1media/02_GoldenH_2_thumb.jpg2020-10-16T12:42:38-07:00Maria-del-Carmen Barriosfd0af0128e32d75657356cbd7d3bd07b0c7fdd7fParting of the Red Sea7Facsimile of the Golden Haggadah, fol. 14vmedia/02_GoldenH_2.jpgplain2020-10-26T07:31:07-07:00LondonAdd MS 2721014vLiliana XuUniversity Library System, University of PittsburghEugrammia Press, London (UK)1970British LibraryGolden Haggadahc. 1320-1340Maria-del-Carmen Barriosfd0af0128e32d75657356cbd7d3bd07b0c7fdd7f
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1media/02_GoldenH_2.jpg2020-09-28T08:52:17-07:00Golden Haggadah71plain2020-10-26T14:49:19-07:00(London, British Library, Add MS 27210)
This intricately illuminated manuscript was made in Barcelona, Spain and used to tell the biblical story of the Exodus from Egypt during the festival of Passover. The lavish opening cycle of full-page illuminations includes vivid depictions of plagues, poignant scenes of mourning, and a dramatic portrayal of the parting of the Red Sea.
The Song of Miriam offers an exclamation of gratitude and praise for the Jews’ safety, followed by scenes of the preparation and celebration of the Seder. Such representations offered a ceremonial guide for the holiday and suggest firsthand knowledge of Jewish ritual, but some motifs – like the winged angels – seem derived from Christian workshop practice. Such images complicate our understanding of interactions between Jewish and Christian artists, particularly given that they appear in an era associated with rising antisemitism in Europe.
Though the manuscript’s early history is unknown, it was given as a precious wedding gift to Eliyahi Rava in 1602 by his new father-in-law, Rabbi Joav Gallico of Asti, located in the Duchy of Savoy. The original is in the British Library, in London, but this high-quality copy is among the cornerstones of the medieval Hebrew facsimile collection at Pitt – a collection that has grown significantly in recent years thanks to generous support from the Program in Jewish Studies and the University Library System.
