March for Community, 2013
1 2020-09-30T15:38:54-07:00 Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673e 31011 1 Wyvernwood Garden Apartments, built in 1939, was the first garden apartment complex in Los Angeles backed by the Federal Housing Administration. Intended for whites only, it continued housing segregation policies. Decades later, residents were primarily working-class people of color. The complex is a successful example of affordable housing designed to build community. Activists used this poster to challenge redevelopment plans. As of 2019, Wyvernwood’s 6,000 residents have successfully resisted efforts to demolish their homes. 2020-09-30T15:38:54-07:00 7/5/05 Center for the Study of Political Graphics (CSPG) In Copyright - We have obtained permission to use the image in connection with a specific exhibition from our organization. The artist can be easily contacted to secure additional permissions. March for Community, Alfonso Aceves, stencil and silkscreen, 2013, Los Angeles, CA, Collection of the Center for the Study of Political Graphics Los Angeles, Calif. Alfonso Aceves Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673eThis page has tags:
- 1 2020-08-24T18:13:17-07:00 Suzanne Noruschat d5b4fb9efb1f1d6e4833d051ebc06907bb9dba64 The Community and Cultural Enclaves of L.A. Alejandra Gaeta 11 structured_gallery 2020-10-08T21:52:10-07:00 Alejandra Gaeta 955f992babcc9b7f4b13534f3e5511b89a8bc725
- 1 term 2020-10-05T17:20:14-07:00 Suzanne Noruschat d5b4fb9efb1f1d6e4833d051ebc06907bb9dba64 Center for the Study of Political Graphics Likhita Suresh 4 The Center for the Study of Political Graphics is an educational and research archive that collects, preserves, documents, and exhibits domestic and international poster art. The Center’s domestic and international collection of more than 90,000 political posters dates from the early 20th century to the present, and includes the largest collection of post World War II political posters in the United States. The posters are produced in a variety of artistic mediums— offset, silk screen, lithography, woodblock, linocut, stencil, photocopy, and computer-generated prints. The collection is focused on international, domestic, and Los Angeles-specific human rights issues, with an emphasis on progressive movements in the United States, Latin America, Europe, the Middle East, Asia, Africa, and Australia. Poster topics include the women’s movement, racism, peace, apartheid, labor, liberation theology, AIDS, gay and lesbian rights, immigrants’ rights, children’s rights, and ecology. Between one and two thousand posters are acquired annually, primarily through donation. Approximately half of these are given by collectors in Los Angeles and reflect the diverse political interests of the donors. This has yielded a collection that, in part, documents important but often underrepresented aspects of local history and life in the Los Angeles area. The collection contains approximately three thousand human rights and protest posters produced in Los Angeles from 1965 to the present. The earliest of these came out of the Watts Uprising of 1965, while the more recent posters not only reflect prevailing concerns but commemorate older events, such as the U.S. government’s internment of Japanese Americans during World War II. Altogether, the posters illustrate the commitment of many Los Angeles-based artists, organizations, and individuals to a variety of social and political issues over the last five decades. http://www.politicalgraphics.org/ structured_gallery 2020-10-09T11:57:26-07:00 Likhita Suresh fa36a2f3506609c5e2c064df653783c84fd35c54
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- 1 2020-08-24T18:13:17-07:00 Suzanne Noruschat d5b4fb9efb1f1d6e4833d051ebc06907bb9dba64 The Community and Cultural Enclaves of L.A. 7 structured_gallery 2020-10-04T07:37:45-07:00 Likhita Suresh fa36a2f3506609c5e2c064df653783c84fd35c54