Revolutionizing Weimar Germany's Public Sphere: The Invasion of the WorkerMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
Step 3: How do the photos relate to each other?
12018-08-01T02:42:36-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260932gallery2018-08-01T02:45:26-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3Here is a again the photomontage without any text. (Maybe I have to spilt this page up, when it comes to the steps.)
12018-08-01T01:57:52-07:00Germany, Germany Above All "Good Times" Photomontage1Germany, Germany Above All "Good Times" Photomontageplain2018-08-01T01:57:52-07:00Critical Commons1929ImageDeutschland, Deutschland über AllesKurt Tucholsky and John Heartfield2018-08-01T01:57:29Z