Thanks for your patience during our recent outage at scalar.usc.edu. While Scalar content is loading normally now, saving is still slow, and Scalar's 'additional metadata' features have been disabled, which may interfere with features like timelines and maps that depend on metadata. This also means that saving a page or media item will remove its additional metadata. If this occurs, you can use the 'All versions' link at the bottom of the page to restore the earlier version. We are continuing to troubleshoot, and will provide further updates as needed. Note that this only affects Scalar projects at scalar.usc.edu, and not those hosted elsewhere.
Lit 150 single leaf annotation projectMain MenuEstoire del saint graalExample PageAnicia Juliana CodexVienna, Austrian National Library, Med. Gr. 1Book of KellsDublin, Trinity College, MS 58De Balneis PuteolanisRome, Bibliotheca Angelica, ms. 1474Godescalc Gospel Lectionary, fol. 26vParis, BNF lat.1203Divinia Comedia, Codex AltonensisAltona, Hamburg, Germany, Christianeum GymnasiumGirona Beatus, fol. 134vCatalonia, Spain, Girona Cathedral Museum, Num. Inv. 7 (11)ArateaUniversity Library at Leiden (Ms. Voss. lat. Q. 79)Li livres dou tresorSaint Petersburg, National Library of Russia, Ms Fr.F.v.III.4Liber De Laudibus Sanctae CrucisVienna, Austria National Library, Cod. Vindob. MS 652The Sarajevo Haggadah, folio 2v & 3rNational Museum of Bosnia and HerzegovinaPeterborough Bestiary, f. 190vCambridge, England, Corpus Christi College, MS 53Roman d'AlexandreBerlin, Staatliche Museen zu Berlin, Kupferstichkabinett, Ms 78 C 1Tractatus de HerbisLondon, The British Library, Egerton 747La Divina Comedia, Poggiali CodexOxford Bible PicturesBaltimore, Walters Art Gallery Ms.W. 106Theatrum SanitatisBiblioteca Casanatense, Rome, ItalyThe Luttrell PsalterMap of Current LocationsMap of Places of CreationTimelineElisabeth Remak-Honnef5031f2632bfe3d7d6cd375ecc4954506605dfb83
Theatrum Sanitatis
12018-02-13T22:34:40-08:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da263381Click to view annotationsplain2018-02-13T22:34:40-08:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da
12018-03-14T06:56:12-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6daAnthropomorphic IllustrationLina Salam4shows a mandrake plant looking mournfully at a the dogplain2018-03-14T16:32:32-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da
12018-03-14T06:57:38-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6daMarginal decorationLina Salam4border with a thick irregular red border around illustrationplain2018-03-14T16:47:12-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da
12018-03-14T07:46:04-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6daIconographyLina Salam3reflects ancient belief that the mandrake root, which resembled a human body, screamed when uprooted; but a dog may do the uprooting while the man goes off and avoids hearing it screamplain2018-03-14T16:31:57-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da
12018-03-14T07:00:57-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6daFull page illustrationLina Salam3shows a man that has his dog tied to a mandrake plant so that the dog can pull the plant out of the ground, thus saving his owner's hearingplain2018-03-14T16:32:13-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da
12018-03-14T06:58:35-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6daRubricationLina Salam2embedded within text in red ink indicating the element of the text, ex. nature, benefits, detriments, and remediesplain2018-03-14T16:33:39-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da
12018-03-14T16:57:24-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6daHand of different scribesLina Salam2a correction/comment that was noted at a later dateplain2018-03-14T16:57:54-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da
12018-03-14T16:35:37-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6daSupportLina Salam2parchment, thin and smoothplain2018-03-14T16:35:59-07:00Lina Salam95cd6dd7dcef1729852936011477dbc95da2f6da
12018-03-22T20:17:17-07:00Kristy Golubiewski-Davisd8b4c4b051765c517ab97404132788ace9047f1eMap of Places of CreationKristy Golubiewski-Davis2google_maps2018-03-22T20:17:48-07:00Kristy Golubiewski-Davisd8b4c4b051765c517ab97404132788ace9047f1e
Title of manuscript: Theatrum Sanitatis also known as "The Table of Health" MS call number (and folio selected): Ms. 4182 Folio 39, 40 Current location: Biblioteca Casanatense, Rome, Italy Place of creation: North Italy, possibly in the city of Padua Date of creation: late 14th century
Codicology and Paleography
Language(s) of text: Latin Script: Italian Round Gothic Script Abbreviations: None Textual corrections Contemporary: None Later: Additions to text Marginal commentary Contemporary: None Later: None Rubrication: None Instructions for scribe: None Instructions for rubricator and/or artist: None
Provenance
Marks of ownership: One this particular folio 39 and 40 none were found, however throughout a different part of manuscript a coat of arms was found. Previous owners: Three of the four copies of manuscripts were identified to be in Paris, Vienna, and Rome belonging to Giangaleazzo Visconti and his circle, a valued artist and architect. Two early owners of the manuscript were found in Vienna. One of the crests on the coat of arms found was identified to belonging to von Schlosser in 1895, part of the Cerruti family of Verona. More recently, the coat of arms was corrected by Barbieri Alvarotto to connect to the Paduan Family-the Speroni where Speroni was a public figure in the Padua. The manuscript ended up being the property of George of Liechtenstein, Bishop prince of Trent from 1390-1419, whose coat of arms was identified on folio 1 verso in 1911.
Mise en page
Columns: 1 column Lines per column: 3-4 lines per column
Decoration (in hierarchical order)
Gilding: None Small ink initials: None Pen flourished initials: None Painted initials: None Gold initials: None Foliate initials: None Zoomorphic initials: None Anthropomorphic initials: No anthropomorphic initials but on folio 39 a anthropomorphic mandrake plant looks mournfully at a dog. Historiated initials: None Miniatures: Full page Marginal Illustrations: No Illustrations but decoration includes bordered irregular red frame around the illustrations. Illustrations included vibrant colors such as red, green, and blue, etc. Full page illustration: Yes, in this illustration on folio 40, a man has tied his dog to the mandrake so that the dog can pull the plant out of the ground, thus saving his owner's hearing. The iconography reflects ancient belief that the mandrake root, which resembled a human body, screamed when uprooted; but a dog may do the uprooting while the man goes off and avoids hearing it's scream. This is why the man is hurrying away and covering one ear to protect himself. If smelled or used as a poultice, mandrake can cure headaches, insomnia, elephantiasis, and other skin infections but should NOT be eaten. On folio 39, an illustration of a clump of basil is shown, trained rather improbably into a standard, growing in an elegant pot decorated with colors of red, blue, and green. Basil dissolved superfluities of the brain and strengthens the blood.
Other Information
The Theatrum Sanitatis, also known as Tacuinum Sanitatis, transates to the Secrets of Health. The word tacuinum is a latinization of the Arabic world taqwim (meaning 'table' or 'almanac'). A health book that provides guidance on everything necessary for a health and happy life showing that good health depended on six essential factors: climate, food and drink, movement and rest, sleep and wakefulness, elimination and retention, and the emotions. Proper regulation of these six non naturals would maintain the health of those prone to illness according to renowned Arab physician Ibn Butlan.
This manuscript was intended for wealthy aristocrats and leaders who wanted to learn about healthy living through daily practice rather than theory. The wealthy, also known as "ill popolo grasso," the fat people, had power, wealth, and the privilege to access of healthy living and eating well. The different resources, fruits, and vegetables found in the health book were not meant for those living in poverty and famine. Throughout different folios, the paintings show an abundance of food and harvest that can not be taken at face value when the reality of that time period left harvests ruined. During the time of the manuscripts creation, was the period of the late Middle Ages period in Europe where the Great Famine, warfare, and the Black Death took place, a period of serious famines and plagues where the population reduced significantly. This resulted in ruined crops and an acute shortage on food, where harvest were destroyed and lower and middle class peoples lives were affected tremendously, reducing the population by two-thirds.
Further readings
Bovey, Alixe. Tacuinum Sanitatis: An Early Renaissance Guide to Health. London: Sam Fogg, 2005. Print.
Cogliati, Arano L. The Medieval Health Handbook Tacuinum Sanitatis. New York, N.Y: G. Braziller, 1992. Print.
Givens, Jean A, Karen Reeds, and Alain Touwaide. Visualizing Medieval Medicine and Natural History, 1200-1550. Aldershot, England: Ashgate, 2006. Print.
