Folk music and Yorkville Coffeehouses

What was the Deal With Folk Revival Music?

From roughly 1964-1967, Toronto's Yorkville neighbourhood was a haven for hippies, art and music - specifically folk revival. Starting in the 1940s and reaching its height in the 1960s, folk revival music had taken America by storm in coffee house circuits in New York and San Francisco. Part of the reason was the rise of "singer songwriters" with controversial and political opinions, which caused the music played by these individuals to be considered more "intellectual" than rock n' roll. This began in America with the likes of Bob Dylan and Joan Baez.
According to the author of Born at the Right Time, Doug Owram, it was the "music of a subcommunity of older youth that existed on the fringes of society in larger cities". Folk music made its mark upon the rise of youth culture at this time and provided the soundtrack to an age of thought provoking discussion and activism. To Canadian music historian, Nicholas Jennings, Canadian folk rock was written in an autobiographical sense - entrenched in the artist's personal life - as well as rich with Canadian imagery and a unique sense of place. Yorkville was the only place in Toronto to experience this music, as opposed to the venues of Toronto in current day being scattered throughout the city.
Folk music proved financially popular for these businesses, with top performers making 2000-3000 dollars a week. The Globe and Mail had a subsection under the '"THINGS TO DO IN TORONTO" feature included in its weekly paper titled "COFFEE HOUSES" which detailed the performers of the week. Audiences packed into the coffee houses in droves and paid cover charges to hear their favorite folk artists and groups.

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