L.A. Stories: Community SpotlightMain MenuIntroductionThe greater Los Angeles area is on the traditional lands of the Gabrielino/Tongva, Chumash, Fernandeño Tataviam and Yuhaaviatam/Maarenga’yam (Serrano) peoples. We acknowledge their presence here since time immemorial and recognize their continuing connection to the land, to the water and to their ancestors.PeoplePlacesContributorsChronology of ArtifactsMapping the CollectionVisualize the ExhibitIn this visualization, artifacts are green, themes are blue, and contributors to the exhibit are red.Acknowledgements
All the Saints of the City of the Angels
12021-10-18T16:05:18-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e395904An historical and poetic road trip through the cultural heritage of Los Angeles, via its hundred streets named for saints. Contending that the history of a place resides in its names, "All the Saints" seeks the points of convergence between the stories of the saints and the histories of the streets which bear their names. The results are rendered in painting and story. Thus far, over 100 paintings and dozens of essays have been collected into a major coffee table book (published by Heyday Books, 2008) and an exhibition at the Autry Museum (through September 2008); as well as a website, public installations, and adssorted merchandise.
http://www.allthesaints.comstructured_gallery2021-10-19T11:06:41-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673eAn historical and poetic road trip through the cultural heritage of Los Angeles, via its hundred streets named for saints. Contending that the history of a place resides in its names, "All the Saints" seeks the points of convergence between the stories of the saints and the histories of the streets which bear their names. The results are rendered in painting and story. Thus far, over 100 paintings and dozens of essays have been collected into a major coffee table book (published by Heyday Books, 2008) and an exhibition at the Autry Museum (through September 2008); as well as a website, public installations, and adssorted merchandise.
1media/Ready_for_the_Parade_Fiesta_de_Los_Angeles_thumbnail.jpg2021-10-11T10:17:56-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e"Ready for the Parade"5This postcard image illuminates the diversity of participants in the early Fiesta de Los Angeles parades, even at a time when anti-Chinese fervor was high. The photograph shows numerous Chinese participants awaiting the start of the Fiesta de Los Angeles parade.media/Ready_for_the_Parade_Fiesta_de_Los_Angeles.jpgplain2021-10-20T21:51:37-07:0001/01/1894-12/31/1896All the Saints of the City of the AngelsCopyright unknown,"M. Reider Publications" From the All the Saints of the City of the Angels ArchivesAlejandra Gaeta955f992babcc9b7f4b13534f3e5511b89a8bc725
1media/View_of_Los_Angeles_From_the_Fort_thumbnail.jpg2021-10-11T10:17:56-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e"View From the Fort (Moore)"5A stereoview image of El Pueblo, Los Angeles, taken from Fort Moore, on North Broadway, whose "view" of El Pueblo is largely obscured by the prominent positioning of a mule. We all have images of our home and how we want it remembered: Here we have a purported "View of Los Angeles" where the photographer J. D. Westervelt has intentionally obscured most of our view of El Pueblo by centering a mule. What story/opinion of LA is this intended to convey?media/View_of_Los_Angeles_From_the_Fort.jpgplain2021-10-19T21:27:48-07:0001/01/1861-12/31/1873All the Saints of the City of the AngelsNo Copyright- in public domain34.0584157 , -118.2418282J. D. WesterveltFrom the All the Saints of the City of the Angels ArchivesAlejandra Gaeta955f992babcc9b7f4b13534f3e5511b89a8bc725