Museum of Resistance and Resilience Main MenuPraxis #1: Curation and Annotation (Group Project)details of Praxis #1 assignmentPraxis #1.1 War, Memory, And Identity: Beyond Victims and Voice Museum of Resistance and ResilienceProfessor Marjory Wentworth Honor's Class at College of CharlestonPraxis #2 Media Intervention, Multimedia Essay (Individual Project)Entry 2 in our Museum of Resistance and ResiliencePraxis #3 Manifesto of Future Resistance and ResilienceMedia Intervention/Media PostsFinal Course Reflection - A Letter to the FutureDue November 18Vicki Callahanf68c37bed83f129872c0216fae5c9d063d9e11baLisa Müller-Tredecc71af55f5122020f2b95396300e25feb73b6995
jd zine 1
1media/78812_ca_object_representation_multifiles_media_403_preview_thumb.jpg2020-09-23T00:39:19-07:00Quan Pham5397a0db6c0d89356aa3bfe1df14b02f00dd6765377843Pictured are two pages from the first magazine, J.D.'s zine, that sparked the QueerCore movement. It includes bands, writings and stories that speak on issues of prejudice and themes of identity. SOURCE: Jones and Bruce, 1985. QZAP: Zine Archiveplain2020-09-23T13:16:23-07:00Quan Pham5397a0db6c0d89356aa3bfe1df14b02f00dd6765
During the late 80s and into the early 90s, a wave of social disruption emerged through the queer subculture of punk in response to evident homophobia and ostratcization. It came in the form of music, writing, film—practically anything that allowed for self-expression and that clashed against the dominator culture of the time. It’s rejection of the cultural status quo and the confident assertion of gender and sexuality was controversial. The unique stylistic approach of QueerCore through fashion and bodily expression specifically coincided with the other objects—another example of how the way people dress and present their body was used as a form of protest, retaliation, art, and resistance.
