America's Pastime: Patent Medicine Trade Cards on Pain

The Ironic Representation of Women in 19th Century Remedies

In the early twentieth and nineteenth centuries, patent medicine trade cards were a medium of advertising that as ephemera told us a lot about contemporary medicinal products and society. This page seeks to display how women were both marketed to, and marketed themselves, through these patent medicine trade cards. Overall, I found that women were by and largely marketed to in their roles as child-bearers and housemakers and that women were ironically marketed outside of these roles to presumably male audiences.



This first image is the most symbolic of the irony found in the representation of women, that these nineteenth century patent medicine trading cards illustrate so well. This is an Illustration of a young woman on a patent medicine trading card for "Athlophoros." Athlophoros was a remedy meant to treat rheumatism, inflammation and pain of the joints, and neuralgia, which is nerve pain. If it is not clear by now, neither of these ailments are exclusive to men. Considering that this was a remedy advertised to both sexes, could this factor into how the women on the front of the card is portrayed? I argue that this illustration elicits a more contemporary sexual and youthful message meant to attract men. For example, by nineteenth-century standards, the woman is exposing more skin than usual and is positioned in a revealing way. Not to mention she is wearing makeup and drawn with characteristically attractive qualities. Additionally, she is wearing the color red, the color of passion and love.Take note of how the depiction of this woman is in contrast to those of the other depictions of women in this group project.

In comparison, look at this illustration. This is a patent medicine trading card for a cure-all known as Dr. Jayne's Expectorant. Besides answering to many very basic health issues, the back of the card reflects that this was also particularly good for children's health. Therefore, mothers may be most interested in purchasing this product. The advertisers thought similarly, and decided to appeal to mothers by illustrating three women, listening eagerly to the advice of the father. Moreover, consider how the three women presented in this photo visually contrast with the illustration of the woman in the Asphoros trading card. Compared to the previous image, here the women are illustrated much differently as mothers. No ostentatious make up is in use, far less skin is shown, and the woman on the left looks to be older aged.



Altogether, this raises an interesting comparison. In advertisements of remedies geared towards women and mothers, women are depicted in a more conservative, arguably contemporarily accurate way, whereas in the advertisements of remedies meant for both the sexes, women may be more likely to be portrayed in sexualized ways. These two cards reflect this strongly. Let it be said that these are only two cards, a rather small sample size for a comparison meant to make an argument about a wider process. However, the logic of this argument holds strong: why would advertisers portray women sexually to a product geared towards mothers?

This page has paths:

  1. 19th Century Remedies for Women's Daily Troubles Chien-Ling Liu Zeleny

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