Music in Global America

GLOBAL RAP AND HIP HOP

Header image of graffiti in Portsmouth England by Chris Alderson, used with permission

INTRODUCTION

Hip hop is the most globalized popular music today. The reasons for this are many, including:

Reading

Hip-Hop & the Global Imprint of a Black Cultural Form
Author(s): Marcyliena Morgan and Dionne Bennett
Source: Daedalus, Vol. 140, No. 2, Race, Inequality & Culture, volume 2 (Spring 2011), pp. 176-196
Published by: The MIT Press on behalf of American Academy of Arts & Sciences
Stable URL: http://www.jstor.org/stable/23047460
Accessed: 14-07-2018 22:32 UTC

Linked references are available on JSTOR for this article. You may need to log in to JSTOR to access the linked references.

RAP AND HIP HOP USA: THE MAKING OF A NATIONAL CULTURE

This section expands on "Rap" in Chapter 6 of Allen et al., Music: Its Language, History, and Culture, tracing the development of hip hop culture from Old School (1974-1986) through the "Golden Age of Rap" (1986-2000). 

Photo by Joe Conzo. Used with permission.

GLOBALIZATION OF RAP AND HIP HOP

(Rap and hip hop in Ireland, South Korea, and the Arab World are discussed in those sections.)

Reading:
Robin D.G. Kelly, "Foreword" in  D. Basu and S. Elemell (eds.), The Vinyl Ain't Final. 
Full text available through Brooklyn College Library website.

Washington Post: Why Is Global Hip-Hop Better Than ‘Made in America’ Rap Music?

"Hip Hop's Reach Goes Global," Interview with Jeff Chang on National Public Radio, 2007

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