Jean Rhys’s Voyage in the Dark (1934)featured in Anne Cunningham's “Refusal as Resistance: Jean Rhys’s Shadow Feminism” and Meghan Fox’s “Colonial and Generic Forms of Resistance in Jean Rhys’s
Romans à Clef”
Agnes Pelton, a German-American modernist painter featured in Erika Doss’s “Modern Art and Religious Resistance: Agnes Pelton’s Visionary Abstractions”
Gale Wilhelm’s We Too Are Drifting (1934) and Torchlight to Valhalla (1938) featured in Elizabeth Blake’s “Gale Wilhelm and the Queering of the Marriage Plot”