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Style and "Substance"Main MenuPhilosophy and the ArtsWhat can philosophy do for the arts?Ontological FractalOntological MappingArt CommentaryStudent ObservationsArchaic Eternal ReturnPresocratic ClassicalSocratic Late ClassicalPlatonicNominalist RenaissanceAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaJmedina29ac3fc10003fb639ac412984b59b01a5b826e161Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Published by Aneesah Ettress
1media/1160px-Sanzio_01.jpg2017-02-12T15:54:17-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaStyle and Substance13book_splash2017-10-10T13:41:34-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea
12017-03-08T15:05:25-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaNike of Samothrace8190 BCE, marble, 3.28 m, Louvre, Paris, FRmedia/SCALA_ARCHIVES_10310475476.jpgplain2017-03-31T17:40:35-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea
12017-03-08T15:10:54-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaLaocoon and his sons4Athenodoros and Polydorus, 200 BCE, marble, 208 × 163 x 112 cm, Vatican Museums, Vatican City, ITmedia/SCALA_ARCHIVES_1039779613.jpgplain2017-03-31T11:42:26-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea