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Emperor Henry III presenting the Gospels to Saints Simon and Jude
1media/01_CodexC_1_thumb.jpg2020-10-16T12:35:12-07:00Maria-del-Carmen Barriosfd0af0128e32d75657356cbd7d3bd07b0c7fdd7f380982Facsimile of the Codex Caesareus, fol. 4rplain2020-10-26T07:30:03-07:00UppsalaC 934rLiliana XuUniversity Library System, University of PittsburghAlmqvist & Wiksell, Stockholm (Sweden)1971Uppsala UniversitetsbibliotekCodex Caesareusc. 1050Maria-del-Carmen Barriosfd0af0128e32d75657356cbd7d3bd07b0c7fdd7f
This lavish page commemorates the donation of this golden book to the imperial church Henry III had founded in Goslar, Germany, his favorite city. The original manuscript, among the most lavish copies of the Gospels to be produced in the Middle Ages, remained in Goslar until the Thirty Years’ War when it disappeared and was taken to Sweden under mysterious circumstances. The book is now in the university library in Uppsala, Sweden, where it first drew the attention of Carl Nordenfalk, author of the commentary volume for this 1971 facsimile. A landmark for the printing techniques of its time, the book’s heavy paper pages reproduce the golden surfaces of the original vellum manuscript more closely than had been possible before, even capturing the textured details of the emperor’s robes and crown.
Nordenfalk later became Mellon Professor in History of Art at Pitt, where he organized Color of the Middle Ages (1976), an innovative exhibition that filled the University Art Gallery (UAG) with facsimiles of medieval manuscripts. The 2020 pandemic prompted the translation of a similar show, originally envisioned for installation in the UAG, to this online format. This has led in turn to a fresh reevaluation of the ways in which the shifting frontiers of technological capacity can open new avenues of digital access to medieval books—a change that is as transformative for the study of manuscripts today as advances in print media were for Nordenfalk’s generation.