Revolutionizing Weimar Germany's Public Sphere Main Menu Path 1: Have a look! Flip through a few pages of "Germany, Germany above All" Path 2: Discover the Functional Montage on your own! Using "Schöne Zeiten" Path 3: Step-by-Step Guide - How does the Functional Montage work? How does the Functional Montage work? Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage (Extending the Photomontage "Das Parlament") Path 5: Develop your own Dynamic View! GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you? Path 7: Comparisons to Tucholsky's Photo Reportages in Magazines AIZ and Freie Welt Path 8: Discover all Photographs related to the Working Class

Path 6: Comparisons of several Functional Montages

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“Functional montages”, in addition to "Good Times" (p. 33-35), include the sections “Foreword, or it is impossible to write captions for photographs” (Tucholsky & Heartfield, 1929, p. 10-12), “The People” (p. 17-18), “Statistics” (p. 46-55), “Never Alone” (p. 124-131) and “Homeland” (p. 226-231). 
In comparing all of these montages and putting them on the same page, I hope to underline how the "functional montage" works and to highlight the similarities between all these montages. 

This page has paths:

  1. Introduction Verena Kick