Stuart, Dene and Bill at MITH
1 2015-04-21T17:05:39-07:00 Dene Grigar ae403ae38ea2a2cccdec0313e11579da14c92f28 3041 1 Stuart Moulthrop, Dene Grigar, and Bill Bly enjoying a conversation at MITH plain 2015-04-21T17:05:39-07:00 Dene Grigar ae403ae38ea2a2cccdec0313e11579da14c92f28This page is referenced by:
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2015-01-19T10:54:28-08:00
The Interview with Bill Bly about We Descend
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The collection of video files of the interview with Bill Bly, author of We Descend
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2015-05-31T13:24:55-07:00
January 31, 2014
1280x720 MPEG-4 Movie; H.264, AAC (codecs)
Bly's Traversal; Bly's Readers' Traversals & Interviews
Digital Preservation with a focus on Electronic Literature
Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant)
en-US
Bill Bly's Interview. (2014) [Video File].
Video File
1280x720 MPEG-4 Movie; H.264, AAC (codecs)
2015
United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995)
Madeleine Brookman (Video Editor)
Bly's Traversal; Bly's Readers' Traversals & Interviews
Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts
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This interview of Bill Bly, conducted by Grigar and Moulthrop, took place on Friday, January 31, 2014 at the Maryland Institute for Technology in the Humanities (MITH) at the University of Maryland as part of the Pathfinders project. The interview is divided into nine parts and provides insights into the development of the work. The commentary for the videos was written by Grigar.
Bly Interview, Part 1, "The Genesis"
In the video clip Bly explains the origins of We Descend. We learn that it emerged, in the 1980s, from five words that came into Bly's mind: "If this document is authentic." The work grapples, he says, with the question of authenticity, particularly that of digital data where information must be authenticated at multiple levels of production. At the time, Bly believed that the work would be a play. The character he conceptualized was the scholar, but Bly struggled how to create the dialogue for him. He tells us that he learned about hypertext from reading Robert Coover's essay published in the New York Times, an experience that led him to write the authors listed in the article (Moulthrop, Nancy Kaplan, Michael Joyce and John McDaid) and develop We Descend as a hypertext novel.
Bly Interview, Part 2, "Working with Storyspace"
Bly talks about his experience with Storyspace, the hypertext authoring program he used to develop We Descend. He argues that hypertext captures how we really make sense of books during the process of reading. We learn that he wrote the work in long passages and, then, decomposed the work into its hypertextual form, striving to be clear rather than "playful." He privileged the Storyspace Reader that provided a window of text over the Page Reader that provided a full screen of text. He also tells us that the evolution of technology of that period––that is, the larger screen real estate and color––impacted choices he made with his work.
Bly Interview, Part 3, "The Excavation Explained"
This video clip focuses on the visual metaphor that Bly used to structure We Descend––that is "excavation." Bly describes the complex layering of the work and explains the irony behind the title. The writers and literary traditions that influenced Bly, such as Jorge Luis Borges, Margaret Atwood, Neal Stephenson, and the gnostic tradition, are also discussed.
Bly Interview, Part 4, "Building the Characters"
This video clip presents the origins of the characters in the novel, notably Egderus. Bly reminds us that Egderus is the only character with a name; others are known by titles or were given names by others who came after in time. He took this approach because names have a quality that marks a person in a way that titles do not. He also reveals that after sending the work to the publisher, he felt that he had finally gained a good understanding of the hypertext environment.
Bly Interview, Part 5, "After We Descend"
Bly discusses his views about working with Storyspace in Volume 1 and Tinderbox in Volume 2 and his early plans to recreate We Descend as a 3D version.
Bly Interview, Part 6, "We Descend's Impact"
In this video clip Bly talks about his ambition to write a novel that could only be expressed as hypertext. The discussion moves quickly, however, into the various versions of both Volumes of We Descend in circulation and web version available since August 2013.
Bly Interview, Part 7, "The Question of Longevity"
This video clip provides Bly's view of the legacy of We Descend. He talks about seeing his work from "a great distance of time," one that is many generations "hence" and discusses the five layers that the story presents: the old one, Egderus, the Scholar, the author, and the archived work.
Bly Interview, Part 8, "E-Lit Artifacts"
Bly walks through various artifacts found in The Bly Collection, such as software and catalogs. He gives a good explanation of the features of Storyspace and Tinderbox and an explanation of how they work.
Bly Interview, Part 9, "E-Lit Artifacts Continued"
This video clip continues with a walk through of the various artifacts found in The Bly collection, including items from CyberMountain, documents, and floppy disks. -
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2015-04-21T17:01:18-07:00
MITH's Symposium & The Bly Collection
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Information about the symposium hosted by Matthew Kirschenbaum and visit to The Bly Collection
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2015-04-21T17:47:01-07:00
Besides traveling to MITH to conduct the Traversals and Interviews for Bill Bly's We Descend, we also participated in "Reading, Rereading, and Recovering Electronic Literature," the symposium hosted by Matthew Kirschenbaum at the Hornbake Library at the University of Maryland College Park. The event took place on Thursday, January 30 from 3:00 p.m. to 4:00 p.m. The symposium was followed by a public reading of We Descend by Bill Bly. In the audience were faculty and graduate students from the university and other interested individuals. Jason Rhody, our grant officer from the National Endowment for the Humanities that funded Pathfinders was also present. Between Traversals and Interviews we had time to talk informally with Bill about his work and plans for the continued work on We Descend. During our visit to MITH, we also had the opportunity to look through the archives of The Bly Collection. The inventory dates from the late 1980s to 2004 and includes papers, art, and files by other artists like Deena Larsen. As Bly points out in the document, "BBLY | Holdings for MITH June 2011," all digital materials "with a few exceptions" were created with and for a Macintosh computer running the Classic operating system. Some of the materials available for viewing were records and programs from CyberMountain, proceedings from annual ACM Hypertext conferences dating back to 1996, and copies of the SIGLink Newsletter, from 1998-2000.