Module Wrap Up
By completing this course, students should now be able to recognize the themes of “victim’s history” and community in other pop culture materials. It is, of course, too simple to distill the entirety of the Japanese into two concepts, however, since World War II, these concepts have been the crux of Japanese society. As Carol Gluck of Columbia University mentions in her interview on Slate.com, for the Japanese “the bomb doesn’t end the war: It starts the postwar mission for peace.[1]”
Japan has become our staunch ally in the years since the bombs; perhaps not at their own insistence. Yet their popular culture has boomed and spread, becoming a worldwide phenomenon. Therefore, it is of vital importance that we view these materials not solely as objects of entertainment, but indispensable mirrors through which we can come to more intimately understand a nation that has needed to marry the traditional with the modern as a result of their convoluted history.
Suggested Follow-Up Projects
- Students research their own favorite Japanese popular culture and present them to the class. They must particularly focus on finding evidence of the “victim’s history” or of reinforcement of community versus individuality. Some suggested media include:
Tokyo Godfathers (2003)
Akira (1988)
Fires on the Plain (1959)
Battle Royale (2000)