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  DIALOGUES

  Towards Decolonizing Music and Dance Studies

   

  Co-edited by Tan Sooi Beng & Marcia Ostashewski

  Published by the International Council for Traditional Music

  © ICTM
  July 2022
  www.ictmusic.org
  A Non-Governmental Organization
  in Formal Consultative Relations with UNESCO

   

  Copy Editor & Designer
  Crystal Chan
   

  Cover/Homepage Image
  Women performers playing the siku, Comunidad Sagrada Coca.
  Andean Amazon New Year at Town of Sorata, 2021.
  See this image in context in Dialogue 12.
  Photo by Judith López Uruchi
  Source: University of Buenos Aires,
  Anthropology of Body and Performance Research Team
  
  Partners
  
  
  
   
   

  Table of Contents

  
  Introduction

  By Tan Sooi Beng & Marcia Ostashewski (Co-Editors)
   

  Spanish Translation Notes: Decoloniality/Descolonialidad/De(s)Colonialidad

  By Silvia Citro, Beatriz Herrera Corado, María Gabriela López-Yanez & Juan Bermudez
   

  The Dialogues

  1
  A Latin American Dialogue for Social Inclusion
  Community Musics, Ethnicities, and Identities
  Organizer: Juan Sebastián Rojas E. (Fundación Universitaria Juan N. Corpas, Colombia)
  Speakers are from Brazil, Columbia, and USA

  2
  From Cosmopolitanism to Cosmology
  Forging Decolonial Praxis in Contemporary South Africa
  Organizer: Brett Pyper (University of the Witwatersrand, South Africa)
  Speakers are from South Africa

  3
  Insider Dance Research and Resulting Discourses in Seven African Countries 
  Organizers: Ronald Kibirige (Makerere University, Kampala-Uganda) and Eric Baffour Awuah (University of Ghana, Ghana)
  Speakers are from Ghana, Kenya, Malawi, Nigeria, South Africa, Uganda, and Zimbabwe

  4
  Collaborative Methodologies for Decentring Power Hierarchies in Education, Artistic Research, and Museum Curating
  Organizer: Wei-Ya Lin (University of Music and Performing Arts Vienna, Austria)
  Speakers are from Brazil, Malaysia, Switzerland, and Taiwan

  5
  Painting Ecuador Anew
  Knowledge Circulation in a Diversified Country
  Organizer: María Gabriela López Yánez (Universidad Central del Ecuador)
  Speakers are from Ecuador

  6
  Dance, Body and Decoloniality
  Between Practice and Institutionalization
  Organizer: Sriradha Paul (Choreomundus – International Master’s in Dance Knowledge, Practice and Heritage)
  Speakers are from India, Nigeria, and UK

  7
  Decolonization of High-Impact International Journals of Music
  Organizer: Ijeoma Forchu (University of Nigeria)
  Speakers are from Nigeria

  8
  “Piti Piti Zwazo Fè Nich”? (Little by Little the Bird Makes its Nest)
  Appraising Haitian Music-making in Brazil and Projecting Futures Amidst Pandemics and Precarity
  Organizer: Caetano Maschio Santos (University of Oxford, UK)
  Speakers are from Brazil

  9
  Challenging Embedded Coloniality in Music History Curricula
  Organizer: Margaret E. Walker (Queen’s University, Canada)
  Speakers are from Canada

  10
  Ethnomusicology in Rio de Janeiro: Its Praxis, Methods, and Political Engagements
  An Overview of the Participatory Action Research Groups of the Ethnomusicology Laboratory of the Federal University of Rio de Janeiro (UFRJ)
  Organizer: Pedro Mendonça (Ethnomusicology Laboratory of UFRJ, Brazil)
  Speakers are from Brazil

  11
  Working Together? Interrogating Collaboration towards Decolonizing Music and Dance Research
  Organizer: Cornelia Gruber (University of Vienna, Austria)
  Speakers are from Austria, France, and West Indies

  12
  Collaborative Knowledge Production in the Territories of the Southern Cone
  Organizer: Jacob Rekedal (Universidad Alberto Hurtado, Chile)
  Speakers are from Argentina and Chile

  13
  Embracing a Decentred Approach in the Borderlands of Ethnomusicology
  Organizer: Alexander M. Cannon (University of Birmingham, UK)
  Speakers are from Taiwan and UK

  14
  Notes for a Practical Concept of (De)coloniality in the Context of Music and Dance Practice
  Organizers/Presenters: Naiara Müssnich Rotta Gomes de Assunção (Universidade Federal do Rio Grande do Sul, Brazil), Juan Felipe Miranda Medina (Universidad Nacional de San Agustín de Arequipa, Peru), Cinthia Carolina Duran Larrea (Choremundus – Master’s in Dance Knowledge, Heritage and Practice, Ecuador), Jorge Poveda Yánez (Embodying Reconciliation / MULTÍLOGOS, Ecuador), Maria José Bejarano (Proyecto Colibrí, Costa Rica)

  15
  Making Cultura Popular Brasileira (Brazilian Popular Culture)
  Experiences in Conversation
  Organizer: Lorena Avellar de Muniagurria (University of Campinas, Brazil)
  Speakers are from Brazil

  16
  Kopi One! How to Ownself-Check-Ownself: Chatting about Singaporean/Chinese Privilege in the Lion City and Beyond
  Organizer: Shzr Ee Tan (Royal Holloway University of London, UK)
  Speakers are from Singapore

  17
  Reading Together in a Far-Reaching Community
  Applying Decolonization to Practice
  Organizer: Kate Walker (University of Sheffield, UK)
  Speakers are from Austria, India, and UK

  18
  Decolonizing African Compositions
  Deconstructing the Theory and Practice Using Traditional Models
  Organizer: Ukeme Akpan Udoh (University of Uyo, Nigeria)
  Speakers are from Nigeria

  19
  The Necessity of a Decolonial Frame
  Undoing the Inscriptions of Colonial Modernity in the Study of Sikh Musical Heritage
  Organizer: Francesca Cassio (Hofstra University, USA)
  Speakers are from India and USA

  20
  Decolonizing Tunisian Mālūf
  Articulation and Struggles in the French-Tunisian Matrix of Power
  Organizer: Salvatore Morra (Università degli Studi della Tuscia, DISUCOM, Italy)
  Speakers are from Italy, Tunisia, and The Maghreb

  21
  Cucumbis, Jongo and Samba de Partido Alto
  The Sounds from the African Diaspora in Rio de Janeiro
  Organizer: Denise Barata (Rio de Janeiro State University, Brazil)
  Speakers are from Brazil

  22
  Shifting Identities
  A Musical Journey from the USSR to Post-Soviet Independent States
  Organizer: Razia Sultanova (University of Cambridge, UK)
  Speakers are from Kazakhstan and Russia

  23
  MULTÍLOGOS
  Knitting Together Our Movement Network (Vernos A Nosotros Mismos – Looking In Between Ourselves)
  Organizer: Beatriz Herrera Corado (MULTÍLOGOS)
  Speakers are from Bolivia, Guatemala, and Mexico

  24
  Towards Decolonization of the Curricula in Nigerian Musical Arts Education
  Organizer: Esinkuma James Amaegbe (University of Port Harcourt Rivers State, Nigeria)
  Speakers are from Nigeria
   

  Postlude: Publication Launch

  Speakers: Svanibor Pettan, Beverley Diamond, Samuel Araujo,
  Jean Kidula, Naila Ceribašić, Anthony Seeger
  Moderators: Tan Sooi Beng & Marcia Ostashewski (Co-Editors)