Opening Up Space: A Lovely Technofeminist OpportunityMain MenuSelectionsVisit for Text SelectionsThemesRecurring Ideas throughout the textEditor ReflectionsOn Embodiment and MaterialityA Handy MapPlaces that Intersect at/within this WorkTimelineAmy Lueck557d200a410ce28daf395646ea7883ee44337c9eMeghan Adamsef5f31bc97e10f55dcbb2d5e9f4c0b1674ced7e6Catherine Cunhacc5dc9b7774b6a676a31715e1bbd86b0ae5b91c6McKenzie Mann-Woodc69d4948241c0a4fc69152fa3867f5402153c636Avery Curet6f22f13dd9ba083c16859e6b566856a5c51f220fCarson Nadash7aea0539bbe3d7ece9f384cc1a10b9983f34e173Shreya Ded47ccd6c8c910db6d40f61ef36aeb6f1171b1c0eSarah Marguerite Abbott2b91d1b0347205046f781d8865a38000ebf61eefGabrielle DeSistob2b21606e19d89fce36af03c2217183600be42dbSperry McQuaid9b65baacbd9cf36d32c1c148d04ea14126e0909cSamantha Rusnakb632734dc1931d4a79c24dbc2870e3cdd82d93cdRaquel Gutierrez Valdes9517c9e0110746252391b83230d52ad0925e0a3fNathan Barnes0e719f6a1e610969996849ea375b39e16ac456d5Asha Broetje Bairstowdb9e5329cb3926d8d17e6de07ff6ac4a52f334c4Paige Clement7344d13f5fd016a4a372f60421a4730eb48642b9Elizabeth Conn659f543fa9d4053a4ab7bd6c8815181ad7c026b8Teresa Contino0b2bed8aa9c7a37efb70737c883238f6591a58ceAlyse Greenbaum66447668ccfeebc98ea4f70159518992fe38e088Callie McKennac05905e85e57fd3ec21b6839a5d220e18af2ff7aChloe Wilsonbcfb25fcf34a7a2b68717d2832320d91018d8b17Jessica Joudy3f0e1b6bb5ac4a0dc560f480bebf2ca72a5e08b2Natalie Granito4b673dbf20f535f4981b0f6ce2e5b30621c93c0cBrigid McNally0959955d4f6904c085c10fd9a7cb4fee423e01ef
Damaging Rhetoric
12020-11-18T19:32:40-08:00Avery Curet6f22f13dd9ba083c16859e6b566856a5c51f220f378234plain2020-11-19T10:19:56-08:00Avery Curet6f22f13dd9ba083c16859e6b566856a5c51f220fHere marks the start of a series of belittling descriptions of the appearance and culture of Bradley's captors. A transparent bias of the author manifests when considering the likeliness of the author's inauthentic identity. Entertaining the notion that this is truly an authentic account of her experiences, however, the reader still must grapple with the contention between her revered Puritan values and Bradley's explicit othering of a culture she knows little about. However fabricated the account may be, the work still gained traction in popular press, posing the very real threat of being recognized as illustrative proof of the supremacy of Western culture.
Contents of this annotation:
12020-11-17T15:20:00-08:00Amy Lueck557d200a410ce28daf395646ea7883ee44337c9eAuthorial Skepticism8This annotations on this page from Bradley's narrative highlight some textual evidence to suggest the novel's inauthenticity; the obvious political, cultural, and religious messages presented here suggest that Bradley might not have actually written the text.plain2020-12-11T17:29:13-08:002020-11-17T23:19:10+00:00Bradley1820-003.jpgElizabeth Conn659f543fa9d4053a4ab7bd6c8815181ad7c026b8
This page has tags:
12020-11-19T10:08:05-08:00Avery Curet6f22f13dd9ba083c16859e6b566856a5c51f220fRacial TensionsSamantha Rusnak3Conflict and antagonism from differences in raceplain2020-12-11T15:40:41-08:00Samantha Rusnakb632734dc1931d4a79c24dbc2870e3cdd82d93cd
12020-11-19T10:14:32-08:00Avery Curet6f22f13dd9ba083c16859e6b566856a5c51f220fPublic ReceptionAvery Curet1Drawing attention to the ways in which the text was receivedplain2020-11-19T10:14:32-08:00Avery Curet6f22f13dd9ba083c16859e6b566856a5c51f220f
