Modern Architectures of North AmericaMain MenuHelp! Help! Help!SuburbiaArchitecture Relating to the Natural EnvironmentPatients, Prisoners, PoliticsIdentity: What Lies Beneath Style and FormChange and AdaptationErica Morawski - The Hotel Nacional de Cuba: Making Meanings and Negotiating NationalismsAmanda - Organic Architecture/F.L. WrightSteph - Moorish Revival ArchitectureBrittney - Sustainable Urban DesignsThe Shift: Art Deco & Modernismby Bayleigh BoganTransition to Streamline ModerneSydney - The Coppelia Ice Cream Shop in Havana, Cuba: A Cultural Moment ManifestedKatie - LevittownGenevieve - The Multifaceted Development of Creole ArchitectureThe Former Church of the Holy Communion: A Specific Example of Change and Adaptation of a Single Building Over TimeRe-Purposing a Religious BuildingZarah Ferrari: Tule Lake Segregation Center: Rising Above an Unjust SystemZarah FerrariLaura - The Suburban Kitchen in Levittown, PABy Laura Krok-HortonMarianna Mapes, Disease and the Body Politic: The National Leprosarium at Carville, LouisianaLiz - Eichler, Neutra, and the mid-century Californian SuburbV. Nash- Berkeley City Women's Club (1929), Berkeley, CA, Julia MorganJulia Morgan was a West Coast architect.Metropolitan Museum of Art: A Transition to ModernismBrendan - Academy of Music
12016-03-06T19:08:14-08:00amanda barriscale5001ecd2ba98bf98931b2fc217caa37ba69fea9f Built in furniture amanda barriscale7plain2016-03-28T12:21:20-07:00amanda barriscale5001ecd2ba98bf98931b2fc217caa37ba69fea9f
12016-03-06T19:15:34-08:00amanda barriscale5001ecd2ba98bf98931b2fc217caa37ba69fea9fIntegration of outside to the inside amanda barriscale5plain2016-03-28T12:21:23-07:00amanda barriscale5001ecd2ba98bf98931b2fc217caa37ba69fea9f
12016-03-07T10:04:39-08:00amanda barriscale5001ecd2ba98bf98931b2fc217caa37ba69fea9fA new sense of spaceamanda barriscale3plain2016-03-28T12:21:25-07:00amanda barriscale5001ecd2ba98bf98931b2fc217caa37ba69fea9f
This page is referenced by:
12016-02-15T11:47:41-08:00Amanda - Organic Architecture/F.L. Wright41plain2352022016-04-19T07:46:17-07:00 Frank Lloyd Wright was a key figure in the modernist movement and was one of the first architects to coin the term organic architecture. Frank Lloyd Wright started incorporating the term ‘organic’ into his theory of design in 1908. Organic architecture focuses on the harmonious relationship between materials, design/form, and function; "parts were related to the whole as the whole was related to the parts"(Bruce Brooks, pg. 33). This also includes the relationship between the building and the site (nature, topography, climate). F.L. Wright believed this harmonious relationship would create an organic building that is suited for human’s spiritual and physical needs. F.L. Wright viewed nature, function, ornament, depth and, space as inherent qualities of human spirituality. His beliefs helped devise six design principles of organic architecture (Bruce Brooks, pg. 33).
Simplicity and repose should be the measures of art.
Multiplicity of styles.
Correlating nature, topography and architecture.
Using colors from nature and adapting them to fit congruously with other natural materials used in building.
Expressing “the nature of materials”.
Spiritual integrity in architecture.
In 1935, F.L Wright designed a house in Pennsylvania, Fallingwater, for the Kaufmann family. Fallingwater has become well known for its beautiful modern design of open rooms and big balconies cantilevering over a waterfall. I have chosen Fallingwater to elucidate and illustrate how F.L. Wright approaches the style of organic architecture.
This is an exterior side view of Fallingwater from the surrounding forest(Kaufmann,1986). [The numbers in each annotation tittle corresponds to one of F.L. Wright's six principles of organic architecture]
This is an interior view of the main floor of Fallingwater(Kaufmann, 1986).
Not only does F. L. Wright's approach to organic architecture have a relationship between design and environment but so does Creole architecture. In Geneieve's project about Creole architecture, she explains how they designed the houses to have open doors to allow for proper ventilation and air flow to accommodate for the hot and humid New Orleans climate. This is similar to how F.L. Wright used a lot of glass windows and doors to improve natural light and air flow. Brittney's project also relates to the idea between architecture and environment, by using organic materials to build sustainable buildings that address the problem of Urban Heating Islands. From the 18th to 20th century, having architecture relate to the surrounding environment has been a reoccurring idea and principle in different styles of architecture.
References
Bruce Brooks. Frank Lloyd Wright Collected Writings. Pfeiffer. Vol. 5. New York: Rizzoli in Association with the Frank Lloyd Wright Foundation, 1994. Print.
"Fallingwater Home." Fallingwater | Home. Web. 10 Mar. 2016.
Riley, Terence, and Peter Reed. "Frank Lloyd Wright and Modernism."Frank Lloyd Wright, Architect: , the Museum of Modern Art, New York,. New York: Museum of Modern Art, 1994. 32-53.
Kaufmann, Edgar, and Mark Girouard. Fallingwater. Ed. Walton Rawls. London: Architectural, 1986.
