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Pathfinders
Main Menu
Introduction to Pathfinders
An introduction to Pathfinders with detailed information about the project
Judy Malloy's Uncle Roger
Judy Malloy's Opening Page
John McDaid's Uncle Buddy's Phantom Funhouse
John McDaid's opening page for Uncle Buddy's Phantom Funhouse
Shelley Jackson's Patchwork Girl
This is the opening page of the Jackson Reading Path for Patchwork Girl
Bill Bly's We Descend
Bill Bly's opening page
Traversals and Interviews Documentation
The documentation used for the traversals and Interviews
Authors' and Contributors' Bios
The bios of those who authored and produced Pathfinders
References and For Further Reading
Books, essays, and non-print media informing Pathfinders
Dene Grigar
ae403ae38ea2a2cccdec0313e11579da14c92f28
Stuart Moulthrop
9c9acb26cbb23cd18ff78c8d37fb155e3ea862a5
Nouspace Publications | Washington State University Vancouver
Artists' Traversal Protocol
1 2015-05-03T08:58:22-07:00 Dene Grigar ae403ae38ea2a2cccdec0313e11579da14c92f28 3041 8 The document provided to artists in preparation of their traversals plain 2015-05-31T10:01:33-07:00 Dene Grigar ae403ae38ea2a2cccdec0313e11579da14c92f28Page
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Version 8
| resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/artist-traversal-protocol.8 |
| versionnumber | ov:versionnumber | 8 |
| title | dcterms:title | Artists' Traversal Protocol |
| description | dcterms:description | The document provided to artists in preparation of their traversals |
| content | sioc:content | This document, produced on June 10, 2013, was sent in advance to all artists to help them prepare for their traversals. 1. Prep a. Author may prepare a specific reading strategy, though this is not required. b. Prefatory remarks about platform, conception, genesis of the work (etc.) are welcome, but the Traversal should concentrate on exhibition or demonstration of the work. 2. Reading a. The author should read aloud the text of each lexia or unit. b. Please announce the link or interface feature used in making a transition from one lexia or part to the next. c. Reflections or commentary are welcome at any point, though we are aiming for an extensive or representative encounter with the work, so please keep things moving. d. There can be more than one encounter within the recording session; we aim to record for about an hour. |
| default view | scalar:defaultView | plain |
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Version 7
| resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/artist-traversal-protocol.7 |
| versionnumber | ov:versionnumber | 7 |
| title | dcterms:title | Artists' Traversal Protocol |
| description | dcterms:description | The document provided to artists in preparation of their traversals |
| content | sioc:content | This document, produced on June 10, 2013, was sent in advance to all artists to help them prepare for their traversals. a. Author may prepare a specific reading strategy, though this is not required. b. Prefatory remarks about platform, conception, genesis of the work (etc.) are welcome, but the Traversal should concentrate on exhibition or demonstration of the work. 2. Reading a. The author should read aloud the text of each lexia or unit. b. Please announce the link or interface feature used in making a transition from one lexia or part to the next. c. Reflections or commentary are welcome at any point, though we are aiming for an extensive or representative encounter with the work, so please keep things moving. d. There can be more than one encounter within the recording session; we aim to record for about an hour. |
| default view | scalar:defaultView | plain |
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| created | dcterms:created | 2015-05-03T09:43:16-07:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 6
| resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/artist-traversal-protocol.6 |
| versionnumber | ov:versionnumber | 6 |
| title | dcterms:title | Artists' Traversal Protocol |
| description | dcterms:description | The document provided to artists in preparation of their traversals |
| content | sioc:content | This document was produced by Moulthrop and Grigar on June 10, 2013 and sent in advance to all artists to help them prepare for their traversals. a. Author may prepare a specific reading strategy, though this is not required. b. Prefatory remarks about platform, conception, genesis of the work (etc.) are welcome, but the Traversal should concentrate on exhibition or demonstration of the work. 2. Reading a. The author should read aloud the text of each lexia or unit. b. Please announce the link or interface feature used in making a transition from one lexia or part to the next. c. Reflections or commentary are welcome at any point, though we are aiming for an extensive or representative encounter with the work, so please keep things moving. d. There can be more than one encounter within the recording session; we aim to record for about an hour. |
| default view | scalar:defaultView | plain |
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Version 5
| resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/artist-traversal-protocol.5 |
| versionnumber | ov:versionnumber | 5 |
| title | dcterms:title | Artists' Traversal Protocol |
| description | dcterms:description | The document provided to artists in preparation of their traversals |
| content | sioc:content | a. Author may prepare a specific reading strategy, though this is not required. b. Prefatory remarks about platform, conception, genesis of the work (etc.) are welcome, but the Traversal should concentrate on exhibition or demonstration of the work. 2. Reading a. The author should read aloud the text of each lexia or unit. b. Please announce the link or interface feature used in making a transition from one lexia or part to the next. c. Reflections or commentary are welcome at any point, though we are aiming for an extensive or representative encounter with the work, so please keep things moving. d. There can be more than one encounter within the recording session; we aim to record for about an hour. |
| default view | scalar:defaultView | plain |
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| created | dcterms:created | 2015-05-03T09:22:34-07:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 4
| resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/artist-traversal-protocol.4 |
| versionnumber | ov:versionnumber | 4 |
| title | dcterms:title | Artists' Traversal Protocol |
| description | dcterms:description | The document provided to artists in preparation of their traversals |
| content | sioc:content | 1. Prep
a. Author may prepare a specific reading strategy, though this is not required. b. Prefatory remarks about platform, conception, genesis of the work (etc.) are welcome, but the Traversal should concentrate on exhibition or demonstration of the work. 2. Reading a. The author should read aloud the text of each lexia or unit. b. Please announce the link or interface feature used in making a transition from one lexia or part to the next. c. Reflections or commentary are welcome at any point, though we are aiming for an extensive or representative encounter with the work, so please keep things moving. d. There can be more than one encounter within the recording session; we aim to record for about an hour. |
| default view | scalar:defaultView | plain |
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| created | dcterms:created | 2015-05-03T09:05:08-07:00 |
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Version 3
| resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/artist-traversal-protocol.3 |
| versionnumber | ov:versionnumber | 3 |
| title | dcterms:title | Artists Traversal Protocol |
| description | dcterms:description | The document provided to artists in preparation of their traversals |
| content | sioc:content | 1. Prep
a. Author may prepare a specific reading strategy, though this is not required. b. Prefatory remarks about platform, conception, genesis of the work (etc.) are welcome, but the Traversal should concentrate on exhibition or demonstration of the work. 2. Reading a. The author should read aloud the text of each lexia or unit. b. Please announce the link or interface feature used in making a transition from one lexia or part to the next. c. Reflections or commentary are welcome at any point, though we are aiming for an extensive or representative encounter with the work, so please keep things moving. d. There can be more than one encounter within the recording session; we aim to record for about an hour. |
| default view | scalar:defaultView | plain |
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| created | dcterms:created | 2015-05-03T09:04:47-07:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 2
| resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/artist-traversal-protocol.2 |
| versionnumber | ov:versionnumber | 2 |
| title | dcterms:title | Artist Traversal Protocol |
| description | dcterms:description | The document provided to artists in preparation of their traversals |
| content | sioc:content | 1. Prep
a. Author may prepare a specific reading strategy, though this is not required. b. Prefatory remarks about platform, conception, genesis of the work (etc.) are welcome, but the Traversal should concentrate on exhibition or demonstration of the work. 2. Reading a. The author should read aloud the text of each lexia or unit. b. Please announce the link or interface feature used in making a transition from one lexia or part to the next. c. Reflections or commentary are welcome at any point, though we are aiming for an extensive or representative encounter with the work, so please keep things moving. d. There can be more than one encounter within the recording session; we aim to record for about an hour. |
| default view | scalar:defaultView | plain |
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| created | dcterms:created | 2015-05-03T08:58:50-07:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 1
| resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/artist-traversal-protocol.1 |
| versionnumber | ov:versionnumber | 1 |
| title | dcterms:title | Artist Traversal Protocol |
| description | dcterms:description | The document provided to artists in preparation of their traversals |
| content | sioc:content | Author Traversal Protocol 10 July 2013 1. Prep a. Author may prepare a specific reading strategy, though this is not required. b. Prefatory remarks about platform, conception, genesis of the work (etc.) are welcome, but the Traversal should concentrate on exhibition or demonstration of the work. 2. Reading a. The author should read aloud the text of each lexia or unit. b. Please announce the link or interface feature used in making a transition from one lexia or part to the next. c. Reflections or commentary are welcome at any point, though we are aiming for an extensive or representative encounter with the work, so please keep things moving. d. There can be more than one encounter within the recording session; we aim to record for about an hour. |
| default view | scalar:defaultView | plain |
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| created | dcterms:created | 2015-05-03T08:58:22-07:00 |
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