Understory 2017: An Annual Anthology of AchievementMain MenuMastheadFrom the Student Editors and FacultyCreative Works: PoetryWhen Aphrodite WalksFaerieZombie Half MarathonLeavingHistoryUnconditionalThe Night Sky in My SoulRural ValuesTodayI am made of...AbortThe DepartureThe War Inside MeCreative Works: ProseDawn of the Cicada TimeNo More Lonely NightsMamaElephantBreakfastThe LakeCreative Works: DramaVincristineScholarship in English Studies: Language and LinguisticsPretenses of Online Anonymity: The Language of People Who Pose as Different GendersYupik and English: Borrowing of the Word “Mukluk”The “Babushka” of Kodiak: Eunice Neseth, Code-switching, and Ethnic MobilizationThe 1964 Earthquake: An Investigation into Scientific Inquiry, Restoration, and “Breakup”Scholarship in English Studies: Literary StudiesThe Woes of Women’s Waxen Hearts: Identity, Control, and Figurative Language in Shakespeare’s Twelfth NightSir Walter Raleigh in Faerie LondAn Endless Parade of Human Suffering - The Beauty and Depression of Lars Von TrierA Dialogue with Mr. Walt WhitmanQueen Elizabeth’s Brilliant “Speech to the Troops at Tilbury” as Seen Through Dante’s Four SensesLocating SapphoLove and Money in The Merchant of VeniceConformity to and Divergence from Genre in “Singin’ in the Rain”Scholarship in English Studies: Rhetoric and CompositionCaptain Cook’s Third Voyage, 18th Century Ideologies, and Indigenous Peoples of Alaska: John Ledyard’s Journal and the Coming of English into Alaska4th Avenue Theater Opening Day Souvenir Program 1947University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18 UA is an AA/EO employer and educational institution and prohibits illegal discrimination against any individual: www.alaska.edu/nondiscrimination
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