Style and "Substance"Main MenuPhilosophy and the ArtsWhat can philosophy do for the arts?Ontological FractalOntological MappingArt CommentaryStudent ObservationsArchaic Eternal ReturnPresocratic ClassicalSocratic Late ClassicalPlatonicNominalist RenaissanceAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaJmedina29ac3fc10003fb639ac412984b59b01a5b826e161Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Published by Aneesah Ettress
Intimacy in Profile
12017-02-12T15:05:44-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea148584Metaballon (throwing forth) Anapauetai (stasis). "Changing it rests."plain2017-02-12T15:55:41-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaThese two figures are in a moment of relation to one another.
The nature of their faces in profile indicates that they are in relation to one another and consumed in the moment of their world. Not at all concerned with anything outside of that moment.
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12017-02-12T14:52:00-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaMain Panel: Lovemaking3Shuvalov Painter, 430-420 BCE, attic red figure, 19x 15.5 cm, Berlin, Antikenmuseenmedia/Berlin F2414.pngplain2017-07-20T10:37:36-07:00Perseus Tufts Archive420 BCE39.308771, 16.346379attic red figure, clay potCalabria (Bruttium), ItalyShuvalov PainterAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea
