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At the Crossroads of the SensesMain MenuAt the Crossroads of the Senses – Digital CompanionVisualizing the Table of ContentsVisualizing Synaeshesia as ConstellationSynaesthesia TimelineSynaesthesia Science and Art: Introduction and Chapters 1–2Vision: Chapter 3 - SalomeMusic: Chapter 4 - ScriabinColor-Sounds & Visual Music: Chapter 5 - KandinskyColor-Forms, Sounds & Motion: Chapters 6–7 - Kupka and BelyTouch: Chapters 8–9 - RilkeThe Lower Senses: Scent, Taste & TouchEpilogue: The Afterlife of Synaesthesia – Neurodiversity, Visualizations, ConstellationsPolina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1c
David Howes, “Sensorium,” 2024
12025-02-18T12:09:01-08:00Polina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1c314692How many senses are there, really? Do the senses have a history? What makes smell ‘the affective sense’ par excellence? Are the senses so many independent channels, or do they interact with and modulate each other? And, if so, how might we cultivate the capacity to see feelingly or smell colours? These are among the questions to be addressed in the Sensorium Element discussed by David Howes.full2025-02-18T12:09:22-08:00Polina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1cVision: Chapter 3 - Salome
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1media/Flournoy, Number Forms Diagram, Synopsie, 1893, p. 165.png2018-10-04T05:07:50-07:00Polina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1cSynaesthesia Science and Art: Introduction and Chapters 1–2Polina Dimova36image_header15687542025-02-18T12:11:09-08:00Polina Dimovae3cc21567714201b2dd4d0a2c7acf46b8dd6ea1c