Vaseline (front)
1 2023-02-28T15:46:20-08:00 Jennifer Lay 4feff99011008b8053832f7c7668e5ed2753e835 40985 1 Original trade card forms part of: Collection no. 311, History & Special Collections for the Sciences, Louise M. Darling Biomedical Library, UCLA. plain 2023-02-28T15:46:21-08:00 Jennifer Lay 4feff99011008b8053832f7c7668e5ed2753e835This page has annotations:
- 1 2023-03-13T10:39:50-07:00 Jennifer Lay 4feff99011008b8053832f7c7668e5ed2753e835 outline of vaseline bottle Jennifer Lay 2 plain 2023-03-13T10:41:37-07:00 Jennifer Lay 4feff99011008b8053832f7c7668e5ed2753e835
- 1 2023-03-14T15:36:29-07:00 Taylor Sullivan 2c297031bad218444957b60cdb28c4db31b4bf2b Shape of the Card Taylor Sullivan 2 plain 2023-03-14T15:38:52-07:00 Taylor Sullivan 2c297031bad218444957b60cdb28c4db31b4bf2b
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2023-03-12T20:03:21-07:00
The Perception of Purity
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This case study analyzing patent medicine trading cards in this collection exemplifies the perception of purity and innocence within children and women in advertisements. Further examination of Perry Davis' Pain Killer and St. Jacob's Oil advertisements represents gendered marketing and the "gentle" representations in pharmaceutical advertisements. This perception of innocence and tenderness was employed to appeal to a broader range of audiences and consumers; thus maximizing each company's profits -By Taylor Sullivan
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2023-03-26T12:30:49-07:00
This St. Jacob's Oil patent trading card from the nineteenth century encapsulates the perception of purity and femininity used in medical advertisements during the time period. This trading card, similar to others in our group's collection, illuminates the common theme of innocence and purity to appeal to the consuming audience. The use of the woman as a centerpiece of this advertisement glorifies racialized concepts of beauty and purity. The notion of "whiteness" as conventionally beautiful and innocent also characterizes the consumer market of the late nineteenth and early 20th century. The long, healthy hair of the woman resembles youthfulness and health, thus appealing to the consumer market and endorses the illusion of youth that the medicine can provide. These marketing strategies depict the consumer desire of the time and reiterates femininity in medical advertisements.
These patent medicine trade cards from the nineteenth-century share commonalities in regard to their marketing toward pain and alleviation of pain. For example, the advertisement to the left (St. Jacobs Oil) denotes the text “conquers pain”, with the back of the card noting “the great remedy for pain”. These advertisements were made to appeal to a wide range of consumers. By marketing the products as a general pain reliever, it is evident that manufacturers wanted to allure consumers with the perception that their products would cure various forms of pain.
In relation to the Perry Davis’ Pain Killer trading card, the product is marketed for both “internal and external use”, again sharing a commonality with the St. Jacobs Oil advertisement for products that are marketed to alleviate all pain. The third card, entitled Vaseline, does not include a portrait of people included in the Perry Davis’ Pain Killer and St. Jacobs Oil’s card but is unique in the shape and design of the card. The text on the Vaseline card includes the text, “invaluable family remedy” with a list of symptoms that the product is said to “cure”. Essentially, marketable language employed to capture consumers and appeal to them as “all encompassing products” share common themes of pain remedies and cures.
The nature of the cards encompass the perception of purity, femininity, childhood, and innocence. Representations of femininity are exemplified in both the Perry Davis and St. Jacobs Oil patent medicine trading cards. Representations of gender in the advertisements are symbolic of the time period in which the cards were produced as well as societal and cultural expectations of gender which are reinforced in the advertising messages. Moreover, perceptions of racialized purity, specifically "whiteness" as purity and safety also characterize social divisions and racial prejudice in Western Culture.
Gender expression within the cards are represented in the ways the individuals in the advertisements are portrayed. For example, the young woman in the St. Jacobs Oil card is illustrated with fair complexion, rosey cheeks, long brown hair, fair blue eyes, and manicured hands. She is dressed in a pastel summer dress with subtle floral designs covering her arms. These subtle indications of femininity also solidify the perception of purity and innocence of women. In the Perry Davis’ Pain Killer advertisement, the card depicts an older male teaching a school boy and a toddler girl about the wonders of the medicine. This representation of a “school” setting during the time period illustrates the boy learning from an older male and the young girl standing in “awe” of the male figures. Thus exemplifying the divisions in gender and social norms of the time. Moreover, the toddler girl is depicted holding a toy with her arms behind her back which is representative of submissiveness and innocence. Her fair complexion, rosey cheeks, and light blond hair renders the perception of gentleness and tenderness that is associated with children, but specifically amongst young girls.
Essentially, creators and manufacturers of the Patent Medicine Trade Cards utilized various societal and cultural norms, combining attractive (and often misleading) language and imagery to appeal to a majority of customers. More specifically, individuals who identify with pain and are looking for a medicine that is advertised to cure various types of pain both internally and externally. Conclusively, the appeal to pain and gendered representations of purity and innocence as it relates to the advertisements were employed to persuade consumers of the safety of the product and its reliability.Thus, these prolific marketing strategies utilized during the Patent Medicine Card era, indicates that it must have been a success marketing strategy employed by various companies.
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2023-02-27T12:18:46-08:00
The Utilization of Color and Art to Advertise Various At-Home Medication
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This page will explore how patent medicine trade cards of the twentieth century utilized color and art in order to promote their products accordingly towards over the counter remedies for the entire home. This abstract will further analyze and identify how these patent trade cards meticulously utilized artistic marketing in order to reach a larger audience for their advertised medicinal products - By Jennifer Lay
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2023-03-26T10:12:53-07:00
Patent Medicine Trade cards were essentially developed to become portable forms of advertisement to promote and introduce various forms of medicinal therapies and remedies. The quality and details included in these trade cards were often detailed in order to strategically advertise their products.
The three trade cards we will be examining in order to comprehend how patent medicine trade cards utilized various art forms and color in order to incite attention towards their products is “Vaseline”, “Allen's Root Beer Extract”, and “St. Jacob’s Oil Conquers Pain”. These three cards all essentially promote unconventional at-home remedies for the entire family and instead of promoting over-the-counter pills, these remedies advertise topical solutions to common ailments.
“Allen's Root Beer Extract” capitalizes on artwork in order to create a successful trade card. Like the other two patent trade cards, this card uses a child who is adorned with a bonnet and flowers to create a youthful theme to emphasize that this remedy is safe for the entire household. In the trade card, the young girl is made to be the counterpoint of the advertisement and her youthful features are emphasized through color, like her pink rosy cheeks and her pink bow; by utilizing the same color throughout the advertisement to emphasize youth and innocence, it creates an interesting and relatable advertisement for most households. By utilizing art and a picture of a young child, the card thoughtfully incites a homeopathic remedy that is geared towards all age groups.
Similarly, “St. Jacob’s Oil Conquers Pain” is also a patent medicine trade card that highlights its advertisement by heavily using the influence of color and size in order to draw attention. More specifically, the card contains a bright blue background and utilizes a stark red to contrast and highlight the Saint who is holding the oil in an angelic manner. This promotes an idea to the viewer that this product is a holy grail, and a solution that will cure most at-home illnesses.
Also, “Vaseline” essentially focuses on the coloring and shape of the trade card in order to draw attention to the advertisement of the product. For example, the Vaseline card is formatted in the shape of a Vaseline bottle and also meticulously painted in order to accurately represent the shading of the physical Vaseline bottle itself. Thus, this patent medicine trade card exemplifies how immense effort and funding was exemplified in order to create an eye-catching advertisement. Also, the card lists all the topical and medicinal remedies of the vaseline product itself to emphasize its diversity and usefulness.
Essentially, these images all come together to exemplify and accentuate the effect of utilizing color and art in order to create a successful and enticing advertisement. With the usage of children, saints, and starking color, these advertisements create an intense surge of attention. Thus, these cards are able to successfully monitor and convey the audience's attention and trust, as they now believe that these products will easily help them with their medical issues. These medical ephemera help for modern viewers to see the validity of these advertisements and how they convene with art and color to make enticing advertisements. Overall, these patent medicine trade cards cunningly take advantage of art in order to display eye-catching cards and ephemera.