This path was created by Amanda Sopchockchai. 

OLD Art in an Early Global World at WAM: A WAM/College of the Holy Cross Collaboration

Pollaxe (2014.81)

Amanda Sopchockchai, Class of 2027, College of the Holy Cross

As opulent as this gleaming, brass-inlaid (Should I use “latten” instead of “brass,” or would I have to define the material for my audience?), Northern European weapon may appear at first glance, it was designed for violent tasks. Capable of damaging armor and fracturing bone, a pollaxe had a sharp axeblade, a thrusting tip, and a cleated hammerhead, and was mounted on a long pole. It could have been used by a knight to deliver a coup de grace or death blow to a wounded comrade, to pierce through the gaps in an enemy’s steel plate armor in mortal battle, or to defeat an opponent on foot during a considerably less lethal tournament. The multiple uses of this weapon speak to the chivalric and military culture pervading the 1400s, a culture that crossed boundaries of geography and faith.

A knight’s armor would always consist of a round, often polished form, so as to avoid getting caught on weapons. However, the stout, pyramidal spikes, protruding from the pollaxe’s hammerhead, could gain traction on the surface of an opponent’s plate armor, giving the wielder of such a pollaxe an advantage on the battlefield.

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