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At the Crossroads of the SensesMain MenuAt the Crossroads of the Senses – Digital CompanionVisualizing the Table of ContentsVisualizing Synaeshesia as ConstellationSynaesthesia TimelineSynaesthesia Science and Art: Introduction and Chapters 1–2Vision: Chapter 3 - SalomeMusic: Chapter 4 - ScriabinColor-Sounds & Visual Music: Chapter 5 - KandinskyColor-Forms, Sounds & Motion: Chapters 6–7 - Kupka and BelyTouch: Chapters 8–9 - RilkeThe Lower Senses: Scent, Taste & TouchEpilogue: The Afterlife of Synaesthesia – Neurodiversity, Visualizations, ConstellationsPolina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1c
DH 1.1a. Takete and Baluma
1media/The-takete-maluma-effect-first-introduced-by-Koehler-1929-The-majority-of-participants_thumb.png2023-06-11T09:11:31-07:00Polina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1c314694DH 1.1a. Wolfgang Köhler, “Takete and Baluma.” Source: Reproduced from Wolfgang Köhler, Gestalt Psychology, p. 243. New York: H. Liveright, 1929. Which of the two shapes corresponds to Köhler’s imaginary words Takete and Baluma? The answer should be satisfyingly intuitive.plain2024-12-10T21:16:06-08:00Polina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1c
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1media/Flournoy, Number Forms Diagram, Synopsie, 1893, p. 165.png2018-10-04T05:07:50-07:00Polina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1cSynaesthesia Science and Art: Introduction and Chapters 1–2Polina Dimova36image_header15687542025-02-18T12:11:09-08:00Polina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1c