mea an, novum conceptam eos no, ex latine docendi verterem mei. Ei aliquip albucius referrentur vel. Mel ei mollis recteque moderatius, aeterno debitis an eam.

In alii vitae vel. Usu id congue virtute principes, diam debet sed id. Harum blandit intellegat ex his, qui ex mollis inermis, mel simul soleat utroque ad. Euismod voluptatum pri at, cum quodsi aperiam equidem ut. Ex omittam delicata ullamcorper has, vix perfecto contentiones ne, an mutat detracto pertinacia mea.

Lorem ipsum dolor sit amet, euismod nominati no sed. Vel mentitum reformidans cu. Delenit denique mea an, novum conceptam eos no, ex latine docendi verterem mei. Ei aliquip albucius referrentur vel. Mel ei mollis recteque moderatius, aeterno debitis an eam.

In alii vitae vel. Usu id congue virtute principes, diam debet sed id. Harum blandit intellegat ex his, qui ex mollis inermis, mel simul soleat utroque ad. Euismod voluptatum pri at, cum quodsi aperiam equidem ut. Ex omittam delicata ullamcorper has, vix perfecto contentiones ne, an mutat detracto pertinacia mea.