Revolutionizing Weimar Germany's Public Sphere: The Invasion of the Worker

Path 6: Comparisons of several Functional Montages

“Functional montages”, in addition to "Good Times" (p. 33-35), include the sections “Foreword, or it is impossible to write captions for photographs” (Tucholsky & Heartfield, 1929, p. 10-12), “The People” (p. 17-18), “Statistics” (p. 46-55), “Never Alone” (p. 124-131) and “Homeland” (p. 226-231). 
In comparing all of these montages and putting them on the same page, I hope to underline how the "functional montage" works and to highlight the similarities between all these montages. 

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