Modern Architectures of North AmericaMain MenuHelp! Help! Help!SuburbiaArchitecture Relating to the Natural EnvironmentPatients, Prisoners, PoliticsIdentity: What Lies Beneath Style and FormChange and AdaptationErica Morawski - The Hotel Nacional de Cuba: Making Meanings and Negotiating NationalismsAmanda - Organic Architecture/F.L. WrightSteph - Moorish Revival ArchitectureBrittney - Sustainable Urban DesignsThe Shift: Art Deco & Modernismby Bayleigh BoganTransition to Streamline ModerneSydney - The Coppelia Ice Cream Shop in Havana, Cuba: A Cultural Moment ManifestedKatie - LevittownGenevieve - The Multifaceted Development of Creole ArchitectureThe Former Church of the Holy Communion: A Specific Example of Change and Adaptation of a Single Building Over TimeRe-Purposing a Religious BuildingZarah Ferrari: Tule Lake Segregation Center: Rising Above an Unjust SystemZarah FerrariLaura - The Suburban Kitchen in Levittown, PABy Laura Krok-HortonMarianna Mapes, Disease and the Body Politic: The National Leprosarium at Carville, LouisianaLiz - Eichler, Neutra, and the mid-century Californian SuburbV. Nash- Berkeley City Women's Club (1929), Berkeley, CA, Julia MorganJulia Morgan was a West Coast architect.Metropolitan Museum of Art: A Transition to ModernismBrendan - Academy of Music
Natural Materials.
12016-03-06T12:08:28-08:00amanda barriscale5001ecd2ba98bf98931b2fc217caa37ba69fea9f81806plain2016-03-28T12:21:22-07:00amanda barriscale5001ecd2ba98bf98931b2fc217caa37ba69fea9fTruth to "the nature of materials". Wood should look like wood, stone should look like stone. Wright used natural materials in his designs because he thought they were "friendly, beautiful and honest." In this house he used a lot of stone, wood, glass and warm colors. The wood and the warm colors of fabrics give the stone and glass room a warmer feel.
