America's Pastime: Patent Medicine Trade Cards on Pain

The Healing and Appealing Powers of Purity and Femininity


Our anchor image is the Patent Medicine Trade Card for Antikamnia Tablets. The front side of the card shows the side profile of a woman sniffing lilies. This image is incredibly interesting when looking at the historical context of the various advertising strategies of the late 19th and early 20th centuries. We chose the Antikamnia Tablets card as our focal point in our scalar book because it directly shows our themes of purity and femininity in advertising. As the central image of the front side of the card, the woman depicted does not have any sort of connection to the advertised medication. Rather the woman is used as an advertising strategy to try and promote the product due to preconceived notions of purity and the appeal of women. As the centerpiece, this woman is conventionally beautiful and likely would draw the attention of consumers. This is relevant when examining the various visual rhetorical strategies present in medicinal advertisements of the late 19th and early 20th centuries. The inclusion of the word “purity” to the right side of the woman is also very relevant to our theme of femininity and purity in advertising. Whether the word was intended to be immediately seen by consumers or play the role of some sort of subliminal message, the inclusion of the word is the most relevant detail of this card. Through the use of a woman as the center of attention in addition to the inclusion of the word “purity”, this card demonstrates our central themes of women and purity in advertising strategies present in patent medicine trade cards.

On the front of the trade card advertising Dalley's Magical Pain Extractor, a shepherd woman is depicted feeding goats. She is surrounded by nature, although you can see the front of an edifice, which looks like a church, in the background. This image is representative of the Romantic pastoral genre of literature, which glorifies the shepherd lifestyle. This genre, which experienced a resurgence of popularity that corresponded with the inception of Romanticism, was primarily popular among urban elites. It is understandable that city dwellers suffering from the various ailments that came with living in dirty urban environments would be attracted to an image of the tranquility of the natural world. The shepherd woman represents simplicity and vitality. Her image is nurturing – almost maternal – which evokes the likeness of mother nature. In essence, her femininity is intertwined with nature, which is tied to her image as a healer.

In the next image of a young girl, which serves as the front of an advertisement for a drug used to treat rheumatism and neuralgia, the themes of youth, femininity, and vitality are extremely apparent. The image portrayed is that of a young girl who has long flowing hair and is donning a white dress. Her long locks indicate health and youth, while her white dress is a symbol of purity. In both this image and the former, the women depicted are somewhat ethereal. The religious connotation of purity creates a subconscious association with the cleansing of illness. Thus, the women depicted symbolize health and youth, attributes which have been commodified in these advertisements to attract those who are sick and ailing. 

The image to the right (Dr. Kermott's Mandrake Pills [inscribed]) is another example of femininity in advertisements to endorse medicinal products. In contrast to other patent medicine trading cards on this page, the centerpiece depicts a middle-aged woman who is not necessarily the standard ideal of beauty in the early 20th century. The older woman, with a lopsided face and non-proportional features, seems to be writing a letter to her love. At first glance, we wondered why this woman would be the focal point of this piece since she is not conventionally beautiful. While the depiction of this woman is pellicular, this patent medicine trading card still uses femininity in relation to healing. Using a woman with such stark characteristics as hers still attracts people to the card, even if it is not because they find the woman visually pleasing. People may glance at the card, see the woman, and want to look further out of pure curiosity. In turn, they inadvertently learn more about the product. Having a woman as the focal point of this advertisement acts as a way to allure the general audience to the trading card, resulting in more people learning about the medicine being advertised.


The Patent Medicine Trade Cards, Biliousine and Dr. Ingham’s Pain Extractors and Liver Pills, continue to present the common themes of illustrations towards the appeal of purity and femininity in their advertisements. The first image on the left (Dr. Ingham's Pain Extractors and Liver Pills) presents two young girls, youthfully cleaning around the house. It is a common perception that the youth are considered pure and uncontaminated by many of the negative elements of our world. This use of young girls in the advertisement, by the author, is an allusion to the youthful and pure revival the consumer will feel from taking this remedy. This desire, to feel like a kid again, is suggested through the artwork of the second card on the right (Biliousine). This card shows a crowd of classy women outside a storefront in a craze to purchase pain relieving remedies. This artwork suggests that there is a popular demand amongst women for the youthful and pure feelings that are highlighted in Dr. Ingham’s Pain Extractors and Liver Pills trading card. The use of women, and of femininity in a broader sense, is clear in the advertising practices of both Patent Medicine Trade Cards. We decided to compare these two cards because they both use femininity as a strategy of visual rhetoric, but there are differences. Whereas Dr. Ingham’s Pain Extractors and Liver Pills uses femininity to promote the purity of girlhood, Biliousine uses sexist ideas of womanhood and feminine consumer desire.

These patent medicine trade cards are just some of the many forms of advertisements that use the healing and appealing powers of purity and femininity. The use of these two concepts in advertising is a traditional marketing tactic that tries to appeal to a consumer’s aspirations and values. Advertisements that highlight images, words, or messages related to femininity and purity aim to induce positive connections and emotions, like comfort, trust, as well as beauty.

For example, the cards on this page share a common theme of portraying children, motherly figures, and women in their imagery. Advertisers are implying that using their product will help the consumer achieve the traits associated with these themes, such as femininity, purity, and youth. Using these messages in medicinal advertising suggests that their product could help you feel young again by treating your ailments, be a useful household medication, or purify you of your illnesses.

Although these patent medicine trade cards originated from the Victorian era, marketing companies today still use the same tactics associated with purity and femininity. While these advertisements may be successful in selling their goods, they can facilitate very damaging gender stereotypes. Moreover, the use of these strategies can contribute to exceedingly unrealistic standards and outcomes.

This page has paths:

  1. Student Projects Chien-Ling Liu Zeleny

Contents of this path:

  1. Advertising Medicinal Efficacy Through Biblical Notions of Femininity and Nature
  2. Ethereal Imagery and Phrasing in Medical Advertisements of the 20th Century
  3. The Promise of Happiness in Visual and Verbal Rhetoric of Patent Medicine Trade Cards
  4. The Depiction of Motherly Care and Return to Purity in 20th Century Medical Advertisements
  5. Youth and Purity in Victorian Era Medical Advertising

This page references: