L.A. Stories: Community SpotlightMain MenuIntroductionThe greater Los Angeles area is on the traditional lands of the Gabrielino/Tongva, Chumash, Fernandeño Tataviam and Yuhaaviatam/Maarenga’yam (Serrano) peoples. We acknowledge their presence here since time immemorial and recognize their continuing connection to the land, to the water and to their ancestors.PeoplePlacesContributorsChronology of ArtifactsMapping the CollectionVisualize the ExhibitIn this visualization, artifacts are green, themes are blue, and contributors to the exhibit are red.Acknowledgements
Academy of Motion Picture Arts & Sciences, Margaret Herrick Library
12021-10-18T16:05:15-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e395905The Margaret Herrick Library collects a wide range of materials documenting film as both an art form and an industry. Its holdings include photographs, posters, books, periodicals, screenplays, oral histories, and extensive clippings files on people, films, and companies. The clippings files are organized under five headings: production, biography, general subject, festivals and awards, and Academy history. The general subject files contain clippings and photographs regarding aspects of Los Angeles such as homes, studios, motion picture theaters, hotels, restaurants, nightclubs, Los Angeles as a location, educational and cultural institutions, theme parks, and landmarks; labor disputes and the formation of industry-related unions and guilds are also extensively documented in the general subject files. The Academy history files provide coverage of that very Los Angeles-based activity the Academy Awards. The library's Special Collections contain materials relating to the careers of numerous directors, producers, actors, and other craftspeople and their filmmaking work in Los Angeles. Dating from the early 1900s to the present, the materials in Special Collections include scripts in various drafts, personal and business correspondence, production memoranda, sketches, clippings, music scores, recordings, scrapbooks, artifacts, and photographs.
https://www.oscars.org/librarystructured_gallery2021-10-19T11:05:45-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673eThe Margaret Herrick Library collects a wide range of materials documenting film as both an art form and an industry. Its holdings include photographs, posters, books, periodicals, screenplays, oral histories, and extensive clippings files on people, films, and companies. The clippings files are organized under five headings: production, biography, general subject, festivals and awards, and Academy history. The general subject files contain clippings and photographs regarding aspects of Los Angeles such as homes, studios, motion picture theaters, hotels, restaurants, nightclubs, Los Angeles as a location, educational and cultural institutions, theme parks, and landmarks; labor disputes and the formation of industry-related unions and guilds are also extensively documented in the general subject files. The Academy history files provide coverage of that very Los Angeles-based activity the Academy Awards. The library's Special Collections contain materials relating to the careers of numerous directors, producers, actors, and other craftspeople and their filmmaking work in Los Angeles. Dating from the early 1900s to the present, the materials in Special Collections include scripts in various drafts, personal and business correspondence, production memoranda, sketches, clippings, music scores, recordings, scrapbooks, artifacts, and photographs.
1media/Lois_Weber_thumbnail.jpg2021-10-11T10:17:40-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673eCinematographer Arthur Miller and director Lois Weber at the DeMille Studios in Culver City, California, circa 1927.2Lois Weber produced, directed, wrote and acted in films starting in the early 1900s, with one- and two-reelers at Universal and Hobart Bosworth Productions. She is credited as being the first woman director of an American feature film, THE MERCHANT OF VENICE (1914), and was the first woman elected to the Motion Picture Directors Association in 1916. During this time, Weber was one of the highest paid filmmakers in America and often made films with controversial topics, such as THE HAND THAT ROCKS THE CRADLE (1917), which promoted legalizing birth control.media/Lois_Weber.jpgplain2021-10-14T14:26:14-07:001927Academy of Motion Picture Arts & Sciences, Margaret Herrick LibraryCopyright unknown34.0227604 , -118.3908485UnknownMargaret Herrick Library, Academy of Motion Picture Arts and SciencesCurtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e
1media/Euzhan_Palcy_thumbnail.jpg2021-10-11T10:17:42-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673eDirector Euzhan Palcy during production of A DRY WHITE SEASON, 1989.2Born in Martinique, Euzhan Palcy went to school in France and made her first film, the short THE MESSENGER (1975), when she was just 17 years old. She went on to work as an assistant director in Paris where she met François Truffaut, who helped her raise money to produce her first feature-length film, SUGAR CANE ALLEY (1983). Her next film, A DRY WHITE SEASON (1989), was financed by MGM and was the first Hollywood feature film directed by a Black woman.media/Euzhan_Palcy.jpgplain2021-10-22T13:34:55-07:001989Academy of Motion Pictures Arts & Sciences, Margaret Herrick LibraryCopyright unknownDavid Jamesthe Academy of Motion Picture Arts and Sciences, Margaret Herrick LibrarySuzanne Noruschatd5b4fb9efb1f1d6e4833d051ebc06907bb9dba64
1media/Milicent_Patrick_thumbnail.jpg2021-10-11T10:17:42-07:00Curtis Fletcher3225f3b99ebb95ebd811595627293f68f680673eMilicent Patrick during production of CREATURE FROM THE BLACK LAGOON, 19541Milicent Patrick began her artistic career as one of the first female animators at Walt Disney Studios, eventually working on FANTASIA (1940). She contributed to four sequences, including “Night on Bald Mountain,” for which she painted the monster Chernabog. In 1952, Patrick was hired as a makeup designer for the B picture that became CREATURE FROM THE BLACK LAGOON (1954). Though Patrick herself has been largely forgotten, the monsters that she created continue to haunt the cultural imagination.media/Milicent_Patrick.jpg2021-10-11T10:17:43-07:001954Academy of Motion Picture Arts and Sciences, Margaret Herrick LibraryCopyright unknownUnknownAcademy of Motion Picture Arts and Sciences, Margaret Herrick LibraryCurtis Fletcher3225f3b99ebb95ebd811595627293f68f680673e