This page was created by Ryan Carter.  The last update was by Amanda Luyster.

OLD Art in an Early Global World at WAM: A WAM/College of the Holy Cross Collaboration

The Adoration of the Kings: Why was this made, and how was it used?


Ryan Carter, Class of 2025, College of the Holy Cross



We do not know the name of the patron for the Worcester Art Museum's panel painting of the Adoration of the Kings.  However, we do know the identity of the patron for another version of this same scene that was painted by the same artist, Ottaviano Nelli. Later in his life Corrado de’ Trinici, the lord of Foligno (Umbria, Italy), became a great supporter of the faction that supported the Pope and the Holy Roman Emperor in Italy (the Ghibellines). As a result of this new partisanship, Trinici became a great admirer of the Catholic Church. The Lord of Foligno thus commissioned Ottaviano Nelli to create a fresco version of The Adoration of the Kings. The was made to adorn one of the lower walls in Trinici’s palace chapel at Foligno, beside some of Nelli’s other work, like The Presentation in the Temple.   This example helps us to imagine the type of patronage and type of motivation that underlay the creation of the WAM's Adoration by Nelli.

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